Here are 100 books that City of Glass fans have personally recommended if you like
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GK Chesterton reportedly said that "fairytales are more than true: not because they teach us that dragons are real, but because they teach us dragons can be beaten." This rings true to me; I've been fascinated by the darker side of fairytales since childhood, when I used them to escape and make sense of my own dark experiences. Stories that began as oral traditions are my favourite, a blend of entertainment for long nights around a fire, and cautionary tales that teach us to fear the wolf, and beware of that which seems too good to be true. Old stories teach us what it means to be human. I hope you enjoy these.
Snow, Glass, Apples is my all-time favourite Gaiman story, which is quite staggering given how much of his work I adore, but I'd only seen it in short story form before, in Smoke and Mirrors. Then I was given a copy of just Snow Glass, Apples, illustrated by Colleen Doran. The artwork is stunning, beautifully dark with a tight palette and rich, intricate detailing. Every page is a work of art, allowing you to linger and slowly digest the tale as it unfolds. This story is a huge influence for me, in particular for my collection Once Upon A Twisted Fairytale, because it flips the story of Snow White on its head. All of the elements of the traditional tale - the huntsman, the stepmother queen, the dwarves, the glass coffin - are there, but put together from the perspective of the queen, totally changing the story. I loveā¦
Winner of the 2020 Bram Stoker AwardĀ® for Superior Achievement in a Graphic Novel!
A chilling fantasy retelling of the Snow White fairy tale by New York Times bestselling creators Neil Gaiman and Colleen Doran!
A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren't so happily ever after.
From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge)!
Iām a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
Iām always a fan of graphic novels that capture the mood of the book, rather than trying to make everything perfectly accurate to the original. Mariah Marsdenās adaptation of Anne of Green Gables perfectly captures the magic and beauty of one of my favorite childhood books.
I mentioned how much I enjoyed this adaptation to a friend whoās also a fan of L.M. Montgomery. However, my friend hated this adaptation (especially how Anneās nose is drawn!) which I actually found very liberating as I considered adapting The Great Gatsby. Iād been concerned about how people who loved Gatsby would view my adaptation, but this made me realize that some people would love my book and some people wouldnātāand that was okay!
The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. - Brian Selznick, author/illustrator of "The Invention of Hugo Cabret" and "The Marvels"
The magic of L.M. Montgomery's treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike.
When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manageā¦
As a professor emeritus of history at the Hebrew University, Jerusalem, over the years Iāve been widely mentioned as one of the worldās foremost experts on military theory and history. On these and other topics I have written 34 books, which between them have been published in 19 languages. Iāve also consulted with defense departments, taught and lectured all over the world, etc., etc.
The Iliadis not a book on strategy. Nor on tactics, nor on logistics, nor on command and control, nor on any other individual aspect of warfare about which any number of lesser authors have written. An epic poem, it provides an unparalleled panorama of men (and, playing a secondary yet crucially important role, a few women) at war: the hope, the despair, the fear, the elation, the kindness, the rage, the horror, the love and the sex (which both increases the horror and to some extent makes up for it). All intertwined, and all pulsating along with the human heart. Probably written down around 750 BCE, but making use of much older material, for almost three millennia now it has been regarded not just as a classic but as the greatest classic of all. Unquestionably it will continue doing so for millennia more.
In a companion volume to his award-winning adaptation of The Odyssey, the incomparable graphic novelist Gareth Hinds masterfully adapts Homerās classic wartime epic.
More than three thousand years ago, two armies faced each other in an epic battle that rewrote history and came to be known as the Trojan War. The Iliad, Homer's legendary account of this nine-year ordeal, is considered the greatest war story of all time and one of the most important works of Western literature. In this stunning graphic novel adaptation ā a thoroughly researched and artfully rendered masterwork ā renowned illustrator Gareth Hinds captures all theā¦
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
Thatās the situation facing an ordinary family man with two children, aā¦
Iām a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
Ideally, the style of art in a graphic novel should reflect the story being told. Yvain does a beautiful job of capturing this Arthurian myth set in the 12th century with drawings that feel appropriately medieval while the sketchy and gestural line art keep it from feeling heavy. Iām a bit obsessed with the idea of the style matching the storyāI developed a whole new style and learned watercolor for The Great Gatsbyāwhich is probably why I appreciate it so much in Yvain.
In his first graphic novel, National Book Award winner M. T. Anderson turns to Arthurian lore, with captivating art by Andrea Offermann bringing the classic legend to life.
Iāve been a journalist whoās focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Cynicism and fatalism drank heavily together in the hardboiled genre of the private detective novel, but no more so than in this mid-40s book.
I think they even take refuge in the novelās title: Build My Gallows High. It tells the embittered tale of Red Bailey, a guy in hiding from private detective work after being exploited by a powerful client and betrayed by the beautiful and manipulative woman Bailey loved.
Bailey would never go back to those daysāuntil he would. His ex-client finds him and blackmails him into searching for that woman, who was also once that powerful manās lover.
I love the way each of the three of them harbor conflicting ideas of how this story will end. Thatās perfectāthe bookās conflict and bile inspired the creation of what has long been one of the darkest and most celebrated of films noir, Out of the Past.
Retired private eye Red Bailey is happier than he's been for a long time. Living in Nevada, bothered by nobody, he runs a little gas station, gets in a lot of fishing, and might even be falling for a local girl. Then, out of the blue, his past comes back to haunt him. Blackmailed into doing just one more job, he's forced to revisit the life he fledāin particular, the seductive Mumsie McGonigle. It's not long before Bailey realizes that a trap has been set for him. The novel, scripted by the author, went on in the hands of Jacquesā¦
I have loved crime fiction since encountering it in college. After seeing the Bogart-Bacall version of The Big Sleep, I read the underlying Raymond Chandler novel and was hooked. I devoured Chandlerās other works and moved on to James M. Cain, Jim Thompson, John D. MacDonald, and others. Later I discovered the crime novels of Charles Williams, Day Keene, Gil Brewer, and other āpulp masters.ā Loving those novels led me to try my hand at writing crime fiction, and Stark House Press has now published five of my novels with another on the way. My crime-writing career is an unusual path for someone whose M.A. thesis is on Jane Austen!
I have loved this novel since first reading it in collegeāprobably when I should have been studying for exams!
Double Indemnity is one of the first and best American noir novels and served as the basis for the 1944 film by the same name. The novel taught me about the classic noir trap: a basically good but flawed man helps a basically bad but attractive woman in an effort to murder her husband, the good/flawed man hoping to end up with both the woman and the money.
But things seem fated to go wrong, and what starts out as a bleak tale ends up even bleakerāat the dark end of a one-way street. Since reading this powerful novelāand seeing the equally powerful film with its crackling dialogue by famed hardboiled crime writer Raymond ChandlerāI have never looked at life quite the same way again.
Walter Huff is an insurance investigator like any other until the day he meets the beautiful and dangerous Phyllis Nirdlinger and falls under her spell. Together they plot to kill her husband and split the insurance. It'll be the perfect murder ...
So why have I chosen noir? Iām glad you asked. Ever since I picked up my first Raymond Chandler bookāThe Lady in the LakeāI have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday nightāor whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
I love books that mash up genres and Dan Will has done just that with this first offering in his Arcane Casebook series. His hero, Alexander Lockerby, is a man after my own heartāa noir detective through and through. Only this fedora-wearing gumshoe has a little extra zing up his sleeveāmagic. Heās a runewright, and while I have to admit I didnāt know what that was when I began the book, it became perfectly clear by the end. I wonāt ruin it for you, but suffice it to say, itās aces with the noir genreāa man gifted with certain talents, but not ones enough to gain him the easy life. This story starts out simple, but takes little time to grab you by the collar and slap you across the kisser. And the good news? There are eight more to keep it company.
At 31-years old, Alex has limited powers, but a knack for unraveling a mystery. The first clue leads him to a thief, but it doesnāt stop there. When people started dying, it becomes clear that it wasnāt an ordinary spell. Could it have something to do with the book?
A legendary and ancient tome could be the key.
But can he find it?
When an unfortunate incident gets him in hot water with both the police and New Yorkāsā¦
I am a film fan and scholar who has a joyful yet complex relationship with Hollywood. I have basked in the classics of Hollywoodās Golden Age (1930s-1950s) from my teen years on, including the musical delights of Fred Astaire and Ginger Rogers, the screwball comedies of Katherine Hepburn and Cary Grant, the magnificent Universal monsters, and the deliciously dark creativity of film noir. Reading about the history of Hollywood has helped me enjoy this pastime even more, learning everything from economics and politics to method and form. The more I know, the richer grows my interest in both the past and present of that unique institution we call Hollywood.
I love film noir and have written and published on it. Iāve also read numerous academic books on noir. But for those who want all the information and less of the jargon, no one does it better than Eddie Muller, author and host of Turner Movie Classicsā Noir Alley and president of the Film Noir Foundation, which hosts annual noir screening events in multiple US cities and publishes a wonderful magazine for members.
Dark City is full of amazing, restored photos alongside informative texts, great for reading and rereading. I keep mine on a coffee table.
TCM host Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in an authoritative, highly illustrated volume.
This narrative history is packed with stories about the stars and makers of both long-recognized classics like The Maltese Falcon and under-the-radar "lost" greats such as Cry Danger. The book highlights more than one hundred films, breaking down plots and offering insider accounts behind-the-scenes of their making.
". . . a righteous, rip-snorting riff on the ultimate cinematic genre-film noir. This book displays a salutary knowledge ofā¦
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonistāand the readerāare doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
A treasure trove of noir short fiction, an impressive anthology of American greed, crime, and comeuppance by some of the genreās greatest authors including Mickey Spillane, Evan Hunter, Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, Cornell Woolrich, and editor Ellroy. The 39 selected stories are a feast of excellence, a wide-ranging buffet of tasty tales from 1923 to 2007āmakes me drool just thinking about a re-read.
A magisterial anthology of American noir writing in the 20th century by the best-selling author of the LA Quartet: The Black Dahlia. The Big Nowhere , LA Confidential and White Jazz. In his intoduction to The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinised offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offeringā¦
As a screenwriter Iāve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean āgood guys.ā I like to see āordinaryā people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
Set in the seventies, a sexy female celebrity journalist sets out to find the reason for the break-up of a singing/comedy duo alĆ” Lewis and Martin and uncovers a gruesome murder. Full of sex, drugs, and behind-the-scenes entertainment business debauchery, this story is told in a masterful way that is funny, frightful, suspenseful, and disturbing. A truly unique noir tale where no one comes away clean. Just how I like it. And written by my good friend and former employer, Rupert Holmes. The same guy that gave us āEscape, The Pina Colada Songā and the Broadway hit The Mystery of Edwin Drood.
OāConnor, a vivacious, free-spirited young journalist known for her penetrating celebrity interviews, is bent on unearthing secrets long ago buried by the handsome showbiz team of singer Vince Collins and comic Lanny Morris. These two highly desirable men, once inseparable (and insatiable, where women were concerned), were driven apart by a bizarre and unexplained death in which one of them may have played the part of murderer. As the tart-tongued, eye-catching OāConnor ventures deeper into this unsolved mystery, she finds herself compromisingly coiled around both men, knowing more about them than they realize and lessā¦