I'm an artist, writer, teacher, and longtime yoga practitioner. I started practicing yoga in my early twenties during a difficult time in my life and the peace, grounding, and community that I discovered in yoga have stayed with me over the years, growing and evolving over time. One of my favorite experiences was the opportunity to teach children and teens who had never even heard of yoga before. Now I'm a professor at San Diego State University and also started and run a statewide program called Prison Arts Collective, bringing art programs to people who are incarcerated. We often include mindfulness and breathing exercises along with art.
This isn’t technically a yoga book but is a beautiful and relatable book for adult friends of children to connect to their intuition, decompress, and express themselves (so, in essence, it is a yoga book, just not in name!). Adults including parents and teachers can find a space to connect to their inner sense of truth and play, soothing and recharging the spirit. The book has lovely loose watercolor paintings and brief but meaningful prompts throughout, inviting readers to add their own thoughts, ideas, experiences, and responses right on the pages.
When the way forward seems uncertain, where can we turn for guidance we can trust? For yoga luminary, meditation teacher, and artist Elena Brower, the answer has always been close at hand.
"Whenever I've needed direction, strength, or centering, I've so often turned to my own journals. Why? Because many of the answers we seek are found within ourselves."
Now, for those compelled to the pen and page, Elena invites us to gather our own wisdom through writing, self-inquiry, and reflection. Practice You is a portable sacred sanctuary to record our flashes of insight, find our ground, create and clarify…
I have been drawing fantasy creatures and characters for over thirty years now, and have collected hundreds of fantasy, art, and art instruction books over the decades. Both drawing and reading are a passion of mine, so I am happy to share some of my favorite fantasy art books that I have in my own personal library.
Pui-Mun Law has been one of my favorite artists since I discovered her website over twenty years ago. She is an accomplished artist, and her books are not only filled with beautiful artwork that will inspire any fantasy artist, but also contain very detailed tutorials and sketches. Although the tutorials focus on finishing pieces using watercolor, this book is also filled with beautiful pencil sketches and guides on drawing different poses, body parts, and scenery to suit your fantasy character. Her watercolor style is uniquely detailed and precise, which makes the book a great reference for artists using drawing mediums as well.
Angels, faeries and mermaids have engaged the imaginations and enchanted the brushes of artists for centuries. Now you can evoke the spirit of these mystical creatures and create fantastic works of ethereal art in watercolor. Twenty step-by-step projects show how to create fantastic scenes that are elegantly styled, brilliantly colored, and alive with a sense of wonder.
I’ve been speaking up for animals since I learned to talk, and I haven’t shut up yet. My goal in writing books is to enlighten and inspire young readers to have compassion for all creatures great and small while making sure that my own empathy shines through on every page. Kids are thrilled when I bring along my rescued pets—dogs, rabbits, and a chinchilla—to book events, where I spread the “adopt, don’t shop” mantra. After volunteering at animal rescues for 30+ years, I’m excited to see so many pets getting a second chance!
In a story as mournful as a country song, a homeless big black dog resolves to lie down and never get up again. But he does find happiness, although it takes several tries. Themes of disappointment, loneliness, sorrow, yearning, and love are interwoven in the poetic text. As a bonus, Orville gleans people’s dearest wishes just by sniffing them. Watercolor and ink illustrations illuminate this poignant and powerful bond between a dog and his person.
A big, ugly dog is happy to meet a farmer and his wife who decide to give him a name and a home, but not so happy when they chain him to the barn. All Orville can do is bark to tell the world how unhappy he is, and the more he barks, the more he is left alone. But everything changes when Sally MacIntosh moves into the little house across the road and Orville falls in love. A beautifully crafted text that blends wry humor with the poignant twang of a country-and-western song is accompanied by dreamy, spare watercolor-and-ink…
Books are my passion; architecture relates to my profession. The combination, for me, is pure joy. I get such pleasure building my personal library of architecture, design, art, and photography books. After having been a magazine editor and writer, I founded Taylor & Company in 1994, to promote the value of architecture and design. My respect for architects is deep—they create something that must function in all ways and are still able to express themselves creatively. The books I’ve selected are all written by architects, giving me an extra layer of admiration for their talents to express themselves in other media.
An award-winning architect and poet, Marx explores creative ideas through poetry and watercolors, giving a very different way to view the art and craft of architecture. The paintings have a mysterious calm to them—evoking the work of Giorgio de Chirico—and are poetic in themselves. And then, you get actual poetry alongside the paintings! Graphic artist Jeremy Mende’s layout of the poems adds yet another layer of artistry. The tactility of the book as an object is delightful. Printed on thick watercolor paper, the book appears as a precious portfolio of secret thoughts and dreams.
John Marx's watercolours, first published in the Architectural Review, are a captivating example of an architect's way of thinking. Subtle and quiet they are nonetheless compelling works in how they tackle a sense of place, of inhabiting space and time all the while resonating with the core of one's inner being. There is an existential quality to these watercolours that is rare to be found in this medium. Something akin to the psychologically piercing observational quality of artists like De Chirico or Hopper.
As architects strive to communicate their ideas, it is interesting to explore the world of Marx's watercolours…
When I was pitching my then novel-in-progress, Me, Myself, and Him to editors and agents, I usually got one of two responses: either “That sounds like a tough sell” or “That sounds great, and not like anything I’ve seen before.” Of course, I preferred to hear the latter, but I also enjoyed winning over skeptics by giving them something much more accessible than they might have expected, based on my pitch. It all speaks to the special place I have in my heart for the books you never expect to love…and then love anyway.
Holy moly, what a beautiful book. Take a look at Lita Judge’s social media just to absorb her varied and stunning artwork. Then pick up this title about a teenage Mary Shelley and dive in. The novel is written in free verse, with over three hundred black-and-white watercolor illustrations, the kind of thing I sometimes have to force myself to stop and absorb. But with these, I happily took my time, enjoying the art as a full part of the storytelling, which is spare, beautiful, and begging to be gobbled up.
The dark, captivating story of one remarkable young woman. And her monster.
Creative genius...? Inventor of science fiction...? Pregnant teenage runaway...? Who was the real Mary Shelley?
Mary's Monster is the compelling and beautifully illustrated story of Frankenstein's author Mary Shelley - the original rebel girl and an inspiration for everyone from teenage readers to adult. Aged 16 and pregnant, Mary runs away to Switzerland with the married poet Percy Bysshe Shelley. Few people would have guessed that that fateful act would lead to a gothic novel still celebrated 200 years later. But cast out by her family and isolated…
I’m obsessed with travel, and have spent years ambling the planet. I’m also an Associate Professor of Philosophy at Durham University—I spend lots of time reading books, and occasionally writing them. Travel and philosophy can help us make sense of our magnificent, peculiar world.
Spinsters Abroad set out to celebrate Victorian women traveller such as Mary Kingsley, Amelia Edwards, and Isabella Bird. However, Birkett quickly discovered that these women were not straightforward role models. Yes, they travelled Africa, the Middle East, and Asia, braving hardship, and making all kinds of discoveries along the way. But it turns out, they managed that because their whiteness trumped their gender. Spinsters Abroad reveals the complexity of these women’s travels, andtheir lives and worlds. It reflects on their motivations for travel, as well as how Victorians conceived gender and race. The book is also jam-packed with anecdotes. Here is Edwards complaining about flies interrupting her watercolour painting of Egyptian ruins: ‘Nothing disagrees with them; nothing poisons them - not evenolive-green’.
What spurred so many Victorian women to leave behind their secure middle-class homes and undertake perilous journeys of thousands of miles, tramping through tropical forests, caravanning across deserts, and scaling mountain ranges? And how were they able to travel so freely in exotic lands, when at home such independence was denied to them? This book draws upon the diaries and writings of more than 50 such women to describe their experiences and aspirations. Many of the journeys they made are re-constructed - Mary Gaunt's voyage along the West African coast, Mary Kingsley's jungle treks, Amelia Edwards's thousand-mile journey up the…
In my kidlit writing, I am someone who almost exclusively writes more difficult topics, grounded in reality. My debut deals with the police-sanctioned murder of Black people. My second book deals with mental illness and how to bounce back from sad days in a way that’s accessible to young people. I thoroughly enjoy reading and writing more thoughtful picture books with much to say about our greater world.
Another picture book dealing with difficult themes. John Coy’s, If We Were Gone speaks to what would happen should humanity fall into environmental catastrophe. While this is a very real and frightening topic for many of us, it handles the subject with a gentle tone and so much care, the reader can’t help but feel comforted. John’s book reminds us that we need the environment much more than it needs us, and that one day or another, there will be greener days ahead.
Water, air, sunlight, plants . . . we need these elements to live in this world. But does the world need us? And what would happen to the world if humans were gone? This is the premise of a thought-provoking picture book from John Coy. His insightful text explores how nature would reclaim the planet, accompanied by Natalie Capannelli's gorgeous watercolor illustrations. Back matter gives further context and discusses what kids (and all of us) can do to truly help our planet.
I’m an award-winning children’s author of more than 100 books, including many biographies. I first fell in love with biographies when I was a child and read about young blind and deaf Helen Keller. Blind and deaf? I couldn’t imagine. Yet, page by page, as I stepped into little Helen’s world, I felt as if I experienced her struggles, triumphs, and tragedies right along with her. I discovered that in spite of her great challenges, she succeeded. That’s why I love biographies and why I write them. I hope my biographies open a door into someone else’s world that can remind readers that they can succeed too, in spite of obstacles in front of them. I try to write the sort of picture books I love—funny, whimsical, captivating, and unforgettable.
The Secret World of Walter Anderson is one of my favorite picture book biographies. From the first lyrical lines, Bass draws the reader into another time and place where a solitary Mississippi artist climbs into his leaky skiff and sails off to an uninhabited island to paint the world around him. The watercolor illustrations are so wonderful, the reader will hear the crash of the waves, feel the warm sun on their shoulders, and breathe in the salty air right along with the illusive artist. It’s a brilliant story about a man who “may be the most famous American artist you’ve never heard of.”
Enter the fascinating world of reclusive nature-lover Walter Anderson -- perhaps the most famous American artist you've never heard of.
Residents along the Mississippi Gulf Coast thought Walter Anderson was odd, rowing across twelve miles of open water in a leaky skiff to reach Horn, an uninhabited island without running water or electricity. But this solitary artist didn't much care what they thought as he spent weeks at a time on his personal paradise, sleeping under his boat, sometimes eating whatever washed ashore, sketching and painting the natural surroundings and the animals that became his friends. Here Walter created some…
I grew up next to a cemetery, and being an avid young artist, I loved to draw all kinds of monsters and spooky themes. Halloween books are a perfect way to express my creepy…but not too creepy side. When I look at Halloween picture books, I'm immediately focused on the pictures, long before I read the story. What medium did the artist use? How do they depict night scenes? Are they realistic or stylized? How interesting are their characters? Halloween picture books are a perfect way to create moody and somewhat scary scenes that balance the creepy with the not-so-creepy. Kids love to be scared, but we don’t want to give them nightmares!
The absolutely gorgeous watercolors in Cris Grimly’s 10 Spooky Pumpkins jumped out and stole my heart! Rich color and high contrast pump up the Halloween mood, while his sensitivity to letting the washes flow in their own way shows a freedom and respect for the watercolor medium.
Grimly’s characters, including witches, ghosts and goblins to name a few, are stylized enough to balance the creepy with fun originality. Outlining watercolor with an ink line can flatten the art. But Grimly picks and chooses his sepia line work to draw you into detail, and then holds off to let the washes sing, creating great depth and space in his scenes.
This book makes me want to paint more night scenes! Thanks, Cris Grimly!
Join celebrated creator Gris Grimly in this spooky countdown, as one little girl ventures out into the night for an unforgettable Halloween adventure!
10 little pumpkins, sitting in a line,looking for a cat and they found nine.The wind said SWOOSH and the gate went CREAK.The owl cried WHOOOO, we all screamed EEK! Celebrated creator Gris Grimly, widely known for his gothic style illustrations, puts a spooky twist on a favorite preschool rhyme in this Halloween read-aloud. Join goblins, ghosts, witches, and more in this rhythmic countdown, traveling through the countryside and discovering more Halloween creatures along the way. Finally, the…
My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
Ithell Colquhoun was a surrealist artist, writer, and an initiate of several magical orders. Her unique novel (first published in 1961) has a haunting and visionary quality in the way it blends surrealist imagery and occult symbolism. The hermetic plot symbolizes alchemical processes and transformations and reading it feels like being guided through an oneiric landscape, evoking myths tangled with bodily sensations and fragments of memories.
Not a novel in the usual sense of the word, but a philosophical and poetic meditation on dreams, desires, and the journey through life. This is a lovely edition, illustrated with a selection of Colquhoun’s watercolours which beautifully complement the text.
Ithell Colquhoun was a leading British surrealist artist and writer whose love of the esoteric and the occult had a profound influence on her work. Nowhere is this more apparent than in the weird and wonderful alchemical novel Goose of Hermogenes. An unnamed woman must escape her uncle's island when his sinister attentions fall upon an heirloom—a priceless jewel in her possession—that may help in his tireless efforts to conquer death. Gothic, erotic and dreamlike, Goose of Hermogenes is a dizzying work of surrealist imagination. This new edition features five of Colquhoun's watercolor paintings originally painted to illustrate the novel.…
