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I grew up next to a cemetery, and being an avid young artist, I loved to draw all kinds of monsters and spooky themes. Halloween books are a perfect way to express my creepy…but not too creepy side. When I look at Halloween picture books, I'm immediately focused on the pictures, long before I read the story. What medium did the artist use? How do they depict night scenes? Are they realistic or stylized? How interesting are their characters? Halloween picture books are a perfect way to create moody and somewhat scary scenes that balance the creepy with the not-so-creepy. Kids love to be scared, but we don’t want to give them nightmares!
The absolutely gorgeous watercolors in Cris Grimly’s 10 Spooky Pumpkins jumped out and stole my heart! Rich color and high contrast pump up the Halloween mood, while his sensitivity to letting the washes flow in their own way shows a freedom and respect for the watercolor medium.
Grimly’s characters, including witches, ghosts and goblins to name a few, are stylized enough to balance the creepy with fun originality. Outlining watercolor with an ink line can flatten the art. But Grimly picks and chooses his sepia line work to draw you into detail, and then holds off to let the washes sing, creating great depth and space in his scenes.
This book makes me want to paint more night scenes! Thanks, Cris Grimly!
Join celebrated creator Gris Grimly in this spooky countdown, as one little girl ventures out into the night for an unforgettable Halloween adventure!
10 little pumpkins, sitting in a line,looking for a cat and they found nine.The wind said SWOOSH and the gate went CREAK.The owl cried WHOOOO, we all screamed EEK! Celebrated creator Gris Grimly, widely known for his gothic style illustrations, puts a spooky twist on a favorite preschool rhyme in this Halloween read-aloud. Join goblins, ghosts, witches, and more in this rhythmic countdown, traveling through the countryside and discovering more Halloween creatures along the way. Finally, the…
I grew up next to a cemetery, and being an avid young artist, I loved to draw all kinds of monsters and spooky themes. Halloween books are a perfect way to express my creepy…but not too creepy side. When I look at Halloween picture books, I'm immediately focused on the pictures, long before I read the story. What medium did the artist use? How do they depict night scenes? Are they realistic or stylized? How interesting are their characters? Halloween picture books are a perfect way to create moody and somewhat scary scenes that balance the creepy with the not-so-creepy. Kids love to be scared, but we don’t want to give them nightmares!
While the imagery and color palette seem simplified in Eric Rohmann’s Bone Dog, the mastery of his black line carries the art for me in this touching tale about a boy and his dog.
Rohmann uses a woodcut technique to create his black outlining. To actually carve around a drawn image, leaving the drawing raised up to ink and print on paper takes a tremendous amount of time for a 32-page picture book. The results are well worth it, these pages are stunning.
What I really love is the little bits of black around many of the carved areas having picked up some of the ink and left on the print, giving an added sense of movement, similar to cartoon motion lines. The dancing skeletons and running dogs really come to life!
The background washes of rich blue watercolor enhance the Halloween night mood, resulting in a beautiful mix of…
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What is this book about?
One of School Library Journal's Best Picture Books of 2011
One of Horn Book's Best Picture Books of 2011
Ghost dogs and skeletons in a tall tale with a tender heart from the Caldecott Medal-winning creator of My Friend Rabbit.
Gus doesn't feel like doing much after his dog Ella dies. He doesn't really even feel like dressing up for Halloween. But when Gus runs into a bunch of rowdy skeletons, it's Ella--his very own Bone dog--who comes to his aid, and together they put those skeletons in their place. A book about friendship, loss, and a delightfully spooky Halloween.
I grew up next to a cemetery, and being an avid young artist, I loved to draw all kinds of monsters and spooky themes. Halloween books are a perfect way to express my creepy…but not too creepy side. When I look at Halloween picture books, I'm immediately focused on the pictures, long before I read the story. What medium did the artist use? How do they depict night scenes? Are they realistic or stylized? How interesting are their characters? Halloween picture books are a perfect way to create moody and somewhat scary scenes that balance the creepy with the not-so-creepy. Kids love to be scared, but we don’t want to give them nightmares!
What I loved most about Ashley Wolff’s How to Help a Pumpkin Grow was her color! This luscious book is filled with gorgeous, intense full-spectrum color! Wolff’s wet on wet washes flow seamlessly into each other as a base layer. I am guessing, there may be some smooth pastel added to enhance the color in places. Wolff’s adept painting skill brings out details with multi-colored painted line work on top of the washes.
Unusual touches like the addition of saturated royal blue to highlight the black coat of the dog and crow feathers add an interesting pop of color. The great asset of acrylic gouache is that it can be both transparent or opaque, enabling Wolff to add light line work on top of dark washes.
What does it take to help a pumpkin grow? Find out in this warm, rhyming tale of gardening and unexpected friendship.
Dog is planting a garden, doing all he can to help his pumpkins grow: protecting them from snow, weeding and watering their patch, and keeping them safe from barnyard creatures who might eat the sprouts! But are Crow, Rabbit, Duck, and Goat really out to destroy the garden? Or are they be new friends hoping to pitch in and help the pumpkins thrive?
I grew up next to a cemetery, and being an avid young artist, I loved to draw all kinds of monsters and spooky themes. Halloween books are a perfect way to express my creepy…but not too creepy side. When I look at Halloween picture books, I'm immediately focused on the pictures, long before I read the story. What medium did the artist use? How do they depict night scenes? Are they realistic or stylized? How interesting are their characters? Halloween picture books are a perfect way to create moody and somewhat scary scenes that balance the creepy with the not-so-creepy. Kids love to be scared, but we don’t want to give them nightmares!
While I love traditional painting as well as digital art, I also love imaginative and unconventional mixings of media. Harriet Muncaster’s sweet book I Am a Witch’s Cat exhibits beautifully staged photos of hand-built miniature scenes complete with fabrics and of all things, flat cut-out line art with simple color.
Added elements of strong light sources pouring in through windows and doors casting shadows that enhance the 3D effects. Little details like sunlight passing through a stained glass-like door cast a charming shadow that bends around a corner.
All the photographed scenes are faced with a flat 2D illustration with the type on the opposite page. The resulting images of hand-built props mixed up with flat line art make me want to pull out the old dollhouse and dress it up.
In this whimsical picture book, a little girl believes her mother is a good witch—and she is a special witch's cat! After all, every good witch needs a black cat. Together, this playful girl and her loving mom are a perfect twosome, whether they are mixing potions, growing magical plants, or dreaming of wild broomstick rides under a full moon.
For each dazzling spread, author-illustrator Harriet Muncaster handcrafted three-dimensional scenes out of paper and mixed media, then photographed them for a truly distinctive look. With each turn of the page, parents and kids will love discovering all the rich details…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
Gustavo is one of the most adorable ghosts, and his story is so relatable. As an introverted and shy person, I can relate to all of Gustavo’s struggles, especially the struggle with making friends.
Flavia’s artwork is so fantastic, expressive, and vibrant. I love the characters and textures. I also love how Flavia applied Mexican culture to the artwork.
A story of friendship and courage - perfect for the spooky season or all year round!
Gustavo is a ghost. He is good at doing all sorts of paranormal things, like walking through walls, making objects fly and glowing in the dark. And he loves playing beautiful music on his violin. But Gustavo also has a problem. He is SHY. Which means some things are harder for him to do, like getting in a line to buy eye-scream or talking to the other monsters. But Gustavo longs to be a part of something, he longs to be seen. More than…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
Rebecca Green is one of my favorite artists and storytellers. So, when I saw her debut author-illustrator picture book, I was so thrilled.
This book is one of the most adorable books I’ve ever read. Written in like a guide step-by-step style, I learned not only how to befriend a ghost, but the fantastic art is a feast to my eyes.
I love the limited palette and soft pastel tone in the book. It created a vintage and warm feeling for the story.
What do you do when you meet a ghost? One: Provide the ghost with some of its favourite snacks, like mud tarts and earwax truffles. Two: Tell your ghost bedtime stories (ghosts love to be read to). Three: Make sure no one mistakes your ghost for whipped cream or a marshmallow when you aren't looking! If you follow the essential tips in How to Make Friends With a Ghost, you'll learn how a ghost can be the perfect companion for rest of your life and beyond...
"Green's picture-book debut is a guidebook that will be useful for anyone lucky enough…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
It’s a heartwarming book about how a friendship could cross any barrier. I love how Cat contrasted the world of Shinbi—the ghost, and Greem—the shadow. The dark, starry night and the colorful, greenish day.
I adore Cat Min’s watercolor artwork and how she handled the colors. The book is so beautiful and delightful!
Shinbi is not a particularly ghosty ghost. At night she likes making tiny bouquets of things, and gazing at the far away stars. Haunting? Not so much. Even if that’s what the other ghosts like.
In the daytime, in a meadow, sits a single rock, casting a single shadow, named Greem. He’d really like someone to talk to. But who? He writes one word on his lonely rock: “Hi” and hopes someone will see it. Sure enough, in the darkness of night, Shinbi finds the note! But who could have written it?
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
The cover of this book immediately captured my attention. I love ghosts and quilts, so I knew this book was for me from the get-go.
I love the gloomy atmosphere of the artwork, in which the grey tone makes the little ghost who was a quilt stand out. The story itself is also so relatable and heartfelt. The ending and twist in the end give me a satisfactory feeling.
When you're a quilt instead of a sheet, being a ghost is hard! An adorable picture book for fans of Stumpkin and How to Make Friends with a Ghost.
Ghosts are supposed to be sheets, light as air and able to whirl and twirl and float and soar. But the little ghost who is a quilt can't whirl or twirl at all, and when he flies, he gets very hot.
He doesn't know why he's a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn't really help…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.
Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.
In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats within these…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
When I first read the back of this book I thought, "How frightening can wooden, life-sized figures tucked away in a remote mansion be?" Answer: A lot.
When the book opens, Elsie Bainbridge’s husband has died (mysteriously). When she discovers the strange totems the servants are terrified of locked away in the attic, something is definitely…not right. Once the figures’ eyes appear to move and Elsie finds them in different places in the house as if they move of their own accord, her piece of mine starts to unravel. And so did mine.
"[An] extraordinary, memorable and truly haunting book." -Jojo Moyes, #1 New York Times bestselling author
Laura Purcell's THE SHAPE OF DARKNESS is now out from Penguin!
Some doors are locked for a reason.
When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But pregnant and widowed just weeks after their wedding, with her new servants resentful and the local villagers actively hostile, Elsie has only her late husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure-a…
