Here are 42 books that Learning How to Learn fans have personally recommended if you like
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I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
Nancy Lemann is one of the treasures of contemporary American literature and I re-read many passages in this book out loud to my wife, out of amusement and as a sort of personal honorific. Honestly, I found myself reading much of this book out loud, even alone, as does the Southern lilt of her writing punch through the page.
But that merely surprised me. The story is engrossing on both levels–micro/macro in the common parlance. A lot of writers drop hints about how to do what they are doing right into the text of their work. Tolstoy, for one, is very clear about this if we’re paying attention–specifically in Anna Karenina. There’s plenty of that here. Also see her recent story published in the Paris Review. It’s like a green book for great writing.
Claude Collier made the world seem kind,"" says Louise Brown, -beginning a tale of Violent Love, Breakdowns, Moods, and Felonious Drunkenness that floats from one lush, green, sweltering New Orleans evening to another. Returning home after four years of college in New England (""Among the Yankees I have known,"" she says, ""I only met one who had the grace to apologize to me about the War""), Louise bemusedly finds herself reimmersed in New Orleans society's ""wastrel-youth contingent."" At the center of this gin-fueled hurricane is Claude, rumpled, accident prone, supremely sweet, and desperate. For Claude, Louise is his steadying focus;…
I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
So, after the first things, you need some actual instruction, and the great Russian filmmaker lays it all out here. The book is his memoir about filmmaking, but it’s really about art making, written as large or small as you can imagine. I wrote a review by request a few years ago.
Allow the tools he discusses here to free you from the oppression of lazy filmmaking, as well as your own timidity and fear. It works. Ask me how I know.
A director reveals the original inspirations for his films, their history, his methods of work and problems of visual creativity, and the autobiographical content of such films as "Mirror" and "Nostalgia"
I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
Once you’ve opened yourself up, gotten a few instructions and are reminded that nothing is holding you back, you’re ready to connect with your own internal mechanisms. Hillman re-positions psychology in the context of soul-making, where it makes most sense and is most useful for us.
We get hung up on so many things, and Hillman fearlessly wades into every one of them with great intention. I think Hillman is one of the smartest, most perceptively radical writers not named Jung, and this book grapples with the uneasy humility that is creative work: your own soul-making.
I am committed to creative work. All of my adult life has been shaped by that commitment. And while I don’t directly recommend it (unconventional routes are unpaved, and, of course, there be dragons), I know it is the route to beauty and making the most out of the world as we live it. We’re lucky to make music, show love, and hand it down to our kids, but we need to tell stories, and we must have stories to tell. All of this arises from your creative power. I know a lot more than I can say with words, but the languages of sharing emerge from venturing into the unknown.
Know your audience? I’m kidding—never condescend; there’s nothing to be gained. Leave the smug cleverness to the Gladwells and Pinkers; we’re seeking higher ground here. What is culture? Don’t act like you don’t want to talk about it – or the stakes. This is THE TALK we actually need to have.
We have an affinity for our own habits, and Bourdieu walks us through them using the socially innocent language of likes and dislikes. His is a very straightforward discussion of experiences and social conditions that you didn’t know you needed. How do tastes vary, and why? Hmmmm.
No judgment of taste is innocent. In a word, we are all snobs. Pierre Bourdieu brilliantly illuminates this situation of the middle class in the modern world. France's leading sociologist focuses here on the French bourgeoisie, its tastes and preferences. Distinction is at once a vast ethnography of contemporary France and a dissection of the bourgeois mind.
In the course of everyday life people constantly choose between what they find aesthetically pleasing and what they consider tacky, merely trendy, or ugly. Bourdieu bases his study on surveys that took into account the multitude of social factors that play a part…
The sixty books I’ve written wander in and out of existential thought, as that breakthrough thinking, where man was told to take personal responsibility for his life and stop looking up or elsewhere for purpose and meaning, has informed everything I do and write about. Over the years, I’ve been a family therapist, a creativity coach, an existential wellness coach, and an advocate for critical psychology and critical psychiatry, points of view that dispute the current pseudo-medical “mental disorder” paradigm.
Sufiism predates Islam and contains some of the most interesting thinking from the ancient world to stand alongside the ancient Greeks and Romans. All three traditions, the Greek, the Roman, and the Sufi, did a tremendous job of deconstructing humbug and turning a clear eye on the truth.
Teaching tales from the Sufi tradition have been passed down to us, but we no longer know where they came from—for instance, did you know that the famous tale of the blind men and the elephant is a Sufi teaching tale? Idries Shah has gathered together a wonderful collection of these teaching tales with names like The Man Who Was Aware of Death, The Man with the Inexplicable Life, and Wisdom for Sale. If you married the teaching tale, the fairy tale, and existential thought, this is what you would get. I love these tales!
Dervish tales are more than fable, legend, or folklore. For centuries dervish masters have instructed their disciples by means of these teaching stories, which are said to increase perception and knowledge and provide a better understanding of man and the world. In wit, construction, and piquancy, they compare with the finest tales of any culture. Idries Shah spent many years traveling through three continents to collect and compare oral versions of these remarkable stories. This anthology, presented in the dervish manner, contains stories drawn from the repertories of dervish masters over a period of more than a thousand years.
I've always been fascinated with the idea that humans have so many layers of consciousness, and reality is multi-faceted. I've studied Zen Buddhism, yoga, and for the past 43 years, Sufism. My experience of life has developed into a journey of changing difficult situations into exhilarating discoveries, finding hidden patterns in nature that delight me and tell me I’m not alone in the universe, and helping many people transform into beings of joy and gratitude. I’m beginning to see that our transformation delights and changes the Divine; we are not a passing phenomenon but contributors to new creation on a major scale.
This book is based on Middle Eastern poems from the 1300s which cuddle up close to you and turn you around, such that the world will never be the same again. You find yourself illuminated in new ways with every poem. How amazing to be so intimate with a great being from so far in the past.
Chosen by author Elizabeth Gilbert as one of her ten favorite books, Daniel Ladinsky’s extraordinary renderings of 250 unforgettable lyrical poems by Hafiz, one of the greatest Sufi poets of all time
More than any other Persian poet—even Rumi—Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the “Invisible Tongue.” Indeed, Daniel Ladinsky has said that his work with Hafiz is an attempt to do the impossible: to render Light into words—to make the Luminous Resonance of God tangible to our finite senses.…
After my father died when I was eleven years old, I started asking those deeper spiritual questions. This started me on a journey both personally and academically to find needed answers to my queries. I became fascinated with mystical experiences and how seekers navigated their way through the vicissitudes of the spiritual journey. With this interest as a focal point, I received a doctorate in theology, attended retreats, and received guidance from Sufi, Buddhist, and Christian teachers. I taught mysticism and world religions at Ithaca College and co-founded Light on the Hill Retreat Center in 1991, where I still guide people of any or no faith on their spiritual journeys.
This engrossing and inspiring book portrays the author’s wondrous encounters with Sufi master, Hazrat Inayat Kahn, first as a beginning student and then as his assistant. He witnesses the experiences of this sage as he moves through the stages of illumination, dark night of the soul, and unitary consciousness. Interspersed throughout the book are the essential teachings of Sufism as taught by Inayat Khan, its message of love, harmony, and beauty, the Ten Sufi Thoughts, meditation, and the workings of the inner life. Memories of a Sufi Sage is a great introduction to Sufism and one of its great mystics.
I am a Professor of Islamic Thought and Global Philosophy at Carleton University in Ottawa, Canada. Perpetually drawn to ideas and concepts that seek to explain the underlying nature of things, I predictably read and write books on such topics as consciousness, self-awareness, mysticism, God, philosophy of religion, metaphysical poetry, and virtue ethics. The titles listed here are in my own area of expertise (Sufi philosophy). Intellectually rigorous and spiritually informed, they each represent perfect points of entry into Sufism, which is an ocean without a shore.
Written for contemporary audiences by a living Sufi
philosopher and world-renowned authority of comparative philosophy and
mysticism, The Garden of Truth is a must-read for anyone who wants to
have an understanding of, awaken to, and joyously live in the present moment. Unlike
any book I’ve seen in English, this work explains how the Sufi path of
liberation is all about realizing that one can only return to the present
moment by proceeding from where we are in the here-and-now. Once we get There,
we realize that Here is Now, since Now was always Here.
Sufism has made significant contributions to the spread of Islam and the development of various aspects of Islamic civilisation. Many conservative Muslims disagree with many popular Sufi practices, particularly saint worship, the visiting of tombs, and the incorporation of non-Islamic customs. Consequently, in recent centuries Sufism has been a target for Islamic reformist and modernist movements. Nasr is the preeminent Sufi scholar in the U.S., and in the tradition of Martin Buber's I and Thou, here provides the beliefs and vision of the mystical heart of Islam. A gentle anitdote to the extremist Muslim fundamentalists who capture the headlines and…
I've always been fascinated with the idea that humans have so many layers of consciousness, and reality is multi-faceted. I've studied Zen Buddhism, yoga, and for the past 43 years, Sufism. My experience of life has developed into a journey of changing difficult situations into exhilarating discoveries, finding hidden patterns in nature that delight me and tell me I’m not alone in the universe, and helping many people transform into beings of joy and gratitude. I’m beginning to see that our transformation delights and changes the Divine; we are not a passing phenomenon but contributors to new creation on a major scale.
As I approach a book, I live in a world of separation. In each of Rumi’s poems, I fall first into a well-told tale and then am whirled into a mystery where you and God, humble gnat and whole universe are reflected in each other. My heart can’t help but be remade in the process.
The wisdom of the great Sufi master comes to life in this compendium of 365 Rumi poems and writings for daily contemplation and inspiration
My heart wandered through the world constantly seeking after my cure, but the sweet and delicious water of life had to break through the granite of my heart.
When the words of Rumi enter your heart, something softens, breaks, and is subtly reborn. That he wrote the words seven hundred years ago in a medieval Persian world that bears little resemblance to ours makes their uncanny resonance to us today just that much more remarkable.
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
Written by the renowned Sunni scholar and Sufi teacher Abu ’l-Qasim al-Qushayri (986–1074) of Khorasan in Eastern Iran, this is probably the most popular Sufi training manual ever. It is still widely used by Sufis today, so you can begin your Sufi journey by reading it. It also serves as a window onto the life of “Sufi friends of God” or “saints,” whom the author depicts as uncrowned kings of this world. We see them in a variety of contexts: suffering from hunger and thirst in the desert during a pilgrimage to Mecca, participating ecstatically or quietly in spiritual concerts, reciting and interpreting the Qur’an, waging war against outward enemies (“infidels”) and their own demonic desires, earning livelihood, meditating in a retreat, praying, working miracles, interacting with the commoners, their family members and peers, dreaming, and dying.
The author of the "Epistle on Sufism, Abu 'l-Qasim al-Qushayri" (376/986-465/1074), was a famous Sunni scholar and mystic (Sufi) from Khurasan in Iran. His Epistle is probably the most popular Sufi manual ever. Written in 437/1045, it has served as a primary textbook for many generations of Sufi novices down to the present. Al-Qushayri has given us an illuminating insight into the everyday lives of Sufi devotees of the eighth-eleventh centuries C.E. and the moral and ethical dilemmas they were facing in trying to strike a delicate balance between their ascetic and mystical convictions and the exigencies of life in…
