Here are 100 books that Yvain fans have personally recommended if you like
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GK Chesterton reportedly said that "fairytales are more than true: not because they teach us that dragons are real, but because they teach us dragons can be beaten." This rings true to me; I've been fascinated by the darker side of fairytales since childhood, when I used them to escape and make sense of my own dark experiences. Stories that began as oral traditions are my favourite, a blend of entertainment for long nights around a fire, and cautionary tales that teach us to fear the wolf, and beware of that which seems too good to be true. Old stories teach us what it means to be human. I hope you enjoy these.
Snow, Glass, Apples is my all-time favourite Gaiman story, which is quite staggering given how much of his work I adore, but I'd only seen it in short story form before, in Smoke and Mirrors. Then I was given a copy of just Snow Glass, Apples, illustrated by Colleen Doran. The artwork is stunning, beautifully dark with a tight palette and rich, intricate detailing. Every page is a work of art, allowing you to linger and slowly digest the tale as it unfolds. This story is a huge influence for me, in particular for my collection Once Upon A Twisted Fairytale, because it flips the story of Snow White on its head. All of the elements of the traditional tale - the huntsman, the stepmother queen, the dwarves, the glass coffin - are there, but put together from the perspective of the queen, totally changing the story. I love…
Winner of the 2020 Bram Stoker Award® for Superior Achievement in a Graphic Novel!
A chilling fantasy retelling of the Snow White fairy tale by New York Times bestselling creators Neil Gaiman and Colleen Doran!
A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren't so happily ever after.
From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge)!
I’m a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
I’m always a fan of graphic novels that capture the mood of the book, rather than trying to make everything perfectly accurate to the original. Mariah Marsden’s adaptation of Anne of Green Gables perfectly captures the magic and beauty of one of my favorite childhood books.
I mentioned how much I enjoyed this adaptation to a friend who’s also a fan of L.M. Montgomery. However, my friend hated this adaptation (especially how Anne’s nose is drawn!) which I actually found very liberating as I considered adapting The Great Gatsby. I’d been concerned about how people who loved Gatsby would view my adaptation, but this made me realize that some people would love my book and some people wouldn’t—and that was okay!
The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. - Brian Selznick, author/illustrator of "The Invention of Hugo Cabret" and "The Marvels"
The magic of L.M. Montgomery's treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike.
When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manage…
I’m a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
City of Glass: The Graphic Novel is the adaptation of a Paul Auster novella about a man who receives a call meant for a private investigator and is pulled into an existential mystery. I’ve long been a fan of film noir and the mystery genre, and I like how this adaptation handles these themes in more unusual and modern ways, as well as Paul Karasik’s thoughtful page layouts. The Great Gatsby also has many noir themes which I tried to hint at in places, although I resisted going full-out noir, since that wouldn’t have been appropriate for the book.
A graphic novel classic with a new introduction by Art Spiegelman
Quinn writes mysteries. The Washington Post has described him as a "post-existentialist private eye." An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.
Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster's groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.
"[This graphic novel] is, surprisingly, not just a worthy supplement to the novel, but a work of art that…
As a professor emeritus of history at the Hebrew University, Jerusalem, over the years I’ve been widely mentioned as one of the world’s foremost experts on military theory and history. On these and other topics I have written 34 books, which between them have been published in 19 languages. I’ve also consulted with defense departments, taught and lectured all over the world, etc., etc.
The Iliadis not a book on strategy. Nor on tactics, nor on logistics, nor on command and control, nor on any other individual aspect of warfare about which any number of lesser authors have written. An epic poem, it provides an unparalleled panorama of men (and, playing a secondary yet crucially important role, a few women) at war: the hope, the despair, the fear, the elation, the kindness, the rage, the horror, the love and the sex (which both increases the horror and to some extent makes up for it). All intertwined, and all pulsating along with the human heart. Probably written down around 750 BCE, but making use of much older material, for almost three millennia now it has been regarded not just as a classic but as the greatest classic of all. Unquestionably it will continue doing so for millennia more.
In a companion volume to his award-winning adaptation of The Odyssey, the incomparable graphic novelist Gareth Hinds masterfully adapts Homer’s classic wartime epic.
More than three thousand years ago, two armies faced each other in an epic battle that rewrote history and came to be known as the Trojan War. The Iliad, Homer's legendary account of this nine-year ordeal, is considered the greatest war story of all time and one of the most important works of Western literature. In this stunning graphic novel adaptation — a thoroughly researched and artfully rendered masterwork — renowned illustrator Gareth Hinds captures all the…
My Globetrotter Book’s creative adventure originated from a deep desire to show the world to my son... I am from Quebec, Canada, but I have lived and traveled across the globe with my family for 20+ years and – so far – have lived in Montreal, Paris, New York, Tokyo, and Bangkok! I work as an international consultant on water security issues with the United Nations and other international organisations. My son has grown up, so now, I continue to inspire other kids to explore the myriad beauties and cultures of the world and, as of 2022, to "journey within" with the creation of My Bodytrotter Book.
Young Belgian reporter Tintin and his little white dog, Snowy, travel the world with their strange and funny group of friends. They solve mysteries, catch thieves or help a friend in need. Action-packed graphic books that take you around the world! I loved reading these books as a pre-teen, and then later my pre-teen son did too.
Hi, my name is Scott SanGiacomo, (San-JAH-Ko-mo) from Massachusetts, U.S.A.
Stories have always been important to me. From the ones read to me as a boy; to the comics I devoured as an adolescent; all the way to the stories I read to my own children. I’m inspired to create stories and art that explore childhood and the universal themes that follow us into adulthood. I hope you enjoy my list of graphic novels about navigating friendships and family.
I love a good adventure, don’t you? Craig Thompson has created a space-epic about friendship, family, and loyalty. Violet is a young girl who sets out on an adventure to save her Dad, who’s gone missing. With his usual jaw-dropping illustrations, this action-packed graphic novel is full of interesting characters, amazing settings, and cool spaceships! I found it to be very cinematic. It’s a fun ride, full of heart and important messages. Perfect for 8-14-year-olds who like to be engulfed in a new world.
'Like the twisted lovechild of Jack Kirby and Dr Seuss, Craig Thompson has created a new genre: the Adorable Epic.' JOSS WHEDON
From the Eisner award winning, New York Times bestselling author of Habibi and Blankets, comes this year's most exciting adventure.
For Violet, family is the most important thing in the whole galaxy. So when her father goes missing while on a hazardous job, she can't just sit around and do nothing. Throwing caution to the stars, she sets out with a group of misfit friends on a quest to find him. But space is a big and dangerous…
I’m qualified to talk about Hermione Granger because she’s a bold rip-off of my own experience at boarding school. My family didn’t have a lot of money. However, I was always the smartest, most original, hardest-working kid at school. Then I got a fat scholarship to an exclusive and fabulously wealthy boarding school 3,000 miles from home. I arrived as a poor, immigrant, POC, gay, transfer student into the eleventh grade. I was the muggle-born kid plopped into a world of privilege and power with something to prove, just like Hermione. But because the author did such a good job of capturing my life, I won’t sue.
Like Hermione, Courtney comes from a non-magical background and discovers her own magical heritage. Her stubborn curiosity propels her into a fantastical world operating under our own. She also has a sense of justice and would deffo have allied with Hermione in S.P.E.W. Unlike Hermione, Courtney isn’t studious or diligent. She’s a bit of a slacker and a grump. What I love about this series is the prickly heroine and the treatment of the fantastical world. Like the Wizarding World, the fantastical worldbuilding in this series is built on familiar Western fantasy creatures and tropes. What’s special about it is the stylish Goth-chic interpretation through the author/artist’s artwork and the examination of the ethical conundrums latent in fantasy since fantasy is often about power.
Get the first volume of this critically acclaimed series for only $10 as part of Oni's Square One program!
Courtney Crumrin grumbles about everything, but now she's really got something to grumble over. Having run out of credit cards, her parents are moving to the wealthy suburb of Hillsborough, to live rent-free with their creepy old uncle Aloysius. Courtney is now an outcast among her rich, snobby classmates. And if that weren't bad enough, the musty, decrepit old mansion that she now calls home is occupied by stranger creatures than just her parents or Uncle Aloysius.
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Paul Tumey is one of our pre-eminent comics scholars, but like the cartoonists he honors in this work, he mainly wants to make you laugh. To this end, he’s assembled cartoons, comics, and old photos, mostly dating to the early 1900s, to build a case for a comics genre he calls Screwballism. It’s all a very funny read, and if the names of genius creators like Frederick Burr Opper and Gene Ahern aren’t yet household names, don’t blame Tumey.
The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time.
Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. The disruptive, manic, and surreal verbal-visual comedy of these "funnies" fostered an absurdist sensibility embraced by The Marx Brothers (who took their names from a popular comic strip), W. C. Fields, Tex Avery, Spike Jones, Ernie Kovacs,…
I am a long-time manga teacher and a pop-culture researcher, as well as a comic illustrator and a Youtuber, presenting under the "Mistiqarts" pseudonym. Since manga was something that inspired me early on to dedicate my life to the art style and pop culture, I was constantly looking for new ways to bring this lifestyle and art to other people interested in drawing manga.
This is an art book that showcases the masterful craft of an artist who knows how to weave souls into their characters and worlds. Her titles made me laugh, cry, jump up from my seat, and the characters and concepts in the pages of this book make me re-live these moments again and again. She uses a very unusual gouache technique, unlike any other manga artist I know of. The precision and determination in every stroke are stunning, and a book I believe any aspiring artist should have in their library.
Original art from series creator, Hiromu Arakawa; Somewhere between science, magic and art lies Fullmetal Alchemist!
Translated faithfully from the Japanese edition, this coffee table book contains all the Fullmetal Alchemist color artwork by manga artist Hiromu Arakawa from 2001 to 2003. The Art of Fullmetal Alchemist contains over 90 pages of gorgeous painted illustrations, including all the title pages as printed in color in the Japanese magazine Shonen Gangan; Japanese tankobon (graphic novel) and promotional artwork, with source listings; portraits of the main characters; and character designs from the PS2 game Fullmetal Alchemist and the Broken Angel.
Coming-of-age stories have always appealed to me because of their focus on an internal struggle. They’re usually juxtaposed with a changing landscape or moving to a new place. In broad strokes, coming-of-age stories focus on personal identity and our place in our day-to-day world. As someone who’s born in the US but grew up on the Mexican side but currently lives in California, the questions of what aspects of me are American and which are Mexican have been ongoing. With that in mind, these five books speak to me in a profound way, and I'm happy they exist as comics.
This is a non-fiction book about an artist doing a road trip with an adorable dog by the name of Bug. As they travel the historic highway, Shing Yin Khor reflects on this country’s history, what it can mean to live in the US as a person of color and why we’re often left with more questions than satisfying answers. Even the title reflects this as it’s an interrogative sentence rather than a declarative one. It’s a very personal journey and it reads like a friend telling you about their trip. There are various segments where the scenery does the talking.
As someone who did not grow up in this country, I have been in a similar headspace. I love this book.
As a child growing up in Malaysia, Shing Yin Khor had two very different ideas of what "America" meant. The first looked a lot like Hollywood, full of beautiful people and sunlight and freeways. The second looked more like The Grapes of Wrath - a nightmare landscape filled with impoverished people, broken-down cars, barren landscapes, and broken dreams. Those contrasting ideas have stuck with Shing ever since, even now that she lives and works in LA. The American Dream? A Journey on Route 66 is Shing's attempt to find what she can of both of these Americas on a solo…
