10 books like Sweet Clara and the Freedom Quilt

Faith Ringgold, an acclaimed Black artist who grew up in Harlem, tells about her childhood and explains the process of creating her extraordinary painted quilts such as Tar Beach, Sonny’s Quilt, and Dancing at the Louvre. Each tells a story. “When I was starting out,” she wrote, “there were hardly any galleries that showed the work of black women, or women at all.”  Her quilts are now housed in museums and public collections nationwide. Full-color reproductions of her work, as well as vintage photos, illustrate this inspiring book.

Patricia McKissack introduces the quilts of Gee’s Bend to young readers in this charming picture book. McKissack not only read about Gee’s Bend but she visited and learned how to quilt. Her text is written in poems that capture the lilt and rhythm of Gee’s Bend women. The speaker, “Baby Girl,” describes how she learned how to quilt from her grandma. The soft, painterly illustrations by Cozbi A. Cabrera resemble Gee’s Bend quilts, and depict the colorful scraps of material the women used. The story includes the visit of Dr. Martin Luther King to “the Bend” on his way to Camden, then Selma, to march for the right to vote. And the aftermath of that march. A superb picture book full of history and hope for readers of all ages.

This huge volume was another reference book for me as I researched The Quilts of Gee’s Bend.  The large reproductions of the quilts showed how the women with the same material used it in different ways.  Startling to see so many imaginative versions of a pattern called Housetop. Two quilts titled Flower Garden shown side by side are dazzling. And this book contains more photos of the quilters and provides information about their lives and struggles against poverty and racism. The art they produced despite their limited resources and hardships is truly an inspiration. A miracle!

I used this adult coffee table book as a main reference for writing my children’s book of the same title. The amazing reproductions of the quilts are beautiful. The colors glow. I could see the bits of patterns –flowers, triangles, plaids – ingeniously composed like abstract paintings. Captions give the names of the quilters.  And there are photos of them as well as vintage pictures. Quotes from the quilters tell their histories. One of the most touching stories was by Missouri Pettway who told that when her Daddy died her mother took his old work clothes to make a quilt “to remember him, and cover-up under it for love.” I have seen this extraordinary quilt displayed at the Metropolitan Museum of Art in New York and remembering the story behind it, was deeply moved.

I am including The Underground Railroad as it’s both historical fiction and magical realism—a beautiful surrealist imagining of Civil War history. This inventive novel follows Cora, who is enslaved on a plantation in Georgia. When Cora hears of the underground railroad, she plots her escape—but in this book, the railroad is more than a secret network. It is a real, physical, underground train. Cora must fight for her life and her freedom on a harrowing journey north, evading the slave hunter Ridgeway as he seeks to track her down. Cora’s strength and independence make her a character that will stick with you.

This novel is set in the Southern U.S. prior to the Civil War, a time and place I seem drawn to in my reading. Slave Hiram Walker is the illegitimate son of the plantation owner. His mother was sold away when he was young, and though Hiram has a photographic memory, he can’t remember her, a fact that troubles him. Unforeseen circumstances reveal he also has the gift of conduction—an ability to transport himself across great distances, a skill that comes in handy as he escapes and becomes involved in the Underground Railway. The fantasy element aside, this is primarily historical fiction at its finest with multiple storylines that are all eventually resolved. Coates creates a time and place that truly come alive.

The author and I live near each other and we got to know each other at local writer events. So when I heard that her book won Lee and Low’s New Voices Award, I just had to get Glenda’s book. And I did! She autographed a copy for me which I treasure. This is a tender, powerful, and inspiring picture book. It tells the true story of how Frederick Douglass’s mother would visit him. He was a young child working on a plantation. His mother lived and worked six miles away. At night, she would walk six miles through the dark woods to come to visit Frederick, then head back home before dawn. He knew his mother loved him—it was a love that stretched 12 miles long.

The 1960s and 70s were periods of Black Consciousness, both in Africa and the diaspora. At the heart of this was Pan-Africanism, a political ideology built on historical and cultural links between Black people everywhere. At the heart of these ideas was a psychical and physical “return” to Africa, the “motherland”. This short, but powerful play, explore these politics in the marriage of Ato Yawson and Eulalie Rush, a Ghanaian man and an African-American woman who emigrate from the US to Ghana in search of racial and cultural harmony. What occurs is a dramatization of what happens when political ideologies are applied to private lives. What I love about this text is its confrontation of slavery as traumas that cannot be easily erased by political rhetoric and national endeavors to “move on.”

Night Wherever We Go follows a group of enslaved women in mid-nineteenth-century Texas.

The failed and desperate farmer who owns these women has brought them to Texas to breed them. I recommend this book because it explores an aspect of chattel slavery that is often glossed over.

Slavery is discussed as an institution that thoroughly dehumanized everyone involved. But what exactly that means, to dehumanize, to be dehumanized is not always explored in such depth.

These women band together in a form of quiet, collective resistance. They come from a variety of backgrounds and have different religious beliefs. They don’t always get along, but they band together anyway, because if one falls, they all do.

The ending isn’t happy, but it’s real. It stayed with me for days after I finished it. 

A landmark work by virtue of being the first book by a black woman to be published in Britain, this is a powerfully harrowing account of Mary’s own life as a slave in the Caribbean. Though only short, it supplies valuable testimony on the gruesome British exploitation of enslaved people over the centuries, and the many cruelties inflicted upon Mary personally by her brutal ‘owners’. Should be required reading for all those who think of the British Empire with nostalgia.