Here are 50 books that Al-Qushayri's Epistle on Sufism - Al-Risala Al Qushayriyya Fi 'ilm Al-Tasawwuf fans have personally recommended if you like
Al-Qushayri's Epistle on Sufism - Al-Risala Al Qushayriyya Fi 'ilm Al-Tasawwuf.
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My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
This book was a revelation for me when it came out, and I continue to use it as both reference and a source of new ideas and inspiration. The author felicitously combines a deeply personal perspective on Sufism’s greatest thinker Ibn ‘Arabi (1165–1240) with academic rigor and precision in translation. His comments on Ibn ‘Arabi’s teachings are unobtrusive and helpful in navigating the Sufi master’s breathtaking exploration of the universe that he presents, paradoxically, as a giant reflection of the [self-]image and imagination of the Divine Absolute. The subtle interaction of mundane and divine imaginations determines how we ourselves imagine the world. After reading this book, you will understand why Ibn ‘Arabi looms so large in Eastern and Western imaginings of Sufism and why he is compared to Plato in the Western intellectual tradition.
"For the first time in the history of Orientalism, a thorough study of Ibn al-'Arabi's thought is now available. William Chittick has given us a translation of numerous passages from the work of the Magister Magnus and placed them in their theological context, thus removing many misunderstandings that have prevailed both among Muslims and in the West when interpreting Ibn al-'Arabi's mystical worldview. Chittick has done this with admirable clarity, and his book will always remain a most important milestone in the study of Islamic mystical theology." -- Annemarie Schimmel, Harvard University
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
This book offers a poignant personal view of Sufism by a Scottish-born actor and writer who became disillusioned with a world “where people teach but know nothing, where the sentences flow on endlessly but lead nowhere.” He seeks and finds wisdom and solace in the deserts of Sahara under the guidance of a Sufi master to whom he dedicates his short but powerful book. When I picked it up as a reading for my class on Sufism, I thought I would find a usual mushy account of Sufism by a starry-eyed neophyte. The book was anything but: it was eloquent, deeply personal, and felicitously free from platitudes. I was pleasantly surprised and so were my students. I recommend it to everyone interested in spiritual quests regardless of his or her background.
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
While the author of my second recommended book sought Sufi wisdom in the “Muslim Orient,” this wisdom has become an integral part of intellectual, cultural, and spiritual life in “Occidental” societies. A peculiar mixture of Neoplatonic emanationism, Sufi poetry, music and rituals, perennialism, pantheism, esotericism, and New Age religiosity, it has captivated the minds and souls of Western academics, anarchists, artists, architects, faith healers, physicians, and psychiatrists, who rearranged these diverse elements to create their own distinctive versions of Sufi spirituality and lifestyle. Lively and witty, the author’s narrative guides us through several “cultural transfers”—premodern, modern, and New Age—from the Muslim world to the West, culminating in the emergence of “Western Sufism” represented by the major public figures, celebrities, and charismatic teachers.
Western Sufism is sometimes dismissed as a relatively recent "new age" phenomenon, but in this book, Mark Sedgwick argues that it actually has very deep roots, both in the Muslim world and in the West. In fact, although the first significant Western Sufi organization was not established until 1915, the first Western discussion of Sufism was printed in 1480, and Western interest in some of the ideas that are central to Sufi thought goes back to the thirteenth century. Sedgwick starts with the earliest origins of Western Sufism in late antique Neoplatonism and early Arab philosophy, and traces later origins…
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
Now that you know what Sufism is all about, it is time to find out what lies behind the romantic façade of Sufi love poetry, ecstatic outbursts, and exotic rituals. For this purpose, I cannot recommend a better guide than this collective monograph. Its authors explain the nuts and bolts of Sufi life past and present: how Sufis interact with the world that they are supposed to despise and reject, how they feed themselves and their families, how they create and sustain their fellowships and associations, how their shrines serve as centers of charity, education, and arbitration as well as objects of pilgrimages, both collective and individual. My greatest takeaway from this informative and richly illustrated volume is Sufism’s remarkable adaptability. It thrives in the countryside, urban spaces, and cyber environment, often against great odds.
This volume describes the social and practical aspects of Islamic mysticism (Sufism) across centuries and geographical regions. Its authors seek to transcend ethereal, essentialist and "spiritualizing" approaches to Sufism, on the one hand, and purely pragmatic and materialistic explanations of its origins and history, on the other. Covering five topics (Sufism's economy, social role of Sufis, Sufi spaces, politics, and organization), the volume shows that mystics have been active socio-religious agents who could skillfully adjust to the conditions of their time and place, while also managing to forge an alternative way of living, worshiping and thinking.
I fell in love with Rumi when I was 15. My parents introduced me to him, and lines of his poetry show up in daily conversation with them. Rumi had insights about life put much more eloquently than I could have expressed myself. I have devoted myself to studying this path of Radical Love for over 35 years now, and have the great joy to share these teachings with people in both academic and communal settings. I lead spiritually oriented tours to Turkey and Morocco through Illuminated Tours. I also teach online courses on Rumi and spirituality through Illuminated Courses and courses on Islam and Islamic spirituality at Duke University.
Cemalnur Sargut, whose own first name literally means Beauty-Light, thus the title of this volume, is a reminder that this Path of Love is a living tradition. She is a living Sufi female teacher in Istanbul, who offers brilliant insights into the Qur’an, Rumi, and Ibn ‘Arabi with effortless grace. To listen to Cemalnur or read her book is a reminder of the gates to heaven are still open.
One of the first memories I have from sitting with Cemalnur is from a magical night in Istanbul, where we were treated to a night of her sohbet, mystical discourse. Hour after hour went by, and Cemalnur was sharing stories, anecdotes, Sufi aphorisms, commentary on the Qur’an, and more. It all seemed so… effortless. These were not her stories. They were pouring through her. It was as if she had simply emptied herself of her own ego, and she was a channel of grace to the magical Beyond.
There’s something about experiencing a sohbet with her that is a reminder…
For as long as I can remember, I’ve been obsessed with cultural curiosities, extraordinary eccentrics, secret societies, decadent dandies, rebels, devils, and anything weird and wonderful. I parlayed a love of Word and Image into a career in the arts and worked for places including Tate, Thames & Hudson and the British Library. But to be honest with you, that was just a ruse so I could spend more time delving through interesting books and prints. Some people see the world a little differently; I think we all benefit by spending a bit of time in the company of their art. "It's the Ones Who've Cracked That the Light Shines Through."
How can you have a list of cult books without William Burroughs? I nearly put some Burroughs on this list, but as this is for hard-to-impress fans of cult books, you’ve probably already read him. I was also tempted to include Hakim Bey’s Temporary Autonomous Zone, but again, you’ve probably already read him (or object to him on reputation alone). Michael Muhammad Knight takes on both these figures while attempting to write the Great American Queer Islamo-Futurist Novel. Contains hip-hop history, gay fiction, and sacrilege – what’s not to like? A blasphemous blend of autobiography and literary experimentation.
When Michael Muhammad Knight sets out to write the definitive biography of his “Anarcho-Sufi” hero and mentor, writer Peter Lamborn Wilson (aka Hakim Bey), he makes a startling discovery that changes everything. At the same time that he grows disillusioned with his idol, Knight finds that his own books have led to American Muslim youths making a countercultural idol of him, placing him on the same pedestal that he had given Wilson.
In an attempt to forge his own path, Knight pledges himself to an Iranian Sufi order that Wilson had almost joined, attempts to write the Great American Queer…
I’m a preacher’s kid, and I’ve always had an evangelistic impulse to get other people to love the books I admire, through my teaching at Harvard, through my writing, and simply by pressing books into my friends’ hands. I grew up hearing about my parents’ early years in the Philippines, where my father was an Anglican missionary, and I was always drawn to tales of distant or imagined lands. My literary interests led me to study a dozen ancient and modern languages, and then to learn more about the places where my favorite authors came from, and to study their cultures and history.
A fascinating counterpoint to Dante’s otherworldly journey is this great Sufi poet’s down-to-earth account of a group of birds who are seeking a leader to put their chaotic lives in order. Attar’s twelfth-century verse novel combines spiritual quest with pointed social satire, as his bird-brained characters keep putting off their journey, held back by earthly attachments: to power, wealth, even to poetry itself. Finally they go, only to find that their wished-for savior is -- themselves. In Attar’s masterpiece, all history, all storytelling, the Holy Qur’an, and even the poem we’re reading become a hall of mirrors in which we see ourselves multiply refracted, guided by the poet who tells us that “he cooks his own heart into verse.”
Farid ud-Din Attar was a Persian poet, druggist, and social theorist of Sufism, who wrote much of his poetry while treating hundreds of patients a day with his herbal remedies. As a young man he made a pilgrimage to Mecca, and sought wisdom during his travels in Egypt, Damascus, and India. His masterpiece, “The Conference of the Birds”, has survived centuries because of its captivating poetic style and its symbolic exploration on the true nature of God. This 4500-line poem follows the birds of the world, each of which hold special significance, as they seek out the Simurgh, a mythical…
Born in Baghdad and raised in America, I come from an ancient lineage of people called the Chaldeans (Neo-Babylonians who still speak Aramaic). The first book I read was Gone with the Wind, at age nine, in Arabic. We lived in Jordan at the time, awaiting a visa to the United States and Scarlett O’Hara’s land and people were my impressions of what America would look like. But Michigan in the 1980s was not Georgia in the 1860s. Still, that book proved that great storytelling transcends ethnicity, age, and gender. So in my writing and film career, I have focused on the art of storytelling as I share the stories my people, culture, and heritage.
I love biographies of the lives of individuals who go through spiritual transformations.
Daughter of Fire is one of those books. It’s about a British woman who goes to India and meets a Sufi Master. He asks her to keep a diary, which she does for five years. The account of the guru/disciple relationship is deep, touching, and intriguing.
It keeps you turning the pages through the 800+ pages of a soulful experience.
This diary spans five years, making up an amazing record of spiritual transformation: the agonies, the resistance, the long and frightening bouts with the purifying forces of Kundalini, the perseverance, the movements towards surrender, the longing, and finally, the all-consuming love.
I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
So, first things first with this list of recommendations to unlock your creativity: you got to get yourself out of the way. There’s no better way to do this than acquainting yourself with Sufism, even on an introductory level.
I am very close friends with the pre-eminent American translator of the 13th-century Sufi poet Jalal al-Dīn Rumi, and it still took me many years to get to this book. Maybe everything happens at the right time, but you still need to settle with yourself to get any ball rolling, especially the powerful tool of your own creativity–the only medicine, the single refuge.
Written in response to more than 70,000 questions received about the Sufi tradition from people around the world, this keystone work is crucial for readers wishing to approach the Sufi Way.
Learning How to Learn presents traditional teaching stories, anecdotes, and question-and-answer exchanges to illustrate the barriers and prerequisites to Sufi learning. Shah uses the language of Western psychology—concepts known in the ancient wisdom traditions of the East—to explain how and why Sufis learn, and how spiritual understanding may be developed.
The author draws from a vast array sources to illustrate the challenges and pitfalls inherent in real self-development work:…
The sixty books I’ve written wander in and out of existential thought, as that breakthrough thinking, where man was told to take personal responsibility for his life and stop looking up or elsewhere for purpose and meaning, has informed everything I do and write about. Over the years, I’ve been a family therapist, a creativity coach, an existential wellness coach, and an advocate for critical psychology and critical psychiatry, points of view that dispute the current pseudo-medical “mental disorder” paradigm.
Sufiism predates Islam and contains some of the most interesting thinking from the ancient world to stand alongside the ancient Greeks and Romans. All three traditions, the Greek, the Roman, and the Sufi, did a tremendous job of deconstructing humbug and turning a clear eye on the truth.
Teaching tales from the Sufi tradition have been passed down to us, but we no longer know where they came from—for instance, did you know that the famous tale of the blind men and the elephant is a Sufi teaching tale? Idries Shah has gathered together a wonderful collection of these teaching tales with names like The Man Who Was Aware of Death, The Man with the Inexplicable Life, and Wisdom for Sale. If you married the teaching tale, the fairy tale, and existential thought, this is what you would get. I love these tales!
Dervish tales are more than fable, legend, or folklore. For centuries dervish masters have instructed their disciples by means of these teaching stories, which are said to increase perception and knowledge and provide a better understanding of man and the world. In wit, construction, and piquancy, they compare with the finest tales of any culture. Idries Shah spent many years traveling through three continents to collect and compare oral versions of these remarkable stories. This anthology, presented in the dervish manner, contains stories drawn from the repertories of dervish masters over a period of more than a thousand years.
