The most recommended Karl Marx books

This book, published in 2010, focuses on a much-neglected dimension of Marx’s work—his writings in defense of anti-colonial movements in Ireland, India, China, and elsewhere as well as his support for anti-racist movements in the U.S.

In contrast to claims that Marx was a class reductionist whose body of thought was incapable of accounting for issues of race and ethnicity, this work shows how he overcome many of the Eurocentric biases found in his earliest writings as he engaged in a systematic study of the non-Western world in the last decades of his life.

This a book that will change your view of what Marx was about from top to bottom.

It’s a page-turner, taking us through the lives and tribulations of Karl Marx’s wife, Jenny, and her daughters, in living and working with the world’s most well-known revolutionary. It’s a rare glimpse into the human side of the formidable critic of capitalism showing him as a devoted father and husband. And above all, the book opens us up to the important but forgotten role of Jenny in the romance of revolutionary change in the mid-19th century.

From 1932-33, Groucho and Chico (two of my role models) appeared on a radio show aired on NBC. It was about a shady law firm (Groucho is Waldorf T. Flywheel – a fine lawyerly name) and you can imagine how that goes. This book contains the scripts of about two dozen episodes, I think. If you’re a Marx Brothers fan, this is a ton of fun. And if you’re not, then I must believe you’re some variety of filthy lout and I would ask you to stand away from me. 

A collection of essays about “classic” works of history by (mostly) European historians ranging from Edward Gibbon to Jacob Burckhardt, Clive’s book brings these works to life even for readers unfamiliar with them. Clive’s short but rich essays on these historians provide a wonderful introduction to both their writings and to the study of historiography more generally, showing the value of these classic texts as works of literature and as gateways into the worlds of their authors.

Francis Wheen is a witty journalist who has written a short but revealing biography of Karl Marx. And in this book, he explains in no more than 100 pages, how Marx came to write his masterpiece, Das Kapital. He shows why Marx’s great treatise deserves to be read and understood.

Fast ran afoul of the House Committee on Un-American Activities and was sent to prison for contempt of Congress.

To him, as to Karl Marx and others, the gladiator Spartacus, who led history’s best-known slave revolt (73 to 71 B.C.), symbolized the proletariat’s revolution against capitalist oppressors and depraved imperialists.

Despite some dubious history and one distasteful distortion concerning the Romans’ exploitation of slaves, Fast’s 1951 novel is a stirring tale, intended “so that the dream of Spartacus may come to be in our own time.”

When no publisher would touch his book, Fast had it printed and distributed on his own.

The screenplay for Stanley Kubrick’s film adaptation was by Dalton Trumbo, another HUAC victim. His screen credits for Spartacus and, a little earlier, for Exodus ended the blacklist.

This remarkable study, first published in Czechoslovakia in 1964 and translated into English in the 1970s, is one of the most profound studies of the Hegelian and Phenomenological dimensions of Marx’s work ever written.

It argues that daily life in capitalist modernity takes the alienated form of a “world of the pseudo-concrete,” in which possibilities for self-development and purposeful creation that is integral to humanity become radically suppressed. If you want to understand why the world is not as you wish it to be, read this book.

Better than superficial realist accounts, Lenin’s pamphlet on imperialism represents the finest analysis for explaining inter-state rivalries between great powers. In this book–which deeply informed my very first monograph, American Grand Strategy from Obama to Trump: Imperialism After Bush and China’s Hegemonic Challenge (Cham: Palgrave, 2021)–he traces the origins of the start of WWI back to (profit-driven) capitalism and the inherent need for governments, intertwined with major industrial and financial combines, to open up new economic opportunities using all the tools that states have, including negotiating trade deals, territorial conquest, and war.

This pamphlet is nowadays essential for understanding why the US and China are in a strategic competition, especially when looking at how the respective governments, in cooperation with their industrial champions in the Internet sector are vying for influence.

This wide-ranging work, first published in 1981, has three outstanding features:

It consists of one of the most sensitive explorations of Rosa Luxemburg, showing that her work as a fervent advocate of socialism and democracy had a feminist dimension.

It connects Marx’s critique of alienation and dehumanized social relations to the perspectives and demands of modern feminism.

It also contained the first detailed discussion in English of Marx’s last decade (1872-83), when he turned to a study of Indigenous peoples in the Americas as well as communal formations in Russia, Asia, and Africa in searching for pathways to socialism that could by-pass the horrors of capitalist industrialization.

It argues that Marx’s critique of capital went further than economics in being part and parcel of the development of a philosophy of revolution.

I read this book when it was first published back in 1995, but I re-read it this year. Ackroyd sets his tales in London, whether modern or historic (sometimes, like in Hawksmoor, both), and this one is set in the Victorian era.

We are in the pre-Jack the Ripper East End, where there is a series of gruesome killings by the almost supernatural "Limehouse Golem" while, at the same time, Elizabeth Cree (a music hall performer) is on trial for killing her husband. Inspector Kildare has to deal with both.

Kildare is a wonderfully drawn character, world-weary but half-enamored of Ms Cree. Bill Nighy was a superb choice of actor in the film.

The dark and dangerous streets of Limehouse give way to the naptha and greasepaint of the music hall, as Dan Leno (a real person) is drawn into the case, as are Karl Marx and George Gissing. Leno… show more.