Here are 30 books that The Ark Before Noah fans have personally recommended if you like
The Ark Before Noah.
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I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
If you’re interested in the workings of the human imagination you have to start in our deep evolutionary past, and Metazoa does just this.
Godfrey Smith is an eminent philosopher of science, and brings his considerable experience under the ocean to understanding how the minds of shrimps, octopi, and fish probably conceive of the world.
With stunning evocations of the undersea world and his intimate encounters with these fascinating creatures, the author of Other Minds brings a battery of modern zoological and biological expertise to bear on revealing just how cognitively complex these supposedly simple creatures are. You’ll never look at them the same again.
The follow-up to the BBC Radio 4 Book of the Week Other Minds
A Times and Sunday Times Book of the Year
A Waterstones Best Book of 2020
The scuba-diving philosopher explores the origins of animal consciousness.
Dip below the ocean's surface and you are soon confronted by forms of life that could not seem more foreign to our own: sea sponges, soft corals and flower-like worms, whose rooted bodies and intricate geometry are more reminiscent of plant life than anything recognisably animal. Yet these creatures are our cousins. As fellow members of the animal kingdom - the Metazoa -…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
Us humans are social animalspar excellence,although if we scratch the surface there are evolutionary explanations for the simplest of things: why we laugh, dance, and gossip, and why humans across the world tend to have similar numbers of close friends and more distant relationships.
In Thinking Bigtwo Palaeolithic archaeologists and an evolutionary anthropologist combine to present an explanation for how our behaviour evolved to cope with the increasing intellectual demands of growing group sizes, from small groups more characteristic of the apes to the huge, international networks that characterise the modern world.
The importance of what could be seen as the superficial things we do such as holding hands becomes breathtaking in the hands of three inspirational thinkers.
When and how did the brains of our hominin ancestors become human minds? When and why did our capacity for language or art, music and dance evolve? It is the contention of this pathbreaking and provocative book that it was the need for early humans to live in ever-larger social groups, and to maintain social relations over ever-greater distances - the ability to `think big' - that drove the enlargement of the human brain and the development of the human mind. This `social brain hypothesis', put forward by evolutionary psychologists such as Robin Dunbar, one of the authors of this…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
A raw and bloody gem of a book, which plunges the reader into the cold and dirty world of our deep past, not just seen but experienced by its multi-talented author.
A philosophical hankering to know what it means to be human – and what we have inherited from our evolutionary past -leads this trained veterinarian, barrister, and writer to go back to nature in a Derbyshire wood. He and his long-suffering son experience the freezing, claw-red, and skin-tearing nature of the wild, as they seek to live similarly to our prehistoric ancestors.
Drawing inspiration from the 40,000 years of the Upper Palaeolithic, in an environment similar to the Mesolithic, Foster paints a blistering, spraining, and chilling account of the demands of a more primitive life. Essential reading from the comfort of my couch.
NAMED A BEST BOOK OF THE YEAR BY THE ATLANTIC, KIRKUS REVIEWS, AND NEW STATESMAN
A radically immersive exploration of three pivotal moments in the evolution of human consciousness, asking what kinds of creatures humans were, are, and might yet be
How did humans come to be who we are? In his marvelous, eccentric, and widely lauded book Being a Beast, legal scholar, veterinary surgeon, and naturalist extraordinaire Charles Foster set out to understand the consciousness of animal species by living as a badger, otter, fox, deer, and swift. Now, he inhabits three crucial periods of human development to understand…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
As a specialist in the funerary practices of our earliest ancestors, I avidly awaited the publication of Finkel’s latest, this time deploying his considerable scholarship to the question of how Sumerians, Assyrians, and Babylonians thought of ghosts, spirits, demons, and the underworld.
You don’t need to be a believer to enjoy this intimate picture of the minds of some of the earliest known urbanites and intellectuals at a time when history was just emerging. Out of the fired clay leap stories of underworld journeys such as that of Gilgamesh, of spirits that rise up from below, of exorcisms, omens, and the shadows that lurk in the corners of the house.
To me, this is the most profound statement on early humans at their most imaginative, and if you believe it a useful manual for the prospective ghost hunter.
'It's enthralling stuff, mixing the scholarly with the accessible and placing storytelling right at the heart of the human experience.' - History Revealed
'A fascinating journey' - Yorkshire Post
'The book is a delight to read: each chapter is as academically astute as you would expect from this author, but delivered with a light touch and entertaining writing-style that sweeps the reader through the pages.' - Archaeology Worldwide
In The First Ghosts, he has found the perfect medium for bringing the ancient Mesopotamians back from the dead... Despite the morbid theme and remote cultural milieu, this is not a sombre…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Stephanie Dalley is another one of those Oxford scholars upon whose shoulders the rest of us Assyriologists stand. Her translations are eminently readable and enjoyable, and her focus on certain selected works of the later Akkadian language period sets her apart from the Sumerian specialist mentioned above. This fascinating era provides us with some of the most compelling stories, including the Atrahasis Epic and the Epic of Gilgamesh.
The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness.
Recent developments in Akkadian grammar and lexicography mean that this new translation, complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text, will replace…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
History Begins at Sumerexplains lucidly how the Sumerian people, particularly the city of Uruk on the banks of the Euphrates River in what is now Iraq, the city over which Gilgamesh is said to have ruled, was responsible for many world firsts.
These included the use of the wheel, literature, organised schooling, an administrative structure, and many of those features that enable the functioning of what we now would consider a true city. An example that others were soon to follow.
Which civilization had the first system of law? The first formal educational system? The first tax cut? The first love song? The answers were found in excavations of ancient Sumer, a society so developed, resourceful, and enterprising that it, in a sense, created history. The book presents a cross section of the Sumerian "firsts" in all the major fields of human endeavor, including government and politics, education and literature, philosophy and ethics, law and justice, agriculture and medicine, even love and family.
History Begins at Sumer is the classic account of the achievements of the Sumerians, who lived in what…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Black et. al. have compiled what is generally considered the definitive collection of Sumerian myths. The editors are the creme de la creme of the academic community of Sumerian literary experts, and the collection consists of works translated by them under the auspices of the University of Oxford. This book is the gold standard of mainstream literary study and understanding of Sumerian literature.
This anthology of Sumerian literature constitutes the most comprehensive collection ever published, and includes examples of most of the different types of composition written in the language, from narrative myths and lyrical hymns to proverbs and love poetry. The translations have benefited both from the work of many scholars and from our ever-increasing understanding of Sumerian. In addition to reflecting the advances made by modern scholarship, the translations are written in clear, accessible English. An extensive introduction discusses the literary qualities of the works, the people who created and copied them in ancient Iraq, and how the study of Sumerian…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Crawford expands deeply on some of the ideas presented in Kramer, and really delves into more of the cultural aspects of agriculture, architecture, and writing to name a few. She clearly thinks of these ancient people as equals with whom we could easily empathize. Indeed, the book has a timeless quality of the human spirit which rings true even in a postmodern age.
Mesopotamia produced one of the best-known ancient civilizations, with a literate, urban culture and highly-developed political institutions. In this fully revised and expanded edition of her classic text, Sumer and the Sumerians, Harriet Crawford reviews the extraordinary social and technological developments in the region from 3800 to 2000 BC. Drawing on the most up-to-date historical and archaeological sources, she provides a thematic exploration of this ancient civilization, examining its physical and historical background, changing settlement patterns, public and private architecture and cultural developments of the period. In this new edition, the chapter on Manufacturing Industries and Trade has been enlarged…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Zecharia Sitchin makes a lot of crazy-sounding claims. He talks about faraway planets and NASA-style rocketry. He doesn't provide references, and he doesn't make convincing logical arguments. Nevertheless millions of people believe his claims. My own research shows that most of Sitchin's conclusions are pretty unfounded—but, there is a thread of evidence within the ancient literature that seems to indicate that at least some of Sitchin's core ideas might be at least partly correct.
Over the years, startling evidence has been unearthed, challenging established notions of the origins of Earth and life on it, and suggesting the existence of a superior race of beings who once inhabited our world. The product of thirty years of intensive research, The 12th Planetis the first book in Zecharia Sitchin's prophetic Earth Chroniclesseries--a revolutionary body of work that offers indisputable documentary proof of humanity's extraterrestrial forefathers. Travelers from the stars, they arrived eons ago, and planted the genetic seed that would ultimately blossom into a remarkable species...called Man. The 12th Planetbrings to life the Sumerian civilization, presenting millennia-old…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
Scholars have disagreed when written records become literature, yet the earliest literary authors known by name are Ptahhotep (who wrote in Egyptian) and Enheduanna (who wrote in Sumerian), dating to around 2400 BC. Enheduanna is the earliest known Female Poet. She was the High Priestess of the goddess Inanna and the moon god Nanna (Sin). She lived in the Sumerian city-state of Ur in Syria. So this would be my 3rd recommendation for all the researchers of Ancient History.
Enheduanna's contributions to Sumerian literature, include the collection of hymns known as the "Sumerian Temple Hymns", 37 tablets to be exact, from 2,700 BC. The temple hymns were the first collection of their kind, the copying of the hymns indicates that they were used long after and held in very high esteem.
Sīn or Suen (Akkadian: EN.ZU or lord-ess of wisdom) or Nanna was the goddess of the moon in the…
The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life.
This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who…
