I taught myself to code back in 1994 while working the graveyard shift as a geologist in the environmental industry. My job consisted of sitting in a chair during the dark hours of the night in a shopping center in Stockton, CA, watching another geologist take samples from wells in the parking lot. A friend of mine suggested I learn to code because I liked computers. I don’t mean to make this out to be a “it’s so simple anyone can do it!” You need to have a relentless drive to learn, which is why I wrote my book, The Imposter’s Handbook - as an active step to learning what I didn’t know I didn’t know.
This book makes me jealous as the author has an incredible ability to communicate the densest of topics (Cryptography) in an engaging, wonderful way.
It draws you in and you find yourself transported to battlefields and war rooms of the past. I’ve always taken cryptography for granted - I type httpsinto my browser and navigate to a site and all’s well. I know things are reasonably secure - but why?
It turns out that RSA, the algorithm that underpins things like SSL and SSH, is a landmark of human achievement and did something that millennia of mathematicians and scientists could not: provide secure, end-to-end encryption. A wonderful story.
In his first book since the bestselling Fermat's Enigma, Simon Singh offers the first sweeping history of encryption, tracing its evolution and revealing the dramatic effects codes have had on wars, nations, and individual lives. From Mary, Queen of Scots, trapped by her own code, to the Navajo Code Talkers who helped the Allies win World War II, to the incredible (and incredibly simple) logisitical breakthrough that made Internet commerce secure, The Code Book tells the story of the most powerful intellectual weapon ever known: secrecy.
Throughout the text are clear technical and mathematical explanations, and portraits of the remarkable…
An experienced historian who’s occupied both academic and public posts and written for popular as well as academic audiences, I’ve become absorbed by what’s behind the history so many of us read for all the reasons we read it: enlightenment, pleasure, and lessons about life in a fragile world. That’s taken me to write and teach about the professional lives of historians, about some fundamental realities of historical thought, and now about historians themselves: who they are, what they do, and why they do it. It’s often said that if you wish to understand books, know the people who write them. The books I’ve recommended help do that.
Historical thought, like everything else, has a history. But contrary to what you may think, such history doesn’t have to be dull, especially when told by a masterly writer who was also among the world’s most knowledgeable experts on the subject. So don’t think that this overview of what historians have written about the past since ancient Greece will be hard going. It isn’t. Sometimes it’s even fun. In fact, I know of no more enjoyable introductory guide to history’s history or a better place to start your journey within it than this book. Burrow canters through the major developments in historical writing and practices in the West over 2,500 years. His pages are peopled by pagan, Christian, Marxist, feminist, and many other kinds of thinkers and scholars. They’re a treat.
Treating the practice of history not as an isolated pursuit but as an aspect of human society and an essential part of the culture of the West, John Burrow magnificently brings to life and explains the distinctive qualities found in the work of historians from the ancient Egyptians and Greeks to the present. With a light step and graceful narrative, he gathers together over 2,500 years of the moments and decisions that have helped create Western identity. This unique approach is an incredible lens with which to view the past. Standing alone in its ambition, scale and fascination, Burrow's history…
Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and publishedLiber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.
Dr. Geraldine Pinch lectures Egyptology at Cambridge University and drew on a wealth of scholarly material just as the subject was beginning to be taken seriously and managed to effectively bridge the divide between ancient and modern approaches to magic. This is the book I highly recommend to those wanting to explore the subject of Egyptian magic without getting bogged down in other disciplines; showing how its elements and influences survived in, or were taken up by later societies, right down to our own century.
Reclaims Egyptian mysticism from the lunatic fringe. A serious exploration of how different sorts of `magic' were used in very practical ways by a society known throughout the ancient world as the `mother of magicians'. A final chapter examines its persistent fascination.
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
I bought this catalogue many years ago in the crowded, chaotic store that used to sell books just inside the front door of the Egyptian Museum in Cairo.
It remains one of the best sources for descriptions of artifacts displayed in the museum for many decades—everything from King Tut’s gold mask to lifelike statues of scribes, detailed models of boats, and illustrated passages from the Book of the Dead on sheets of papyrus.
Many of these artifacts have recently been transferred to the new Grand Egyptian Museum (GEM) and other state-of-the-art facilities. I’m going to have to start noting in this book where my favorite things have ended up.
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Royal Women of Amarna is the catalog of an exhibition of many years ago, but used copies are still available, and it contains some of the most fascinating images and commentary on the ravishing sculptures of women (and some men) from the world of Akhenaten and Nefertiti.
Introductory material provides context, but the heart of the book is in four chapters written by a longtime curator at the Metropolitan Museum NYC, now emerita. They cover various aspects of portraiture discussing the startling changes in the representation of the human figure in the Amarna period (ca. 1353-1336 BCE), the workshop of the sculptor Thutmose, from which Nefertiti’s iconic bust was recovered, and other aspects of the art and religion of the era.
During a brief seventeen-year reign (ca. 1353-1336 B.C.) the pharaoh Amenhotep IV/Akhenaten, founder of the world's first known monotheistic religion, devoted his life and the resources of his kingdom to the worship of the Aten (a deity symbolized by the sun disk) and thus profoundly affected history and the history of art. The move to a new capital, Akhetaten/Amarna, brought essential changes in the depictions of royal women. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.…
By John Coleman Darnell and Colleen Darnell
Author
Why are we passionate about this?
We are Egyptologists with over six decades of combined experience translating hieroglyphic and hieratic texts and exploring the deserts of Egypt. We are passionate about bringing ancient Egypt and its incredible religious beliefs to life, from translating the funerary compositions in the royal tombs of the Valley of the Kings to writing a new biography of Akhenaten and Nefertiti, often branded the "heretics” of their time. One of our most exciting recent discoveries was the earliest monumental hieroglyphic inscription, a five thousand two hundred and fifty-year-old billboard! We share our adventures on our Instagram @vintage_egyptologist—enjoy the vintage fashion and be enlightened by the Egyptological captions.
Ancient Egyptian religion is so much more than royal pyramid burials and animal-headed gods, and Hornung’s book explains how. He dissects the notoriously complex topic by first defining terms, like the word netjer, “god,” and then explores creation accounts, divine imagery, and how humans and gods interact. Along the way, Hornung pulls in a story by Edgar Allen Poe, the motto of the French Revolution, and even black holes. Any study of ancient Egyptian religion should begin with this erudite, witty, and accessible book. We always include this in the reading assignments for introductory courses on ancient Egyptian religion and magic.
Osiris, Horus, Isis, Thoth, Anubis - the many strange and compelling figures of the Egyptian gods and goddesses seem to possess endless fascination. The renowned Egyptologist Erik Hornung here studies the ancient Egyptians' conceptions of god, basing his account on a thorough reappraisal of the primary sources. His book, now available in English for the first time, is the most extensive exploration yet undertaken of the nature of Egyptian religion.
Hornung examines the characteristics, spheres of action, and significance of Egyptian gods and goddesses, analyzing the complex and changing iconography used to represent them, and disentangling the many seemingly contradictory…
I’ve always been fascinated by history and the sense of place. That has led to a career in Egyptology, but I’ve come to realise that that fascination has been a part of my other interests whether it be Arsenal Football Club, rock music, or cycle touring. I’ve had the opportunity to travel a lot in recent years. My horizons have broadened, and I’ve come to appreciate the natural environment and man’s place in it more and more. None of the books on my list were chosen because of this – I read them because I thought I would enjoy them, but there’s a common theme linking them all – places, people, interactions.
Egyptology is a strange subject in that, even though you wouldn’t know it from the name, it really only concerns one aspect of Egypt – its ancient past – and it’s quite possible to develop an expertise in the field without having any familiarity with Egypt of the present day. One might become an expert in reading the hieroglyphic script, or in distinguishing an Old Kingdom statue from one sculpted in the New Kingdom, all without ever even visiting Egypt itself. Although this is an unintended consequence, it does rather foster the false idea that ancient Egypt is entirely unconnected from modern Egypt. But while more than a thousand years have passed since anyone worshipped the ancient gods or wrote anything in the ancient script, the two are very much connected of course – the natural environment, the land, and the climate are essentially unchanged, the modern people are the…
In a ruined temple along the Nile, Anthony Sattin sees a woman praying to the gods of ancient Egypt to bless her with a child. Later that day, a policeman stops his taxi to ask to borrow a mobile phone to call his mother. The ancient rubs up against the modern just as dramatically as when Flaubert wrote, 'Egypt is a wonderful place for contrasts - splendid things gleam in the dust". Anthony Sattin has tracked down extraordinary examples of ancient survivals in the hurly-burly of modern Egypt.
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Bob Brier is the foremost expert on Egyptian mummies. He is famous for actually mummifying a human body as a science experiment, with Dr. Ronn Wade in 1994. This was the first time a human was mummified in 2000 years. This is a popular book, entertaining, but accurate. He covers everything we know about ancient Egyptian mummification.
Egyptian Mummies results from research done in preparation for the mummification of a human body, the first to be done in the Egyptian style in two thousand years. Through these studies, noted Egyptologist Bob Brier has unearthed the gripping stories of grave robberies and stolen mummies, the forgotten language of the pharaohs, and the tombs of the royal mummies. In an easily accesible and lively style, Brier uncovers the complete historical context of ancient Egyptian culture and offers a fascinating contemporary interpretation of it. Illuminating their mysteries, myths, sacred rituals, and heiroglyphic writing, Egyptian Mummies brings the ancients to life.
Since 7th grade, I’ve been reading and researching about ancient civilizations like Greece, the Mayans, Incans, and of course, Egypt, yet I never thought I’d write a book, much less a trilogy set thousands of years ago. While researching rebellions for another novel, I found the Great Egyptian Revolt of 200 BCE, as well as Ankhmakis’s story. Given my lifelong love of ancient mythologies, I spent the next two years collecting books about ancient Egypt. These books are but a small sampling I collected during that time in my life, and I’m so glad to share them with you.
If you read A God Against the Gods, you have to read Return to Thebes.
For my part, the descriptions of Luxor and Thebes were key to writing my book, but I also needed to know how this dynasty ended. Besides, finally King Tut has his say.
Moreover, I loved the introduction of Seti and his son, for the dynasty they created after Tut’s fall is one that still captures the imagination of Egyptologists and fans alike.
For as long as I can remember I have been intrigued by a family mystery. Names such as Howard Carter, Tutankhamun, and Didlington Hall permeated my childhood along with phrases such as ‘a mummy’s curse’ and ‘financial disaster’. Something had happened years before I was born, which no one would discuss. As an adult I decided to search for the truth, and on the way found inspiration to fulfil a long held ambition, which was to write. I discovered that my family had played a vital, but often forgotten, role in Howard Carter's discovery of Tutankhamun. Our story is of wealth lost, extraordinary characters, passion and tragedy, but through it all Egypt winds like a twist of golden thread.
I was immediately attracted to this volume of poetry, particularly when I realised that fragments from the original Tale of Sinuhe papyrus, had at one time been in the collection at Didlington Hall.
Professor Richard Parkinson introduces each poem from the Middle Kingdom and sets it in the context of its time. The Tale of Sinuhe is one of the most famous poems and was written around 1875 BC. It is an illuminating tale of adventure in foreign lands, but one in which Sinuhe reflects on life in Egypt and his relationship with the king. While The Tale of the Shipwrecked Sailor is an entertaining account of fantastic and exciting adventures with a universal moral. These, and the other eleven poems provide fascinating insights into the minds and culture of the ancient Egyptians.
For someone who enjoys poetry and wants to experience the literature of these ancient people ‘first hand’,…
The Tale of Sinuhe, from c.1875 BC, has been acclaimed as the supreme masterpiece of Ancient Egyptian poetry, a perfect fusion of monumental, dramatic, and lyrical styles, and a passionate probing of its culture's ideals and anxieties. This anthology contains all the substantial surviving works from the golden age of Egyptian fictional literature. Composed by an anonymous author in the form of a funerary autobiography the Tale tells how the courtier Sinuhe flees Egypt at the death of his king. Other works from the Middle Kingdom (c.1940-1640 BC) include a poetic dialogue between a man and his soul on the…
