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The Best of Dan Turner, Hollywood Detective.
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I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
The first novel about legendary private eye Phillip Marlowe is also the first mystery novel that ever made me cry when I turned the last page.
Marlowe’s poetic narration and bruised outsider’s voice offer a cynical but also strangely hopeful perspective on both the shady underworld types and the corrupt high-society folk who fill the “mean streets” down which Marlowe must walk (in Chandler’s much-quoted phrase).
Why hopeful when death–the big sleep–awaits us all? Because a man of principles like Marlowe can still bring a measure of justice in this unjust world, sometimes just by bearing witness.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
A treasure trove of noir short fiction, an impressive anthology of American greed, crime, and comeuppance by some of the genre’s greatest authors including Mickey Spillane, Evan Hunter, Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, Cornell Woolrich, and editor Ellroy. The 39 selected stories are a feast of excellence, a wide-ranging buffet of tasty tales from 1923 to 2007—makes me drool just thinking about a re-read.
A magisterial anthology of American noir writing in the 20th century by the best-selling author of the LA Quartet: The Black Dahlia. The Big Nowhere , LA Confidential and White Jazz. In his intoduction to The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinised offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering…
I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.
It would be obscene to read this on a Kindle. This early Dashiell Hammett novel has to be read in paperback, the older a copy you can find, the better.
It has everything a great pulp novel should have; murder, crooked cops, gangs, and a rumpled too-honest-for-his-own-good hero. What I love about this book is how Hammett uses his own experience working for the Pinkerton Detective Agency (who were basically hired thugs) and a real historical event (a labor dispute in Montana that resulted in several deaths) to weave a solid crime novel.
Detective-story master Dashiell Hammett gives us yet another unforgettable read in Red Harvest: When the last honest citizen of Poisonville was murdered, the Continental Op stayed on to punish the guilty--even if that meant taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
Watching
bad people self-destruct is hard work, but author Cain makes sure that the bad
people get what they deserve. A drifter takes a job at a roadside diner that is
run by an old man and his beautiful and unhappy wife; the two youngsters begin
a dangerous affair and then plot to kill the husband so that the girl inherits
the property. But matters do not turn out as they planned. The novel has been
adapted for film at least seven times, with the favorite being the 1946 movie
starring Lana Turner.
'Nobody has ever quite pulled it off the way Cain does, not Hemingway, and not even Raymond Chandler' Tom Wolfe
'It is no accident that movies based on three [of Cain's novels] helped to define the genre known as film noir' NEW YORK REVIEW OF BOOKS
'The most starkly elemental thing that has been written for years' EVENING STANDARD
The torrid story of Frank Chambers, the amoral drifter, Cora, the sullen and brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a classic of its kind, and established Cain as a major novelist with a spare and…
I’m the author of the Peter Pike private eye series. Detective, PI, and mystery fiction have come a long way since Poe’s Dupin and Conan Doyle's Sherlock Holmes. The genre allows you to explore almost any theme you want. What is Dostoyevsky’s Crime and Punishment if not crime/detective fiction? My passion is history and the evolution of societies, and writing in this genre lets me explore the huge, sophisticated ancient Indian civilizations that were here before the white invasion. The ugly history of the Mormons, not taught in school. Lincoln’s murky sexuality. The Russian Revolution, Lenin and Stalin, the downfall of the Romanovs. Nazis and war dogs. The U.S.-Soviet space race. The -- well, you get the idea.
What, more Hammett? Sure. My apologies to those expecting Raymond Chandler, but it’s hard to beat the master. Even in this sometimes almost incoherent thrill ride through the occult, drugs, the misdeeds of the rich, and amoral 1920s America. It ain’t called the Roaring 20s for nothing. This is the second in the Continental Op series and maybe Hammett’s most ambitious PI work, which follows a sharp-witted insurance investigator in Hammett’s trademark snappy prose. Sam Spade-like? Uh, no. The Op is short, fat, forty, and nameless, very far from a tough guy. He gets beaten up all the time in this, I admit it, quite convoluted novel. Fortunately for the mystery-challenged, the backstory is presented at the end of each of three parts, along with the Op’s wry takes on the case.
Is Curse a satire? A literary work? Some kind of skewed horror story? Yes to all the above.
Miss Gabriel Dain Leggett is young and wealthy, with a penchant for morphine and religious cults. She also has an unfortunate effect on the people around her. They die - violently. Is she the victim of a family curse? The short, squat, utterly unsentimental Continental Op, the best private detective around, has his doubts and finds himself confronting something infinitely more dangerous. This is the Continental Op's most bizarre case.
Some of us are confronted, amid life, with the need to look at ourselves and to change. It’s usually a question of survival. Do I want to live? Better stop this, better start that. I consider myself fortunate to have been forced down this path. So, who am I, really? Will I double down on my past mistakes, or can I change up and make some new ones? I love stories of the pain that precedes growth, redemption, and freedom that comes with it. Here are five of my favorite novels about recognizing what you are and becoming something new.
I love Lawrence Block’s work. In this book, he transcends genre and defies categorization. He paints a compelling portrait of an ex-NYC cop who is living in an SRO hotel and committing slow-motion suicide, but then he hits one of those bumps in the road—an inflection point. Block shows you a side of NYC that’s as real as it gets.
I left home at 18 with no plan or clue, and I ended up living in NYC in the early ‘70s. I made a lot of mistakes. I mean, a lot. I got away with some of them, or so I thought, and some had long-term consequences. Eventually I reached a fork in the road very similar to the one Block uses in his novel, where you look in the mirror and don’t like that guy very much.
Matthew Scudder, Block’s protagonist, decides to do something with and about himself.…
Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also—and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying…
I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two.
When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.
I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.
Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated.
'Another grand slam for the master storyteller' DAVID BALDACCI
'A modern master of crime fiction' GREGG HURWITZ
THE CITY OF ANGELS Adele Schumacher isn't a typical worried mum. When she hires Elvis to find her missing son, a controversial podcaster named Josh Shoe, she brings a bag filled with cash, paranoid tales of government conspiracies, and a squad of mysterious bodyguards. Finding Josh should be simple, but Elvis quickly learns he isn't alone in the hunt - a team of deadly strangers are determined to find Josh first.
THE CITY OF LIES With dangerous secrets lurking behind every lead, Elvis…
My debut novel,The Sleepless, is a sci-fi noir story born out of my passion for both speculative fiction and crime fiction. I grew up devouring Marvel comics and Ray Bradbury and Agatha Christie, and those were some of my strongest influences when I finally decided to write my own stories. As a queer immigrant and a person of color, I was also influenced by the lives of people who live these identities, as much as I was influenced by my career as a lawyer in the immigration, criminal, and civil rights fields.
Noir can sometimes be hard to identify, but most readers are familiar with the tropes: the put-upon private investigator, the case that he can’t walk away from, the hunt for leads, the twists and double-crosses. With Hammers on Bone, we get all the aesthetics of a hardboiled detective story but also: Lovecraftian monsters. Noir stories lay bare individual and collective moral failings, and in adding eldritch horrors, the book further externalizes those ills, showing how monstrous humans can be.
Hammers on Bone by Cassandra Khaw is a novella that melds the hardboiled detective novel with Lovecraftian monsters. Our private dick, John Persons, is hired by a ten-year-old kid to off his abusive stepfather. From this classic noir setup, to the character voice and dialect, to the shady characters, to the twists and reversals, this book really keys into the strengths of the genre, and amplifies them even further with…
Cassandra Khaw bursts onto the scene with Hammers on Bone, a hard-boiled horror show that Charles Stross calls "possibly the most promising horror debut of 2016." A finalist for the British Fantasy award and the Locus Award for Best Novella!
John Persons is a private investigator with a distasteful job from an unlikely client. He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable.
He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and…
James V. Irving was born and raised in Gloucester, Massachusetts. He is a graduate of the University of Virginia, majoring in English. He holds a law degree from the College of William and Mary. After completing his undergraduate studies at UVA, Mr. Irving spent two years employed as a private detective in Northern Virginia, where he pursued wayward spouses, located skips, investigated insurance claims, and handled criminal investigations. In his early years as a lawyer, he practiced criminal law, which, along with his investigative experience and trial work, informs this fictional account of Joth Proctor. Mr. Irving and his wife, Cindy, live in Vienna, Virginia.
This novel immediately plunged me into a world of lies and deception, and it retains its air of non-stop tension no matter how many times I re-read it.
I love the cast of colorful characters that populate a grim world of greed and self-interest, where trust is extended at great risk, and the private agent must look out for himself. Sam Spade lives by his wits and his fists.
His simple code is tested by the pull of personal and professional temptation presented by a rare, valuable, and dubious relic. Who doesn’t love that formula?
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
I chose my favorite books, and through careful psyche analysis, I see a theme in them: stubborn characters who persevere through miserable elements. I cave, hike, kayak, motorcycle, etc. A lot of it is not comfortable. It
starts with having an explorer’s heart. It isn’t glamorous. It is 90%
talking yourself into the fact that you can do something you at first
don’t believe you can do. The similar-minded friends that one finds
along the way are lifelong, and there’s a bond that forms from crazy
people like this. That comes through in my writing – companionship against a backdrop of stubborn exploration in an indifferent
environment.
Reacher is dedicated to his “family” 5000%. Nothing else matters. Nothing. He is an incredibly simple and driven character who cannot resonate with the world around him nor give a moment to care that he does not. He is. That is all. Family is his team and, in this case, one actual family member. All are on equal footing.
While most details from books fade from my memory, this book (read when it first came out and eons before the TV show) is etched into my memory completely. The characters, the places, the fights, the sights and smells. I fell for Reacher’s plight and his steadfast mission to prove his innocence. My favorite image is hobo Reacher sleeping wherever and thinking nothing strange in that.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.