The most recommended British Museum books

Every serious researcher who seeks clarity about specific historical events understands the value of primary source material, and I was happy to stumble across this treasure trove.

The editor and his assistants diligently researched every surviving official record from the 16th Century pertaining to the Battle of the Spanish Armada, and they compiled a series of official letters written by actual protagonists and eyewitnesses.

The magnitude of the battle is summarized by the editor in his introduction: "The defeat of the Spanish Armada in 1588…[was] one of the decisive battles of the world…it marks alike the approaching downfall of Spain and the rise of England as a great maritime power.”

I frequently tapped into this critical resource while researching and writing my novelized account of the battle.

This book, by Kirk Wallace Johnson tells the story of a bizarre heist that took place at the British Museum of Natural History in 2009.

The thief, Edwin Rist, was a 20-year-old American flute student who broke into the museum to steal hundreds of priceless, exotic bird specimens, many of which were collected by the naturalist Alfred Russel Wallace in the 19th century.

What first drew me to the book was that I knew Edwin’s dad back when I was in grad school. But what kept me turning the pages was the writing and story. The book explores the world of Victorian-era fly-tying and the obsession that collectors have with rare feathers.

Rist, who was also an avid fly-tier, had planned the heist to obtain feathers for his own collection, which he intended to sell to other collectors. Many of the collectors and fly-tying enthusiasts knew that the feathers probably… show more.

Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves. 

After getting a general idea of what Regency England was like, I recommend this slim little book produced in connection with the British Museum. It’s mostly reproductions of famous pictures and drawings, but for me it made the streets of London come alive. It’s great to read about the famous theaters at Covent Garden and Drury Lane, but so much better to see what they looked like at the height of their fame. And it saves you the cost of a trip to the British Museum!

I think this is just such a fantastic book. It blows away the whole idea that the Victorians were prudes, embarrassed about anything to do with sex. If you really don’t want to know what your great great grandparents got up to in the bedroom, then stay away from this book.

I really like the way Fern Riddell tells her story, too. Each chapter has a different fictional character to take you though the story. I think its really original – and you’ll never think about the Victorians the same way again.

Thomas Williams was project curator for the major international exhibition Vikings: Life and Legend, held at the British Museum in 2014. In this tremendously readable account of Viking Britain from the late eighth to the end of the tenth century he interweaves first-person narrative, evocative prose, and more conventional historical and archaeological discussion to provide a new form of Viking history. Williams demonstrates how the Vikings have shaped British society, and how our perception has been shaped by authors such as J.R.R. Tolkien and William Morris.

I love adoption, but sometimes I don’t have the energy to read a whole treatise on the subject.

This book is about 100 historical objects, from the Rosetta Stone that helped linguists unlock Egyptian scripts to a throne built out of weapons arising in Mozambique from an African civil war. They span millions of years and six continents, and each object has its own significance.

I love this book because it felt like 100 smaller adoption and conflict stories wrapped into one small package, and I could read one at a time. One of my fondest memories of my daughter was reading her paper copy as we flew from one continent to another.

Like Sassoon, Owen entered the war as a “dreamy” youth interested in literature and art. Unlike Sassoon, though — whom Owen idolized — Owen did not survive the war. He was killed in action on November 4, 1918, a week before the war ended.

Owen wrote all of the poems for which he is remembered between August 1917 and September 1918. His experience of the war turned him from “ a very minor poet to something altogether larger,” writes C. Day Lewis. “…It was a forced growth, a revolution in his mind which, blasting its way through all the poetic bric-a-brac, enabled him to see his subject clear — ‘War, and the pity of War.’ The subject made the poet: The poet made the poems, which radically changed our attitude toward war.”

The hallmarks of Owen’s poetry are his compassion for the frontline soldier and the precision and clarity with… show more.

Martin Ferguson has quickly become one of my favourite authors, thanks to his Relic Hunters series. What I love about these books is that they are split between two stories, the modern-day story based on the Relic Hunters who work at the British Museum, and the secondary story set in the past relating to the relic they are hunting in the modern chapters. In some ways I would say the historical chapters are my favourite, and the author clearly does a lot of research for these books. These books make me eager to go away and read the rest of the history surrounding the relic, history, and myths. I am always recommending these books to friends. 

This book was the first to bring together a group of international artists, curators, and scholars to discuss and engage the changing nature of the art world, as a result of globalization.

The project was launched at the Center for Media and Art (ZKM) in Karlsrühe, Germany in 2006 with a series of conferences that turned into a series of books over time and an exhibition in 2013.

No other book considers so many new manifestations of the museum in the twenty-first century, illuminating new opportunities for the reader to explore distant lands vicariously and also to discover how many different ways institutions are being developed in cities around the world.