100 books like My Red Blood

This wonderfully written memoir by one of the most successful singers in American rock and popular music offers a thoughtful look at the artist’s rise to fame in multiple musical genres—from folk clubs to sold-out stadium concerts, to Broadway, torch songs, and the Mexican Canciones music of the author’s Sonora heritage. The book is a keen glimpse at the pressures of the road (and expectations for women in the spotlight), but a triumphant story of talent and artistic innovation.

Iconic feminist, philosopher, and activist Angela Y. Davis put African American women at the center of the story of the blues, expanding our understanding of a genre usually presented as the purview of male artists. Discussing the music and careers of 1920s blues superstars Ma Rainey and Bessie Smith and 1930s jazz vocalist Billie Holiday, who was deeply influenced by the blues, Davis approaches the blues as music innovated, popularized, and consumed by African American women. She pays close attention to the impact of gender, race, and class on artists and audiences, and shows how these artists and their fans used blues music as entertainment, self-expression, social commentary, political critique, resistance, and survival.

Not everyone who loves and admires this folk musician, the half-sister of Pete Seeger and a longtime collector of English folk ballads, knows her as the songwriter behind Roberta Flack’s hit “The First Time Ever I Saw Your Face;” hence the title. The quirky style of this real page-turner provides fantastic stories of folk heritage, song collecting, love, child-rearing, radio performance activism, encounters with English Travelers, travels to China, and life growing up as a daughter of the ethnomusicologist Charles Seeger.

A lead vocalist of the Billboard-charting girl group Fanny, a rock sensation of the 1970s, June continues to publish rollicking memoirs of growing up in the Philippines, relocating to white American suburbia, and starting a band with her sister Jean. Now featured in the independent documentary film “Fanny: The Right to Rock,” June and her former bandmates hope to see Fanny inducted into the Rock and Roll Hall of Fame. The book covers years of wild gigs, how the band negotiated twin pressures of racism and sexism, and recording alongside a range of celebrities--including Barbra Streisand.

A Tale of Stars and Shadow exceeded my expectations; mainly because it was one of the first fantasy stories that I’d read which wasn’t exclusively aimed at young adults. 

This is a book for grown-ups, dealing with adult themes (although not sex, perse) and political intrigue. It follows Tallyn, a grief-torn warrior who accepts a posting to protect the spoiled prince of the Winged folk in an exotic country; with beautiful and deadly scenery. I wanted to be in Mithranar – to swim in the clear waters of Feather Bay.  

Spending the summer in a cabin in the woods? Then The Ceremonies is a darn fine choice. The first time I read it was on a camping trip, and I was captivated by the way Klein describes the empty, lonely wilderness surrounding the Poroth Farm (the main location of the tale).

The protagonist of the book is an English professor who’s writing a book on the Gothics, and through the course of the book name drops a ton of classic horror novels and stories from the early 20th century. This book is not only a tremendous cosmic/folk horror novel, but sort of a treatise on classic gothic literature.

Not only is The Ceremonies a truly unsettling horror novel in its own right, but it could inspire a whole new reading list for you!

I like books that take me via the scenic route. If I’m reading a history of folk music, I don’t just want dry old discographies and lists of bands and their lineups. I want a living, breathing account of where this all came from and what the modern era has inherited.

I want to know about the collectors and archivists and famous composers like Vaughan Williams and Holst who went from town to town and village to village getting information from people of my Grandad’s age about the songs that were passed down to them through the generations. I want a sense of how this stuff is in the very soil and landscape we inhabit.

This book does all that and more. 

Coy Hall is a newer writer on the scene but the work he has produced so far has been of exceptional quality.

This particular book contains short stories which interlink yet standalone. Hall’s Grimoire of the Four Imposters has its folk horror set against the historical backdrop of the 16th and 17th centuries. I freely admit to being a history fan and seeing this mixed with a favourite subgenre is a delight.

The stories are dark and menacing, vibrant with character, and melding folklore and the occult into a showcase of storytelling. They show that folk horror can be done differently. 

This book sucked me into the author’s world. I think this was the author’s first novel, so I was unsure how it would read, but it’s gripping & well-written. I’m glad the author has written a sequel to this book. The style of writing is different from what I’m used to, but the author has a way of making the story believable. 

If there is any cultural icon that defines this era, it is music.

Positively 4th Street chronicles the personal and musical lives of these four, a portrait of extravagant, quarrelsome genius and the transformation of folk music from academic song-collecting to an era-defining musical form, by way of Greenwich Village, the anti-war movement, and shifting personal entanglements.