Here are 51 books that Mrs. Noah's Patchwork Quilt fans have personally recommended if you like
Mrs. Noah's Patchwork Quilt.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
I love this children’s book about languages and how quilting can become a metaphor for our patchwork society, with differences and unity.
I particularly liked the Arabic words scattered here and there without an immediate translation (there is a glossary at the end), and it was fun to try to make sense of them by the context and empathize with the characters as they learn to live a bilingual life.
That night, Kanzi wraps herself in the beautiful Arabic quilt her teita (grandma) in Cairo gave her and writes a poem in Arabic about the quilt. Next day her teacher sees the poem and gets the entire class excited about creating a "quilt" (a paper collage) of student names in Arabic. In the end, Kanzi's most treasured reminder of her old home provides a pathway for acceptance in her new one.
This authentic story with beautiful illustrations includes a glossary of Arabic words and a presentation of Arabic letters with their phonetic English equivalents.
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
I love the storyline of this book, the rhythm in the words, and the beautiful illustrations that remind me of American folk art paintings. It’s a delight to read aloud to my children, and it’s easy for them and for me to empathize with the main characters as they have to move and adapt to a new life.
After a move to a new home, comfort comes from a surprising place.
Long ago, a young girl named Abigail put her beloved patchwork quilt in the attic. Generations later, another young girl discovers the quilt and makes it her own, relying on its warmth to help her feel secure in a new home.
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
This beautiful picture book reads like a swirling dance. I have loved following the women of this family through generations, seeing how they keep traditions alive, and living with their time as well. The people and places are drawn in a sepia tone while the quilt is painted in bright colors, which is aesthetically very pleasing to me and helps put the focus on what transcends generations.
I also love a children's book that doesn’t patronize children, can deal with more difficult matters (like illness and death…), and is hopeful without overdoing it.
"We will make a quilt to help us always remember home," Anna's mother said. "It will be like heaving the family in backhome Russia dance around us at night. And so it was. From a basket of old clothes, Anna's babushka, Uncle Vladimir's shirt, Aunt Havalah's nightdress and an apron of Aunt Natasha's become The Keeping Quilt, passed along from mother to daughter for almost a century. For four generations the quilt is a Sabbath tablecloth, a wedding canopy, and a blanket that welcomes babies warmly into the world. In strongly moving pictures that are as heartwarming as they are…
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
This book is a real joy to read, with a particular story of a particular family but a universal feel to it. It could be my story or yours. The illustrations have the charm of the eighties, but the story doesn’t feel dated, and it is really inspirational to get quilting or think about which pieces of fabric I would use to tell my family’s story.
Twenty years ago Valerie Flournoy and Jerry Pinkney created a warmhearted intergenerational story that became an award-winning perennial. Since then children from all sorts of family situations and configurations continue to be drawn to its portrait of those bonds that create the fabric of family life.
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
This huge volume was another reference book for me as I researched The Quilts of Gee’s Bend. The large reproductions of the quilts showed how the women with the same material used it in different ways. Startling to see so many imaginative versions of a pattern called Housetop.Two quilts titled Flower Garden shown side by side are dazzling. And this book contains more photos of the quilters and provides information about their lives and struggles against poverty and racism. The art they produced despite their limited resources and hardships is truly an inspiration. A miracle!
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
The cover of this book immediately captured my attention. I love ghosts and quilts, so I knew this book was for me from the get-go.
I love the gloomy atmosphere of the artwork, in which the grey tone makes the little ghost who was a quilt stand out. The story itself is also so relatable and heartfelt. The ending and twist in the end give me a satisfactory feeling.
When you're a quilt instead of a sheet, being a ghost is hard! An adorable picture book for fans of Stumpkin and How to Make Friends with a Ghost.
Ghosts are supposed to be sheets, light as air and able to whirl and twirl and float and soar. But the little ghost who is a quilt can't whirl or twirl at all, and when he flies, he gets very hot.
He doesn't know why he's a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn't really help…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This biographical picture book tells the story of quilts made by hand by the women of Gee’s Bend, Alabama. The traditional quilts, made from scraps of cloth from clothing and cornmeal sacks, are now displayed in museums around the world.
The author does a beautiful job of showing how a family tradition has developed into spectacular works of art. Readers can see how important it is to maintain traditions that may have started for practical purposes (like staying warm!) but evolved into appreciation of the works of unknown artisans. The author includes instructions on how to make a quilt square.
Since the early nineteenth century, the women of Gee's Bend in southern Alabama have created stunning, vibrant quilts. In the only photo-essay book about the quilts of Gee's Bend for children, award-winning author Susan Goldman Rubin explores the history and culture of this fascinating group of women and their unique quilting traditions. Rubin uses meticulous research to offer an exclusive look at an important facet of African American art and culture.
In the rural community of Gee's Bend, African American women have been making quilts for generations. They use scraps of old overalls, aprons, and bleached cornmeal sacks anything they…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
Clara’s story is powerful and suspenseful. Written in the first person, she tells about her life as an enslaved twelve-year-old girl who has been separated from her Momma and sent from North Farm to the Home Plantation. Although this is fiction, it is based on the history of African American quilters. For Clara, quilting means drawing a map with stitches and fabric that ultimately becomes a “freedom map,” enabling her to escape with her friend, Young Jack, and find her Momma and freedom. The warm, luminous illustrations by James Ransome bring Clara, Young Jack, and her map to life. Ransome visited a plantation in Virginia for research, and in the process he discovered enslaved ancestors. This book is a must for readers of all ages.
An inspiring tale of creativity and determination on the Underground Railroad from Coretta Scott King Award winner James Ransome and acclaimed author Deborah Hopkinson.
Clara, a slave and seamstress on Home Plantation, dreams of freedom—not just for herself, but for her family and friends. When she overhears a conversation about the Underground Railroad, she has a flash of inspiration. Using scraps of cloth from her work in the Big House and scraps of information gathered from other slaves, she fashions a map that the master would never even recognize. . . .
From the award-winning author-illustrator team of Deborah Hopkinson…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
I used this adult coffee table book as a main reference for writing my children’s book of the same title. The amazing reproductions of the quilts are beautiful. The colors glow. I could see the bits of patterns –flowers, triangles, plaids – ingeniously composed like abstract paintings. Captions give the names of the quilters. And there are photos of them as well as vintage pictures. Quotes from the quilters tell their histories. One of the most touching stories was by Missouri Pettway who told that when her Daddy died her mother took his old work clothes to make a quilt “to remember him, and cover-up under it for love.” I have seen this extraordinary quilt displayed at the Metropolitan Museum of Art in New York and remembering the story behind it, was deeply moved.
Since the 19th century, the women of Gees Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 110 color illustrations, The Quilts of Gees Bend includes a historical overview of the two hundred years of extraordinary quilt-making in this African-American community, its people, and their art-making tradition. This book is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, the Whitney Museum of American Art, The Corcoran Gallery of Art, The Museum of Fine Art, Boston, The Cleveland Museum of Art, The Milwaukee Art Museum, The High Museum of Art, Atlanta,…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
During the Bronze and Iron Ages the first texts appeared that allow us an unadulterated glimpse into the prevalent beliefs of the time, in Egypt and in Mesopotamia.
Finkel, a consummate cuneiformist and expert in the literature of Sumer, Babylon, and Assyria, presents here a jaunty, entertaining, humorous but above-all scholarly account of his new understanding of the Sumerian-derived flood story, made possible by his discovery in the archives of the British Museum a missing clay tablet – a couple of chapters – of the flood myth.
What follows is a true detective story, in which Finkel cleverly plays some mental gymnastics in order to reconstruct exactly what the Ark would have looked like. In part ancient history, historiography, theology, and just a lesson in how stories turn into myths, Finkel reveals a very different story to the one we all grew up with.
In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought in by a member of the public and this particular tablet proved to…
