The most recommended books about comics

The subtitle of this book is A Serious Comic on Entanglement. Normally I am not fond of comic-style presentations of physics (although I do love comics, as my Conan the Barbarian collection can attest). But I am happy to make an exception for this excellent book, written by a daughter-father team, the father being one of the leading philosophers of physics and the daughter being an artist and web designer. All the deep physics is there, presented in a fun, reader-friendly style. The acknowledgments section credits six ‘reviewers,’ ages 12 to 15, for reviewing and helping edit the book – now that’s inter-generational! 

My granddaughter Maeve loves this series. The babysitters are always finding themselves in different places and in the middle of different challenges.

In one such adventure, the group goes to the big city, and they begin to get on each other's nerves. Maeve can identify with this as she is the eldest and is a "babysitter" of sorts to her younger brother, Silas. He's a pickle. Thinks he's Buzz Lightyear and mostly wants to be his own "man." The Babysitter Club series is a fun read and helps my granddaughter see an easy, often humorous, way to deal with being a babysitter.

This is not a best-seller graphic novel, you don’t see this book on every bookstore shelf. I discovered it because of Nina Mickwitz’s Documentary Comics. I ordered it from the library network that we had at my grad school. My degeneration is a Jewel of a book in many senses, it is a sincere book, a dialogue that goes through many channels: the images drawn, the text typed, and the way the book was made. The shifting in the line makes you think about the process and the author not just as a character but as a person experiencing the world from certain conditions and telling you about that experience.

Katzenstein cleverly uses cartoons to take us into the brain of someone with OCD. This book is laugh-out-loud funny, but also highly educational. I love this book because it uses cartoons to present another way of understanding each other – in its drawings, it’s deeply empathetic. While I don’t have OCD, I do struggle with the feeling that words alone are not enough to convey to others what’s going on inside my brain, and this book made me feel less alone.

My wife, a teacher to the deaf and hard of hearing, brought home a graphic children’s book, El Deafo, which she and her kids loved. Based on Bell's own life, it’s about a young girl coming to grips with her sudden deafness. As a graphic artist who specializes in adult works, I was not initially drawn to this young girl’s story, nor to Bell’s colorful cartoony panels. But one day, I picked up my wife’s copy and discovered a charming story that swept me along, the art surprisingly sophisticated and effective. As different as my graphic memoir is from Bell’s, my memoir is also about coping with adversity, and I hope it’s as compelling as El Deafo. 

This is the backstory of Spiegelman’s two-volume masterpiece.

What was the impetus for MAUS? How did comic creatures find their way into a Holocaust narrative?  What were the reactions to such a unique merging of cartoons and historical horror? How has Spiegelman dealt with the book’s tremendous reception?

The book answers these questions with many interviews, photos, explanations, and reflections. Even agent and publisher rejection letters are included.

The Iliad is not a book on strategy. Nor on tactics, nor on logistics, nor on command and control, nor on any other individual aspect of warfare about which any number of lesser authors have written. An epic poem, it provides an unparalleled panorama of men (and, playing a secondary yet crucially important role, a few women) at war: the hope, the despair, the fear, the elation, the kindness, the rage, the horror, the love and the sex (which both increases the horror and to some extent makes up for it). All intertwined, and all pulsating along with the human heart. Probably written down around 750 BCE, but making use of much older material, for almost three millennia now it has been regarded not just as a classic but as the greatest classic of all. Unquestionably it will continue doing so for millennia more. 

I immediately loved Jake’s comics. The art style and humor is right up my alley.

They’re a perfect intersection of print comics like The Far Side and online ones like The Perry Bible Fellowship.

The internet seems especially suited for timely comics that don’t always age well, they’re scrolled past and never read again, but this collection is perfect for print because the comics are timeless and worth repeat reading.  

The next Avengers movie is a few years away and there’s no way of knowing when (or if) there will be another Justice League movie. So if you’re looking for some epic, superhero team action to hold you over until then, look no further than Van Allen Plexico’s Sentinels series. This is the kind of widescreen superhero action you’ve come to expect from the MCU and Plexico’s love of the genre drips off every page.

This book is not so much educational as it is inspiring. Frazetta’s work has inspired me and my students for the last three decades. When I attended art school in New York, I discover that Frazetta had a gallery in East Stroudsberg, PA. I would travel there in the hopes of meeting him in person, an event that never occurred. I did have many discussions with his wife and I would spend hours in the gallery attempting to decipher how Frazetta created the dynamic, illustrious sci-fi and fantasy illustrations. Also, something that never occurred. This particular book presents Frazetta’s ink drawings, masterfully drafted and full story.