Here are 100 books that The Little Ghost Who Was a Quilt fans have personally recommended if you like
The Little Ghost Who Was a Quilt.
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I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
Gustavo is one of the most adorable ghosts, and his story is so relatable. As an introverted and shy person, I can relate to all of Gustavo’s struggles, especially the struggle with making friends.
Flavia’s artwork is so fantastic, expressive, and vibrant. I love the characters and textures. I also love how Flavia applied Mexican culture to the artwork.
A story of friendship and courage - perfect for the spooky season or all year round!
Gustavo is a ghost. He is good at doing all sorts of paranormal things, like walking through walls, making objects fly and glowing in the dark. And he loves playing beautiful music on his violin. But Gustavo also has a problem. He is SHY. Which means some things are harder for him to do, like getting in a line to buy eye-scream or talking to the other monsters. But Gustavo longs to be a part of something, he longs to be seen. More than…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
Rebecca Green is one of my favorite artists and storytellers. So, when I saw her debut author-illustrator picture book, I was so thrilled.
This book is one of the most adorable books I’ve ever read. Written in like a guide step-by-step style, I learned not only how to befriend a ghost, but the fantastic art is a feast to my eyes.
I love the limited palette and soft pastel tone in the book. It created a vintage and warm feeling for the story.
What do you do when you meet a ghost? One: Provide the ghost with some of its favourite snacks, like mud tarts and earwax truffles. Two: Tell your ghost bedtime stories (ghosts love to be read to). Three: Make sure no one mistakes your ghost for whipped cream or a marshmallow when you aren't looking! If you follow the essential tips in How to Make Friends With a Ghost, you'll learn how a ghost can be the perfect companion for rest of your life and beyond...
"Green's picture-book debut is a guidebook that will be useful for anyone lucky enough…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
It’s a heartwarming book about how a friendship could cross any barrier. I love how Cat contrasted the world of Shinbi—the ghost, and Greem—the shadow. The dark, starry night and the colorful, greenish day.
I adore Cat Min’s watercolor artwork and how she handled the colors. The book is so beautiful and delightful!
Shinbi is not a particularly ghosty ghost. At night she likes making tiny bouquets of things, and gazing at the far away stars. Haunting? Not so much. Even if that’s what the other ghosts like.
In the daytime, in a meadow, sits a single rock, casting a single shadow, named Greem. He’d really like someone to talk to. But who? He writes one word on his lonely rock: “Hi” and hopes someone will see it. Sure enough, in the darkness of night, Shinbi finds the note! But who could have written it?
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
I love the storyline of this book, the rhythm in the words, and the beautiful illustrations that remind me of American folk art paintings. It’s a delight to read aloud to my children, and it’s easy for them and for me to empathize with the main characters as they have to move and adapt to a new life.
After a move to a new home, comfort comes from a surprising place.
Long ago, a young girl named Abigail put her beloved patchwork quilt in the attic. Generations later, another young girl discovers the quilt and makes it her own, relying on its warmth to help her feel secure in a new home.
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
Clara’s story is powerful and suspenseful. Written in the first person, she tells about her life as an enslaved twelve-year-old girl who has been separated from her Momma and sent from North Farm to the Home Plantation. Although this is fiction, it is based on the history of African American quilters. For Clara, quilting means drawing a map with stitches and fabric that ultimately becomes a “freedom map,” enabling her to escape with her friend, Young Jack, and find her Momma and freedom. The warm, luminous illustrations by James Ransome bring Clara, Young Jack, and her map to life. Ransome visited a plantation in Virginia for research, and in the process he discovered enslaved ancestors. This book is a must for readers of all ages.
An inspiring tale of creativity and determination on the Underground Railroad from Coretta Scott King Award winner James Ransome and acclaimed author Deborah Hopkinson.
Clara, a slave and seamstress on Home Plantation, dreams of freedom—not just for herself, but for her family and friends. When she overhears a conversation about the Underground Railroad, she has a flash of inspiration. Using scraps of cloth from her work in the Big House and scraps of information gathered from other slaves, she fashions a map that the master would never even recognize. . . .
From the award-winning author-illustrator team of Deborah Hopkinson…
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
This beautiful picture book reads like a swirling dance. I have loved following the women of this family through generations, seeing how they keep traditions alive, and living with their time as well. The people and places are drawn in a sepia tone while the quilt is painted in bright colors, which is aesthetically very pleasing to me and helps put the focus on what transcends generations.
I also love a children's book that doesn’t patronize children, can deal with more difficult matters (like illness and death…), and is hopeful without overdoing it.
"We will make a quilt to help us always remember home," Anna's mother said. "It will be like heaving the family in backhome Russia dance around us at night. And so it was. From a basket of old clothes, Anna's babushka, Uncle Vladimir's shirt, Aunt Havalah's nightdress and an apron of Aunt Natasha's become The Keeping Quilt, passed along from mother to daughter for almost a century. For four generations the quilt is a Sabbath tablecloth, a wedding canopy, and a blanket that welcomes babies warmly into the world. In strongly moving pictures that are as heartwarming as they are…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
This huge volume was another reference book for me as I researched The Quilts of Gee’s Bend. The large reproductions of the quilts showed how the women with the same material used it in different ways. Startling to see so many imaginative versions of a pattern called Housetop.Two quilts titled Flower Garden shown side by side are dazzling. And this book contains more photos of the quilters and provides information about their lives and struggles against poverty and racism. The art they produced despite their limited resources and hardships is truly an inspiration. A miracle!
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
I loved the naïve storyline and the skillful appliqué quilts that the author made to illustrate the story. This book is so different from anything I have read. The illustrations have rich earthy colours.
The take on the story of Noah’s ark is brilliant, and I love Janet Bolton's truly unique voice.
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
This book is a real joy to read, with a particular story of a particular family but a universal feel to it. It could be my story or yours. The illustrations have the charm of the eighties, but the story doesn’t feel dated, and it is really inspirational to get quilting or think about which pieces of fabric I would use to tell my family’s story.
Twenty years ago Valerie Flournoy and Jerry Pinkney created a warmhearted intergenerational story that became an award-winning perennial. Since then children from all sorts of family situations and configurations continue to be drawn to its portrait of those bonds that create the fabric of family life.
