Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
In the style of Raymond Chandler, a tale of 1950s Los Angeles and Hollywood: When a long-buried body is discovered at National Pictures Studios, private investigator Rick Walker is called in to identify it. His investigation leads to a thirty-year-old murder case, a dying film director and his wild daughters, a legendary film star of the Silent Era, local gangsters, and a very discreet love affair.
A treasure trove of noir short fiction, an impressive anthology of American greed, crime, and comeuppance by some of the genre’s greatest authors including Mickey Spillane, Evan Hunter, Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, Cornell Woolrich, and editor Ellroy. The 39 selected stories are a feast of excellence, a wide-ranging buffet of tasty tales from 1923 to 2007—makes me drool just thinking about a re-read.
A magisterial anthology of American noir writing in the 20th century by the best-selling author of the LA Quartet: The Black Dahlia. The Big Nowhere , LA Confidential and White Jazz. In his intoduction to The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinised offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering…
The plot grabs you and will not let go. An operative of the
Continental Detective Agency is sent to a small town to meet with the editor of
the local newspaper; when he arrives, the editor has been murdered the night
before. The detective's investigations stir up rivalries between two criminal
gangs, leading to a full-out gang war. The plot is intense and has been adapted
to film three times, in three film genres: as samurai classic Yojimbo [1961] by Akira Kurosawa, as 'spaghetti Western' A
Fistful of Dollars [1964] directed by Sergio Leone and starring Clint
Eastwood, and as Last Man Standing [1996] directed by Walter Hill
and starring Bruce Willis. The plot has also been used in part in several other
major feature films.
Detective-story master Dashiell Hammett gives us yet another unforgettable read in Red Harvest: When the last honest citizen of Poisonville was murdered, the Continental Op stayed on to punish the guilty--even if that meant taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
Watching
bad people self-destruct is hard work, but author Cain makes sure that the bad
people get what they deserve. A drifter takes a job at a roadside diner that is
run by an old man and his beautiful and unhappy wife; the two youngsters begin
a dangerous affair and then plot to kill the husband so that the girl inherits
the property. But matters do not turn out as they planned. The novel has been
adapted for film at least seven times, with the favorite being the 1946 movie
starring Lana Turner.
'Nobody has ever quite pulled it off the way Cain does, not Hemingway, and not even Raymond Chandler' Tom Wolfe
'It is no accident that movies based on three [of Cain's novels] helped to define the genre known as film noir' NEW YORK REVIEW OF BOOKS
'The most starkly elemental thing that has been written for years' EVENING STANDARD
The torrid story of Frank Chambers, the amoral drifter, Cora, the sullen and brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a classic of its kind, and established Cain as a major novelist with a spare and…
Even
when you know how this tale ends, following the events in this author's snappy
prose is a compelling delight. A complex tale related by private investigator
Philip Marlowe, who is hired by a dying oil millionaire to rescue his wild
younger daughter from a blackmail scheme. Other cast members include the second
daughter, her missing husband, a bookseller who openly deals in pornography,
gangster Eddie Mars and his missing wife, a dead—or murdered?—chauffeur,
and many others. The novel has been adapted several times, the best being the
1946 movie starring Humphrey Bogart and Lauren Bacall and the 1978 movie
starring Robert Mitchum.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Detective
Turner is serious, author Bellem is not. Eleven short stories in 8-page comic
format from the monthly pulp magazine Hollywood Detective; humorist
S.J. Perelman describes Dan Turner as "the apotheosis of all private
detectives"; the Dan Turner stories are the flip side of Chandler and Hammett,
with delightful use of real and imagined slang: guns are 'roscoes,' a woman is
a 'doll,' 'cutie, 'frail,' or ‘dame.'
Included in most issues of "Hollywood Detective" pulp magazine was an eight-page Dan Turner comic. Eleven of those comics are reprinted in this "Best of" trade paperback (comic book sized pages).
It began with a dying husband, and it ended in a dynasty.
It took away her husband’s pain on his deathbed, kept her from losing the family farm, gave her the power to build a thriving business, but it’s illegal to grow in every state in the country in 1978.
It even brings her first love from high school back; the only problem is that he works for the FBI. Will their occupations implode their romance, or will the opposite happen?
A second chance at love, opposites attract, rags to riches heroine trope story.
It began with a dying husband and it ended in a dynasty.
It took away her husband’s pain on his deathbed, kept her from losing the family farm, gave her the power to build a thriving business, but it’s illegal to grow in every state in the country in 1978. It even brings her first love from high school back; the only problem he works for the FBI. Will their occupations implode their romance or will the opposite happen? A second chance at love, opposites attract , rags to riches heroine trope story.
