Here are 100 books that Screwball! The Cartoonists Who Made the Funnies Funny fans have personally recommended if you like
Screwball! The Cartoonists Who Made the Funnies Funny.
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I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Bill Blackbeard was the Harry Smith of comics. Just as Smith’s landmark Anthology of American Folk Music helped launch a folk music revival, so did Blackbeard’s massive volume of old newspaper comics spark a new generation of comics fandom and scholarship. This was also the first book of old newspaper funnies I ever read, during a childhood Saturday afternoon in the Willard Library in Evansville, Indiana, when I discovered the magical “741.5” shelf that held books of comics. Other big, beautiful anthologies of old newspaper funnies have been compiled by comics creators like Jerry Robinson and Brian Walker, but Blackbeard is the granddaddy.
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Warning: This book will make you build a new bookshelf. Like other oversized offerings from Peter Maresca’s Sunday Press Publishing, you need a tape measure, not a ruler, to determine its dimensions. This means that you can read this startling collection of strips from 1895 to 1915 in the grand size in which they first appeared in early newspapers, back when the colors and characters screamed off the page, reflecting and refracting the frenetic dawn of a new century. These old newspaper comics pages are where Americans first learned to laugh together. Society is Nixcan be difficult to find but is well worth the effort.
THE BIRTH OF COMICS. From the Yellow Kid to the Captain and the Kids, these are the origins of the American comic strip, created at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. This book features the earliest offerings (1895 to 1915) from the famous and lesser-known cartoonists who where there when comics were born-over 150 creations from more then 50 superb artists, most reprinted for the first time ever. And all in the original broadsheet size and brilliant colors. Chris Ware calls Society Is Nix,"a mind-blowing portable museum retrospective…
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Before there were funny pages, there were sports pages with funnies on them. Eddie Campbell, best known as the artist-collaborator with Alan Moore on From Hell and the creator of his own wonderful and sort-of autobiographical Alec: The Years Have Pants, has pored over these old sports pages to uncover the secret origins of the funnies. Along the way, he tells stories of a lurid murder trial and a racially charged boxing match, all seen through the eyes of sports cartoonists. This is hidden history at its most entertaining.
A rip-roaring and exhaustively researched new take on the origin of the comic strip by one of the leading cartoon storytellers of our time.
With more than 500 period cartoons, The Goat Getters illustrates how comics were developed by such luminaries as Rube Goldberg, Tad Dorgan, and George Herriman in the sports and lurid crime pages of the daily newspaper. This wild bunch of West Coast-based cartoonists established the dynamic anatomy and bold, tough style that continue to influence comics today, as well as their own goofy slang that enriched the popular lexicon.
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Unlike the other books on this list, this isn’t primarily a reprint collection of early-twentieth-century comics. Rather, Art Spiegelman (whose essential memoir Mauswas the first comic to win a Pulitzer Prize), re-introduces old comics characters in a very personal story of the 9/11 attacks and the political fallout. Figures like the Happy Hooligan, Jiggs and Maggie, Little Nemo, and Krazy Kat and Ignatz float through these stories like New York City’s awakened ghosts. Spiegelman also adds a masterful essay on comics and curates a few selections of the original strips. No work better demonstrates how the early cartoonists can speak through the rubble of history with vitality and humor.
For the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11th were both highly personal and intensely political. In the Shadow of No Towers is a masterful and moving account of the events and aftermath of that tragic day.
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S.…
I’m the author ofIs Superman Circumcised? The Complete Jewish History of the World's Greatest Hero, which won the 2021 Diagram Prize, and The Darkness in Lee's Closet and the Others Waiting There. I write about pop culture forThe Forward and CNN.com. My writing has appeared in a range of publications, including New York Daily News, Jerusalem Post, and Philosophy Now. I’ve taught English and writing at the City University of New York and am a former writer-in-residence fellow at the New York Public Library.
Paul Levitz was a writer, editor, editor in chief, publisher, and president of DC Comics for decades. This oversized coffee table book is a treasure trove of his insights, memories, and analysis. It’s the definitive history of DC, which only he could write. And it’s full of fun colorful images, making it interesting to younger readers as well as a perfect gift to any pop culture or comics lover.
In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1-the first comic book with all-new original material-at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time-the 20th century's answer to Atlas or Zorro.
More than 40,000 comic books later, TASCHEN has produced the single most comprehensive book on DC Comics. More than 2,000 images-covers and interiors, original illustrations, photographs, film stills, and collectibles-are reproduced using the latest technology to…
I’m a queer writer who is passionate about getting good awareness of gender, sexuality, relationships and mental health out there into the world. I create comics, zines, blog posts, and self-help style books to try to reach as wide an audience as possible, bringing together the work of activists, scholars, therapists, and creators - and drawing on a diverse range of knowledge and experiences - in the hope of helping us all understand ourselves and our world better.
There are very few books - let alone graphic books - out there covering asexuality. This comic strikes a great balance between informing the reader about asexuality, and challenging many of the myths that still persist around it, as well as telling Rebecca’s own story of coming to understand her ace experience.
How to be ace is a great, accessible, engaging read for anyone on the ace or aro spectrum themselves. It’s also a very helpful book for everyone to get a better sense of the diversity of a/sexual experience.
PRISM AWARDS FINALIST 2021 GREAT GRAPHIC NOVELS FOR TEENS - YOUNG ADULT LIBRARY SERVICES ASSOCIATION (YALSA) 2022
"When I was in school, everyone got to a certain age where they became interested in talking about only one thing: boys, girls and sex. Me though? I was only interested in comics."
Growing up, Rebecca assumes sex is just a scary new thing they will 'grow into' as they get older, but when they leave school, start working and do grow up, they start to wonder why they don't want to have sex with other people.
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
Growing up, if I wasn’t good at something right away, I’d quit. I didn’t want to embarrass myself in front of others. Because of that, I never experienced how great it felt to overcome obstacles, to succeed at something hard—until I played football. Girls Who Persevere is an important topic to me because so often, girls are treated as if they’re inferior or incapable. It’s ingrained in them that they shouldn’t try certain things (like football!), and if they fail at first, it must mean they can’t do it. I think it’s important to see strong girls doing big things, even when they’re hard. These books show just that.
This is one of the first graphic novels I ever read, and I couldn’t stop laughing. The story is fun, and it’s the perfect example of a girl staying true to who she is while realizing that sometimes people change and friends grow apart as they grow up. I loved that I got to learn a new sport while enjoying this coming-of-age story.
The Newbery Honor Award Winner and New York Times bestseller Roller Girl is a heartwarming graphic novel about friendship and surviving junior high through the power of roller derby-perfect for fans of Raina Telgemeier's Smile!
For most of her twelve years, Astrid has done everything with her best friend Nicole. But after Astrid falls in love with roller derby and signs up for derby camp, Nicole decides to go to dance camp instead. And so begins the most difficult summer of Astrid's life as she struggles to keep up with the older girls at camp, hang on to the friend…
“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like hero’s journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. I’ve spent the last 40 years revisiting this compendium of Stamaty’s strips, whose every page is a loony, trippy world to fall into.
A collection of legendary absurdist comic strips about life in 1970s New York City, now available in print for the first time in over thirty years.
Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffee…
When I was five years old, my father sat down with me in front of the television and we watched together as the Space Shuttle Columbia launched for the first time. Four decades later, I’ve authored a history of those early shuttle missions, been a part of developing future space missions, and, most importantly of all, watched several space firsts with my own son. Space exploration is humanity at its greatest – working together using the best of our abilities to overcome incredible challenges and improve life here on Earth – and I’m always grateful for the opportunity to share that inspiration with others.
If you’re exploring space history, Apollo 11 is THE moment above all others – the first footsteps on another world. In Moonbound, Fetter-Vorm both captures and contextualizes that moment brilliantly, using the words of the astronauts themselves to share the story of the mission, while also giving the big picture that got them there – in the process unpacking everything from Galileo to the layers of a spacesuit.
On a summer night in 1969, two men climbed down a ladder onto a sea of dust at the edge of an ancient dream. When Neil Armstrong and Buzz Aldrin first set foot on lunar soil, the moon ceased to be a place of mystery and myth. It became a destination.
Now, on the fiftieth anniversary of that journey, Moonbound tells the monumental story of the moon and the men who went there first. With vibrant images and meticulous attention to detail, Jonathan Fetter-Vorm conjures the long history of the visionaries, stargazers, builders, and adventurers who sent Apollo 11 on…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
When I was five years old, my father sat down with me in front of the television and we watched together as the Space Shuttle Columbia launched for the first time. Four decades later, I’ve authored a history of those early shuttle missions, been a part of developing future space missions, and, most importantly of all, watched several space firsts with my own son. Space exploration is humanity at its greatest – working together using the best of our abilities to overcome incredible challenges and improve life here on Earth – and I’m always grateful for the opportunity to share that inspiration with others.
For better or worse, this isn’t really a book that lives up to its name – or, at least, its subtitle. “Astronauts” isn’t really a history of women in space; it’s two early anecdotes tacked onto the story of Mary Cleave, one of NASA’s early female astronauts. And what a story it is – while many space graphic novels focus on the early years of spaceflight, “Astronauts” relates the experience of the Space Shuttle program that made up more than half of human spaceflight history and more closely resembles the space missions of today.
America may have put the first man on the moon, but it was the Soviet space program that made Valentina Tereshkova the first woman in space. Meanwhile, in the United States, NASA's first female astronauts were racing toward milestones of their own. These trail-blazing women were admitted into Group 9, NASA's first mixed-gender class. They had the challenging task of convincing the powers that be that a woman's place is in space. But once they'd been admitted into the training program, they discovered that NASA had plenty to learn about how to make space travel possible for all humans.
