Coming-of-age stories have always appealed to me because of their focus on an internal struggle. They’re usually juxtaposed with a changing landscape or moving to a new place. In broad strokes, coming-of-age stories focus on personal identity and our place in our day-to-day world. As someone who’s born in the US but grew up on the Mexican side but currently lives in California, the questions of what aspects of me are American and which are Mexican have been ongoing. With that in mind, these five books speak to me in a profound way, and I'm happy they exist as comics.
Twin Cities is a thoughtful and sweet look at two siblings growing apart as they continue their education on the different sides of the Mexico-US border. While Teresa adjusts to school in a foreign language, Fernando discovers that middle school in Mexico is a completely different place than elementary school.
This book is about a kid who goes to sleep away camp for the first time with the intention to make friends and be closer to her culture. However, things don’t go so well.
Vera Brosgol is a fantastic storyteller mastering facial expressions and acting. Her environments, as well, are rich and specific to the region where the story takes place. And yet they never out-stage the characters.
On a separate note, I appreciate Vera Brosgol deliberately putting Russian signage and having some dialogues in Russian, as it shows the two linguistic worlds in which she lives.
All Vera wants to do is fit in - but that's not easy for a Russian girl in the suburbs. Her friends live in fancy houses and their parents can afford to send them to the best summer camps. Vera's single mother can't afford that sort of luxury, but there's one summer camp in her price range - Russian summer camp.
Vera is sure she's found the one place she can fit in, but camp is far from what she imagined. And nothing could prepare her for all the 'cool girl' drama, endless Russian history lessons, and outhouses straight out…
This is a non-fiction book about an artist doing a road trip with an adorable dog by the name of Bug. As they travel the historic highway, Shing Yin Khor reflects on this country’s history, what it can mean to live in the US as a person of color and why we’re often left with more questions than satisfying answers. Even the title reflects this as it’s an interrogative sentence rather than a declarative one. It’s a very personal journey and it reads like a friend telling you about their trip. There are various segments where the scenery does the talking.
As someone who did not grow up in this country, I have been in a similar headspace. I love this book.
As a child growing up in Malaysia, Shing Yin Khor had two very different ideas of what "America" meant. The first looked a lot like Hollywood, full of beautiful people and sunlight and freeways. The second looked more like The Grapes of Wrath - a nightmare landscape filled with impoverished people, broken-down cars, barren landscapes, and broken dreams. Those contrasting ideas have stuck with Shing ever since, even now that she lives and works in LA. The American Dream? A Journey on Route 66 is Shing's attempt to find what she can of both of these Americas on a solo…
This book speaks to me because Lucy Knisley talks about Siblinghood. Having siblings, in any form, is complicated. In this story, Jen moves from the city to a farm and has to adapt to sharing a room with two new step-sisters. As I read this story, multiple passages reminded me about my own experiences with my siblings. Even though I look back on them fondly, at the time, the feelings were different, to say the least. I smiled a lot while reading it.
What makes this book stand out to me is the care Lucy Knisley puts into the details that adorn life on the farm: tools, chickens, vegetable gardens, and farmers markets to name a few.
This contemporary middle-grade graphic novel about family and belonging from New York Times bestselling author Lucy Knisley is a perfect read for fans of Awkward and Be Prepared.
Jen is used to not getting what she wants. So suddenly moving the country and getting new stepsisters shouldn't be too much of a surprise.
Jen did not want to leave the city. She did not want to move to a farm with her mom and her mom's new boyfriend, Walter. She did not want to leave her friends and her dad.
This is a story about someone going through something difficult and not having the words to verbalize why it is having a drastic impact. The premise is simple: Laila’s parents are going through a separation and she has to stay home. One day, she sees a giant bird across the street and allows him to enter her house. Laila tries to keep him a secret, but this bird has other plans. To me, this book is about visualizing a difficult or unnamed emotion. It shows how messy such a process can be. Also, the illustrations are delightful.
DODO is a graphic novel for all ages that explores emotional alienation within families.
Laila is six years old and she's been taken out of school following her parents' divorce. She doesn't understand why she can't go to school with the rest of her friends or why her dad never comes by anymore. Laila comes across a mysterious bird, a dodo named Ralph, and befriends the creature that has been living in the part near her house. Through her friendship with Ralph, Laila starts to notice things, things she never wanted to understand.
This book depicts the complexities of generational trauma. Kiku, our protagonist, discovers that she can go back in time and experience what her ancestors went through during the second world war. Kiku Hughes dives into the daily lives of citizens living in Japanese internment camps. It’s a brave look at the complicated relationship a person can have with the place they live in, given the difficulties their ancestries have gone through. Also, Kiku Hughes is an amazing illustrator. The bulk of the storytelling is through her depictions of the United States throughout different decades.
Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II.
These displacements keep occurring until Kiku finds herself 'stuck' back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not a criminal, she stumbles into other secrets that will challenge what she thought she knew about her own family, her friend, Russ—and herself.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not…
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