It is said that Michelangelo could see a statue inside of a block of marble. I believe I have a similar gift – I can find the most idiotic angle to any given story or event and free it into the world. Okay, so some gifts are better than others but this “talent” has afforded me the ability to stay relatively sane in a completely nutso era. Relatively. And to underscore my qualifications, I would ask the reader to take a gander at my sample title below. I rest my case.
From 1932-33, Groucho and Chico (two of my role models) appeared on a radio show aired on NBC. It was about a shady law firm (Groucho is Waldorf T. Flywheel – a fine lawyerly name) and you can imagine how that goes. This book contains the scripts of about two dozen episodes, I think. If you’re a Marx Brothers fan, this is a ton of fun. And if you’re not, then I must believe you’re some variety of filthy lout and I would ask you to stand away from me.
This is a collection of radio scripts of the comedy series starring Groucho, Waldorf and Chico Marx which ran for six months from November 1932. They have recently been discovered and are published here for the first time.
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Paul Tumey is one of our pre-eminent comics scholars, but like the cartoonists he honors in this work, he mainly wants to make you laugh. To this end, he’s assembled cartoons, comics, and old photos, mostly dating to the early 1900s, to build a case for a comics genre he calls Screwballism. It’s all a very funny read, and if the names of genius creators like Frederick Burr Opper and Gene Ahern aren’t yet household names, don’t blame Tumey.
The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time.
Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. The disruptive, manic, and surreal verbal-visual comedy of these "funnies" fostered an absurdist sensibility embraced by The Marx Brothers (who took their names from a popular comic strip), W. C. Fields, Tex Avery, Spike Jones, Ernie Kovacs,…
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
A comic novel from 1940, ostensibly a reworking of Romeo and Juliet set in the 19th century. Don’t Mister Disraeli is in fact a wild rampage through Victorian fiction and history. The only book I know of that’s influenced by both the Marx Brothers and JW Dunne’s An Experiment In Time, this is Alice In Wonderland as a history lesson and it’s brilliant.
Where many people would see an empty package of Oreos, I see the remains of a lost civilization, an artifact crafted galaxies away by beings who flit in and out of existence in order to build rainbows for lonely children and who have left the empty bag, filled with dog poop, flaming on someone’s front step and are laughing uncontrollably as the person stomps on it to put it out. I want to find authors who see more than the bag of Oreos. I want them to be wildly imaginative and to paint what they see with cleverness and humor. I try to do the same.
Kage Baker is an Isaac Asimov compared to Terry Pratchett’s Marx Brothers. In the Garden of Iden is more sci-fi than fantasy, including time travel, cybernetics, and nanotechnologies. And love and loss. This book is part of a series of novels that Baker crafted about time-travelling enhanced humans who carry out critical tasks throughout history.
What I loved most about this book is how very human her main characters are. Like Pratchett and Bill Shakespeare, Baker is a master at showing us human nature. Her comedy is high comedy. I laugh because I recognize myself in her characters. Baker has a fine eye for the subtle and the absurd. And yet unlike many humorous authors, the tragedies of the heart are always at the core of her stories.
This is the first novel in what has become one of the most popular series in contemporary Science Fiction, now back in print from Tor. In the twenty-fourth century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company. One of these is Mendoza the botanist, who is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden. Her quest is jeopardized by Nicholas Harpole, who stirs unfamiliar emotions within her about her…
I fell in love with the mystery genre at a young age, starting with Donald J. Sobol's Encyclopedia Brown series. It didn't take long to graduate to the likes of Sherlock Holmes, particularly once PBS began broadcasting the series with Jeremy Brett in the titular role. Over the years, my passion for mystery and suspense stories has branched out into numerous sub-genres and a variety of classics from such superb authors like Agatha Christie, Leslie Charteris, P. D. James, and Charles Todd. As much as I enjoy individual mystery and suspense novels, I enjoy even more a series with a cast of characters that I can follow from book to book.
I've been a huge fan of the Marx Brothers for many years. So, when I found a book that featured Groucho Marx as an amateur detective, I jumped on it. This, the first in a six-book series, is a treat to anyone who is a fan of the golden age of Hollywood. It is a cavalcade of famous names from the era of black and white films. Goulart does a tremendous job balancing a mysterious plotline with the lighthearted fun that you'd expect from a novel featuring Groucho Marx. And I'm happy to report that Goulart captures the essence of Groucho perfectly. The book, as well as the series, is a terrific tribute to one of Hollywood comedy geniuses. And it's a damn good mystery as well.
To stay busy between movies, Groucho Marx agrees to act in a radio serial, but before the first episode can even be aired, his beautiful co-star is found dead, and he becomes determined to find her killer.
I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.
Okay, I am totally cheating here. Harpo Speaks! is not specifically a kid’s book at all (although it would be wonderful to read with and to upper primary and older), but it is my favourite book of all time, and I couldn’t not include it here. Harpo Speaks! is the autobiography of Harpo Marx. I have read it at least ten times, and every time I learn something new.
The Marx Brothers show how life can and should be fun, but that the fun comes after and while you are working incredibly hard towards a dream. And of all of them, Harpo’s attitude to and joy of life is a lesson to us all. I can’t recommend this highly enough.
Facsimile of 1961 Edition. “Adolph Marx [Harpo] squashed his formal education at the age of eight when he was dumped out of the 2nd grade window at P.S. 86 for the last time by two Irish classmates. He never went back. But his informal education blossomed on the streets of New York's Upper East Side; as a piano player in the Happy Times Tavern, on the vaudeville circuit of the early 1900's, at all-night poker games in the Algonquin Hotel. This is a racy autobiography by the mute Marx Brother with the rolling eyes, oversized pants and red wig who…
I'm an Australian who fell in love with Africa in my 30s. I've now written 20 thrillers set in Africa and several non-fiction biographies. My wife and I have travelled extensively on the continent and now spend at least half our lives in Africa, and the remainder in Australia. I'm passionate about Africa's people, wildlife, and fragile natural environment. While my books focus on some of the continent's problems – especially the illegal trade in wildlife – I'm a sucker for a happy ending and find no shortage of positive, inspirational people on my travels who serve as the inspiration for the good guys and girls in my stories.
Douglas Rogers, a Zimbabwean journalist living in the US, tells the true story of how his elderly parents survived a harrowing period in the African country's history when former President Robert Mugabe's supporters were invading and claiming white-owned farms. Rather than fleeing, Rogers' parents transformed their backpackers' lodge into a have for a wildlife disparate group of hookers, spies, soldiers, and refugees. It's hilarious and harrowing and proof that in Africa, truth is stranger than fiction! By the way, Zimbabwe is now a beautiful, peaceful country to visit and an excellent safari destination.
Thrilling, heartbreaking, and, at times, absurdly funny, The Last Resort is a remarkable true story about one family in a country under siege and a testament to the love, perseverance, and resilience of the human spirit.
Born and raised in Zimbabwe, Douglas Rogers is the son of white farmers living through that country’s long and tense transition from postcolonial rule. He escaped the dull future mapped out for him by his parents for one of adventure and excitement in Europe and the United States. But when Zimbabwe’s president Robert Mugabe launched his violent program to reclaim white-owned land and Rogers’s…
