Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.
I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.
This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines!
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet…
Growing up in California, I was enchanted by the idea of New York City—largely due to the visions of it I found in the books on this list. I’ve now lived in NYC for 20 years and love matching real locations with their versions in my imagination. In my time in the city I’ve been a staff writer for Newsweek Magazine, an editor at Scholastic, and a freelancer for many publications including The New York Times and The Washington Post. I’m currently working on a second novel.
Don’t be fooled into thinking that just because the main character (and in fact most of the characters) in this book is a cat it’s only for very young readers. This charming and elegant story, the first of a series, takes place in Greenwich Village, where a small black orphaned cat named Jenny finds a home with a sea captain and a community with her neighborhood felines. Jenny’s explorations of the then-dicey neighborhood and encounters with less fortunate cats are ridiculously poignant and moving, and her foot-high view of her city feels entirely authentic.
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
A murder mystery set in Prohibition Greenwich Village–fun, frothy, and a fictional but true new take on all of these lovely ladies.
I love the recapturing of the Village of the era–the winding streets, brownstones, speakeasies, and gangsters. Who is the dead woman detective Olivia Brown tripped over?
In a mystery set in New York's Greenwich Village during the Roaring Twenties, newly published poet Olivia Brown, determined to experience everything her bohemian neighborhood has to offer, suddenly finds herself embroiled in a murder and on the trail of a killer bent on revenge
“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like hero’s journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. I’ve spent the last 40 years revisiting this compendium of Stamaty’s strips, whose every page is a loony, trippy world to fall into.
A collection of legendary absurdist comic strips about life in 1970s New York City, now available in print for the first time in over thirty years.
Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffee…
All my life, books have been a safe space for me to explore emotions, recognize that what I’m experiencing is universal, and see that we can cope with difficult situations. As I pursued my MFA in Writing, I studied and wrote books that address heavy topics in hopeful ways. As Matt de la Pena says, “I can’t think of a safer place to explore complex emotions … than inside the pages of a book.” The picture books I have chosen address the heavy topic of loss in sensitive, hopeful, and empowering ways. I hope these books will touch your life as much as they’ve touched mine.
“In the far north, in a small snug house, four children lived with their beloved grandmother,” begins this gentle tale. I’ve never made it through this book without crying. I bet you’ll cry, too.
Translated from Danish, Glenn hits the chord of loss with universal truths shared by a visit from Death himself. He’s a respectful visitor who leaves his scythe outside to not scare the children when he comes for their grandmother.
Death has a “heart as red as a beautiful sunset and beats with the great love of life.” He tells them of opposites, of dark and light, of sorrow and delight, of grief and joy. “What would life be worth if there was no death?”
Aware their grandmother is gravely ill, four siblings make a pact to keep death from taking her away. But Death does arrive all the same, as it must. He comes gently, naturally. And he comes with enough time to share a story with the children that helps them to realize the value of loss to life and the importance of being able to say goodbye. Glenn Ringtved is a best-selling and award-winning Danish children's author, whose books have been widely translated. Charlotte Pardi is a well-beloved Danish illustrator, who has created numerous books since her first picture book in 2000.…
This is embarrassing. Joseph Mitchell, the journalist and legendary longtime contributor to the New Yorker, is, in my opinion, the finest chronicler of 1950-80s Manhattan life who ever lived.
Here’s what’s embarrassing. I have previously devoured all of his story collections and any reprints in the New Yorker, but never read his greatest work, about the Village bohemian eccentric Joe Gould. Not anymore. As deft a piece of journalism as ever was.
'It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer' Nicci French, Independent
It was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History - the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.
When I was a young girl, I was lucky to have friends from all over the world, so learning about a new country or a new city always fascinated me, and it still does. I’m always trying to learn new things, meet new people and whenever I can I like to travel the world. As a writer and illustrator, it’s always nice to experience new things, it helps to expand my imagination. I hope this list inspires you not only to read but to learn a few things here and there.
Anyone who is curious about other cities and cultures will love the complete series of the This Is… books by Miroslav Sasek. They are filled with exciting facts and the colorful illustrations are truly delightful. From New York, to London, to Hong Kong, and many more, these books will inspire you to travel the world!
With the same wit and perception that distinguished his stylish books on Paris, London, and Rome, M. Sasek pictures fabulous, big-hearted New York City in This Is New York, first published in 1960 and now updated for the 21st century. The Dutchman who bought the island of Manhattan from the Native Americnas in 1626 for twenty-four dollars' worth of handy housewares little knew that his was the biggest bargain in American history. For everything about New York is big -- the buildings, the traffic jams, the cars, the stories, the Sunday papers. Here is the Staten Island Ferry, the Statute…
Realistic, contemporary fiction is my jam. I’m in love with the genre for many reasons, but the most significant is this: In life, we often find it difficult to reveal our struggles to others, for fear of being exposed, seen as weak, “crazy”, or incapable. However, in the magical world of contemporary fiction, we allow ourselves to relate without fear of judgment or shame and because how we relate is different for all of us, these raw, emotional stories are some of the most powerful ones to be told. Why? Because it is in these stories that we see ourselves, and in them, we find hope.
A tale of two couples whose lives become forever intertwined, this one’s for those who enjoy books which span long periods of time, covering nearly the characters’ full life spans and all the messy, beautiful things they contain. Touching on grief, spirituality, and the church (though never in a “preachy” way), friendship, fierce parental love, and a quest to understand neurodivergence in the 1960s and 70s, it’s emotional and impactful in all the best ways.
"This gentle, gorgeously written book may be one of my favorites ever." -Jenna Bush Hager (A Today show "Read with Jenna" Book Club Selection!)
"A thoughtful, beautiful multigenerational novel about love, God, jealousy, and friendship." -Elizabeth Gilbert, author of Eat, Pray, Love
"A moving portrait of love and friendship set against a backdrop of social change." -The New York Times Book Review (Editor's Choice)
"Here is the power of the novel in its simplest, richest form: bearing intimate witness to human beings grappling with their faith and falling in love. That Wall executes it so beautifully? Well, this is exactly…
I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.
I owe so much to this book. Aline Kominsky-Crumb pulls her art and comics from multiple decades of her life into this huge collection, making an incredible mixed-media autobiography that captures so much of who she was. Her unfiltered honesty set the bar high for what autobiographical comics could be.
Aline Kominsky-Crumb, one of the earliest female cartoonists, presents a collection of her own highly inventive and daring artwork from over four decades, along with unusual photographs and memorabilia. The road to becoming an underground- comics legend begins with Komisky-Crumb as a nice jewish girl from Long Island, carries her to Greenwich Village in the 1960's, and to California, land of hippy cartoonists, and on to a more or less sedate life with hubby(equally legendary R. Crumb) and daughter, Sophie. Her funny/sad tales show a woman bewildered by her place in society and determined to find her own way. These…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
I’ve taught Lorraine Hansberry’s landmark 1959 play A Raisin in the Sun many times in my university courses. That play transformed African American theater in the Civil Rights era and marked a phenomenal debut for its 29-year-old writer. In her too-short life (she died a few years later from pancreatic cancer), Hansberry built an extraordinary life as a writer, intellectual, and political activist. This biography tells that rich, remarkable story.
A "loving, lavishly detailed" (New York Times) and captivating portrait of Lorraine Hansberry's life, art, and political activism-one of O Magazine's best books of April 2021
"A devoted and deeply felt account of the development of an artist's mind."-Dave Itzkoff, New York Times Book Review (2021 Summer Reading issue)
In this acclaimed biography of Lorraine Hansberry, Soyica Diggs Colbert narrates a life at the intersection of art and politics, arguing that for Hansberry the theater operated as a rehearsal room for her political and intellectual work. Celebrated for her play A Raisin in the Sun, Hansberry was also the author…
