In the 1980s, I was living in Spain, teaching high school. On weekends and vacations, I traveled throughout the country, fascinated with the remnants of its flourishing medieval civilization, where Jews, Christians, and Muslims mingled. When I later became a historian, I focused on the rich history of Jewish-Christian-Muslim contact in Spain and throughout the Mediterranean. I also wanted to understand conflict and prejudice, particularly the historical roots of antisemitism and islamophobia in Europe. I have increasingly realized that classical religious texts need to be reread and contextualized and that we need to rethink our ideas about religion and religious conflict.
While Boyarin challenges what we thought we knew about Judaism and Christianity, Fred Donner does the same for the history of the origins of Islam. Most of what we know, or think we know, about Muhammad comes from the hadiths (traditions), sayings, and deeds of the prophet that were transmitted orally and put down in writing two centuries after the prophet’s death. Leaving aside hadith and the traditional biographies of the prophet, Donner looks at what we can say about Muhammad and his first followers based on the Quran alone. While the terms “Islam” and “Muslim” are present in the Quran, Islam is not a "religion" apart from other monotheisms.
On the contrary, Muhammad had no intention of founding a new "religion," but saw himself as the successor to earlier prophets, from Adam to Jesus and the apostles, who all preached the same message: condemnation of idolatry, declaration of unity…
The origins of Islam have been the subject of increasing controversy in recent years. The traditional view, which presents Islam as a self-consciously distinct religion tied to the life and revelations of the prophet Muhammad in western Arabia, has since the 1970s been challenged by historians engaged in critical study of the Muslim sources.
In Muhammad and the Believers, the eminent historian Fred Donner offers a lucid and original vision of how Islam first evolved. He argues that the origins of Islam lie in what we may call the "Believers' movement" begun by the prophet Muhammad-a movement of religious reform…
This book is another that absolutely stands out in a crowded genre – a real gem. I could not put this one down.
The author manages to pack wit and humour into each page while also tackling themes of inequality and oppression. Beautifully written, fast paced, with one of my favourite lead characters of all time. The characterisation is just brilliant. I just cannot fault this wonderful book.
Ryan Wilkins grew up on a trailer park, a member of what many people would call the criminal classes. As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian-London heritage, is an impeccably groomed,…
I do not know about the origins of my passion but hardships did influence me, the values of Islam shaped my personality and infused passion required to speak up against injustices. When I write, I speak my mind and try to put my heart and soul into it and that’s how the passionate story of ‘The Broken Silence’ came into existence. It is composed over a period of 23 years; that speaks up and documents the genocidal sanctions imposed on Iraq that caused the pathetic deaths of about a million innocent children - “This book is a historic documentation of one man’s passionate efforts to do his part to speak truth to power.”
This book combines the exciting travels in the deserts of Arabia with his spiritual journey to uncover the meaning of the faith practiced there. I find immense meaning and wisdom in his words as he explores a faith practiced by more than a quarter of the world’s population!
In one story, an old man explains what it means to pray, and it sunk into me that it is focused on the willing surrender to God, obeying His commands, and bringing peace within us and our destiny.
I admire Asad’s interpretation of 'unhappiness' when he sees unhappy faces while traveling in a subway. On reaching home, he finds an open page from Qur’an that translates to mean, “You are distracted by mutual competition in amassing (worldly benefits), until you reach the graves.” That really struck me.
Part travelogue, part autobiography, "The Road to Mecca" is the compelling story of a Western journalist and adventurer who converted to Islam in the early twentieth century. A spiritual and literary counterpart of Wilfred Thesiger and a contemporary of T. E. Lawrence (Lawrence of Arabia), Muhammad Asad journeyed around the Middle East, Afghanistan and India. This is an account of Asad's adventures in Arabia, his inner awakening, and his relationships with nomads and royalty alike, set in the wake of the First World War. It can be read on many levels: as a eulogy to a lost world, and as…
During two decades as a gardening columnist for the Toronto Star, I wrote about hundreds of different plants. I also penned, for various publishers, over half a dozen books with titles ranging from Incredible Edibles: 40 Fun Things to Grow in the City and The Untamed Garden: A Revealing Look at our Love Affair with Plants. And in doing so, I got hooked. Even if you aren’t interested in gardening, the botanical world is chock-a-block with terrific stories. My new novel, for instance, published in 2022, begins with an extraordinary tale about a plant called The Corpse Flower which bloomed for the first time in 70 years at Brooklyn Botanical Garden.
Devout Christian Garrison Keillor jokes in the foreword to this book that reading it gave him a jolt because Musselman insists that Eve couldn’t possibly have given an apple to Adam. “Apples didn’t grow in the Middle East back then. It was more likely an apricot,” claims Musselman, a celebrated botanist based at Old Dominion University in Norfolk, Virginia. True or not, he’s assembled years of research in the Holy Land into a thought-provoking book that’s both a reference guide and very readable. With some good photographs.
This book celebrates the plants of the Old Testament, New Testament, and Quran. From acacia, the wood of the tabernacle, to wormwood, whose bitter leaves, as absinthe, flavor alcoholic drinks, 81 chapters cover the more than 100 plants in the holy texts that have true botanical counterparts. Fascinating stories of the fruits, grains, grasses, trees, flowers, and fragrances include botanical characteristics, habitat, uses, and literary context. Richly illustrated with extensive color, this delightful ecumenical botany offers the welcome tonic of a deep look into an enduring, shared natural heritage.
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from French, this beautiful 101-page narrative reads like a poetic meditation. Our character once lived a deeply rural life in North Africa, a cultural and linguistic outsider. Now, as a refugee plunged into a new world of identities, she has been informed that she is Muslim. But what does it mean, this word, across languages and cultures? Deep questions about the interlacing of culture, religion, and geopolitics are posed here with startling urgency in a style that evokes not only the machinations of the state, but the deeply interior world in which we define ourselves to ourselves.
"Muslim" A Novel is a genre-bending, poetic reflection on what it means to be Muslim from one of France's leading writers. In this novel, the second in a trilogy, Rahmani's narrator contemplates the loss of her native language and her imprisonment and exile for being Muslim, woven together in an exploration of the political and personal relationship of language within the fraught history of Islam. Drawing inspiration from the oral histories of her native Berber language, the Koran, and French children's tales, Rahmani combines fiction and lyric essay in to tell an important story, both powerful and visionary, of identity,…
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
Written by the renowned Sunni scholar and Sufi teacher Abu ’l-Qasim al-Qushayri (986–1074) of Khorasan in Eastern Iran, this is probably the most popular Sufi training manual ever. It is still widely used by Sufis today, so you can begin your Sufi journey by reading it. It also serves as a window onto the life of “Sufi friends of God” or “saints,” whom the author depicts as uncrowned kings of this world. We see them in a variety of contexts: suffering from hunger and thirst in the desert during a pilgrimage to Mecca, participating ecstatically or quietly in spiritual concerts, reciting and interpreting the Qur’an, waging war against outward enemies (“infidels”) and their own demonic desires, earning livelihood, meditating in a retreat, praying, working miracles, interacting with the commoners, their family members and peers, dreaming, and dying.
The author of the "Epistle on Sufism, Abu 'l-Qasim al-Qushayri" (376/986-465/1074), was a famous Sunni scholar and mystic (Sufi) from Khurasan in Iran. His Epistle is probably the most popular Sufi manual ever. Written in 437/1045, it has served as a primary textbook for many generations of Sufi novices down to the present. Al-Qushayri has given us an illuminating insight into the everyday lives of Sufi devotees of the eighth-eleventh centuries C.E. and the moral and ethical dilemmas they were facing in trying to strike a delicate balance between their ascetic and mystical convictions and the exigencies of life in…
Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
The Oxford Companionis an encyclopedia, not a narrative, but I love that it includes stories from the Bible, the Quran, and other sacred texts alongside fantastical legends that span the globe. The line between myth and religion is, after all, largely subjective. King David, the nymph Daphne, and the Dayak myths of Borneo all share the same page. For those of us seeking inspiration in myth, the Oxford Companionoffers ideas from Abraham to Ziusudra.
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In The Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our…
For as long as I can remember, I’ve been obsessed with cultural curiosities, extraordinary eccentrics, secret societies, decadent dandies, rebels, devils, and anything weird and wonderful. I parlayed a love of Word and Image into a career in the arts and worked for places including Tate, Thames & Hudson and the British Library. But to be honest with you, that was just a ruse so I could spend more time delving through interesting books and prints. Some people see the world a little differently; I think we all benefit by spending a bit of time in the company of their art. "It's the Ones Who've Cracked That the Light Shines Through."
How can you have a list of cult books without William Burroughs? I nearly put some Burroughs on this list, but as this is for hard-to-impress fans of cult books, you’ve probably already read him. I was also tempted to include Hakim Bey’s Temporary Autonomous Zone, but again, you’ve probably already read him (or object to him on reputation alone). Michael Muhammad Knight takes on both these figures while attempting to write the Great American Queer Islamo-Futurist Novel. Contains hip-hop history, gay fiction, and sacrilege – what’s not to like? A blasphemous blend of autobiography and literary experimentation.
When Michael Muhammad Knight sets out to write the definitive biography of his “Anarcho-Sufi” hero and mentor, writer Peter Lamborn Wilson (aka Hakim Bey), he makes a startling discovery that changes everything. At the same time that he grows disillusioned with his idol, Knight finds that his own books have led to American Muslim youths making a countercultural idol of him, placing him on the same pedestal that he had given Wilson.
In an attempt to forge his own path, Knight pledges himself to an Iranian Sufi order that Wilson had almost joined, attempts to write the Great American Queer…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
Clothing isn’t the only residue a culture and its people leave behind. Humans are natural pattern makers, and those patterns often give important insight into what those people value, as well as what fills their natural environment. Materials, dyes, tools… all these things have an influence on how a culture decorates their world and themselves. Patterns are a very subtle way to underscore a moment in a story.
This beautiful, highly influential book, long a classic in its field, remains today one of the most comprehensive and best-organized presentations of historic ornamental design. The original 100 color plates, meticulously reproduced here from the rare original folio edition, present a dazzling spectrum of copyright-free design motifs from both ancient and modern cultures. The Grammar of Ornament features designs from around the world: the West to the Far East and many cultures in between.
Graphic and fine artists will find nearly three thousand designs rendered in fine detail from a variety of sources:
I do not know about the origins of my passion but hardships did influence me, the values of Islam shaped my personality and infused passion required to speak up against injustices. When I write, I speak my mind and try to put my heart and soul into it and that’s how the passionate story of ‘The Broken Silence’ came into existence. It is composed over a period of 23 years; that speaks up and documents the genocidal sanctions imposed on Iraq that caused the pathetic deaths of about a million innocent children - “This book is a historic documentation of one man’s passionate efforts to do his part to speak truth to power.”
I am impressed with the author's substantial effort in examining the Holy Scriptures from the perspective of modern scientific knowledge. The author looks at various Quranic statements in the light of scientific discoveries and concludes that it can't be of human origin - that surely enhances that the Qur'an is a true Divine Book.
This book also has the noble purpose of promoting much-needed unity between the followers of Christianity and Islam and countering ignorant and false ideas about both religions. It was especially gratifying to learn of a Vatican document describing that Muslims profess the faith of Abraham and worship one God as Christians do – that gives me hope that we are all one.
In this book, I reveal previously unpublished fact(s) about Dr. Maurice Bucaille to include: birth and martial records, death and burial records, images of his gravestone with a link to the actual site, close family members with their various family tree(s), and much much more. Dr. Maurice Bucaille was a prominent French physician/surgeon, amateur Egyptologist, and renowned author who became widely known for his best selling books and for his research related to science and religion particularly the religion of Islam. After the publication of his first book "The Bible, the Quran, and Science" a movement related to this area…
