Here are 100 books that Grimoire of the Four Impostors fans have personally recommended if you like
Grimoire of the Four Impostors.
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I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
Think folk horror and you think rural setting, pretty cottages, white picket fences, and lurking ritual. Harvest Home is a folk horror classic and hits these expectations spot on.
A city couple escapes to the village of Cornwall Coombe to give their daughter a better quality of life. Everything is perfect until the husband discovers they were welcomed for a very specific reason. This discovery, becoming more evident as the harvest ritual approaches, leaves him in fear of losing his life and his family.
I loved this gradual teasing out of horror, subtle nuances that build to the awful climax. The ending is chilling, contrasting so sharply as it does against the background of a rural paradise, giving me one of those ‘oh!’ moments.
A family flees the crime-ridden city-and finds something worse-in "a brilliantly imagined horror story" by the New York Times-bestselling author (The Boston Globe).
After watching his asthmatic daughter suffer in the foul city air, Theodore Constantine decides to get back to the land. When he and his wife search New England for the perfect nineteenth-century home, they find no township more charming, no countryside more idyllic than the farming village of Cornwall Coombe. Here they begin a new life: simple, pure, close to nature-and ultimately more terrifying than Manhattan's darkest alley.
When the Constantines win the friendship of the town…
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I have a real thing about needing the setting to be pretty much a character in itself in the folk horror I read.
For me, it is that which brings out the atmosphere, the sense of otherworldliness, critical to such stories. Starve Acre, a haunting tragedy, set in bleak moorland offers no rural idyll. The desolate setting perfectly mirrors the disintegrating marriage of a couple who are trying come to terms with the loss of their young son.
Whilst the wife turns to the spirit world, the husband researches a legend, uncovering the sinister story of the demonic Jack Grey as he does so. Bringing the legend to life and turning it into delusion, culminates in one of the most disturbing final scenes I’ve come across, certainly gave me chills.
The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.
Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I love the film The Wicker Man (released in 1973) and was delighted to discover this novelisation from its director and screenwriter.
Full of pagan religion and ritual sacrifice on remote Summerisle, it is wonderfully creepy. Nor is it a flat retelling of the film but an expansion of the character of poor Sergeant Howie. Set up by Lord Summerisle to be the May sacrifice, he is tormented and abused as he searches for a missing child and on film is shown as priggish and cold.
Yet in the book, he is brave, vulnerable, doggedly trying to do the right thing in the face of adversity. He also performs a touchingly heroic act at the end of the book even as he suffered - I admit to shedding a tear.
First published in 1978, five years after the release of the classic horror film from which it is adapted, The Wicker Man by director Robin Hardy and screenwriter Anthony Shaffer, is a gripping horror classic.
A novelization of the haunting Anthony Shaffer script, which drew from David Pinner's Ritual, it is the tale of Highlands policeman, Police Sergeant Neil Howie, on the trail of a missing girl being lured to the remote Scottish island of Summerisle. As May Day approaches, strange, magical, shamanistic and erotic events erupt around him. He is convinced that the girl has been abducted for human…
I’ve been a fan of horror stories as long as I can remember. The sense of building dread, and the moment of release when the terrible thing happens. I love stories about people put in impossible situations, and seeing how they overcome them, and that’s what good horror brings to the table. Being an avid reader I always have a book with me. To me, picking the right book to take on a holiday is as important as choosing the right clothing. I certainly hope this list gives you some ideas for your next vacation read.
Spending the summer in a cabin in the woods? Then The Ceremonies is a darn fine choice. The first time I read it was on a camping trip, and I was captivated by the way Klein describes the empty, lonely wilderness surrounding the Poroth Farm (the main location of the tale).
The protagonist of the book is an English professor who’s writing a book on the Gothics, and through the course of the book name drops a ton of classic horror novels and stories from the early 20th century. This book is not only a tremendous cosmic/folk horror novel, but sort of a treatise on classic gothic literature.
Not only is The Ceremonies a truly unsettling horror novel in its own right, but it could inspire a whole new reading list for you!
Graduate student Jeremy Freirs and aspiring dancer Carol Conklin, summering in the New Jersey village of Gilead, are trapped in a nightmare of terror, with an evil force emanating from a place once called Maquineanok, the Place of Burning
I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.
This book is an enchanting, heartbreaking tale about three sisters in the ancient kingdom of Dumnonia, trapped in a web of a broken family, treachery, and lies.
I loved this book because the author took an ancient folk ballad, “The Twa Sisters,” and turned it into a beautiful story. I was pulled in by the dreamy, poetic tone of the book, the underlying sadness and sense of loss, and the atmosphere of a disappearing world.
In a magical ancient Britain, bards sing a story of treachery, love and death. This is that story. For fans of Madeline Miller's Circe, Lucy Holland's Sistersong retells the folk ballad 'The Twa Sisters.'
'A beautiful reimagining of an old British folklore ballad, Sistersong weaves a captivating spell of myth and magic' - Jennifer Saint, author of Ariadne
King Cador's children inherit a land abandoned by the Romans, torn by warring tribes. Riva can cure others, but can't heal her own scars. Keyne battles to be seen as the king's son, although born a daughter. And Sinne dreams of love,…
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Cornish Folk Tales takes the reader on a journey into the heart of Cornish Storytelling.
I have listened to Mike O’Connor many times and he is a master storyteller. I love the Cornish Droll telling tradition; droll tellers went from place to place telling tales for a bed and a bite to eat. The narrators of Cornish Folk Tales, blind droll teller Anthony James and his guide young Jamie are a perfect combination.
Mike O’Connor, through Anthony tells the tales with anecdotes, music, history, and Cornish language. This book taught me how to approach folklore retelling in an accessible way.
Reading I felt myself beside the firesides of Cornwall, listening to tales of dragons, mermaids, giants, and saints; puzzling over riddles, and learning about Cornish traditions and music
The ancient land of Cornwall is steeped in mysterious tradition, proud heritage and age-old folklore. Before books were widely available, wandering 'droll tellers' used to spread Cornish insight and humour to all parts of the Duchy - exchanging their tales for food and shelter. Anthony James was one such droll teller, and this collection follows him as he makes his way around Cornwall one glorious summer. Richly illustrated with hand-drawn images and woodcuts, Cornish Folk Tales will appeal to anyone captivated by this beautiful land and its resident kindly giants, mischievous piskeys, seductive mermaids, bold knights and barnacle-encrusted sea captains.
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
I love this book because it takes me to the far north (where I used to live).
It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.
Many kids love fairy tales and so did I but I was always puzzled by the lack of fairies in these tales. The idea of a separate world containing these beautiful but flawed creatures enthralled me from an early age. I read everything about them so that I could get my hands on, whether the book was fiction or nonfiction. When doing my Master's in Children’s Literature, I studied fae tales that appear around the world which evoked a thirst in me to write my own…so I did. All the books on this list give a glimpse of the chaotic nature of the fae, of the world that surely exists beyond our comprehension. I hope they are as much a treat for your imagination as they were mine.
Holly Black is a master of the fae tale. Much has been said about this trilogy already but I assure you, the praise is well-deserved. Each book has a tight and dynamic plot, prose that fairly flies off the page, and a conclusion that is very satisfying. The first book was almost deceptive in the way it presented a not-very-strong protagonist until she evolves and becomes so much more than the reader thinks her to be. It’s the best kind of fictional surprise.
Discover Holly Black's epic bestselling The Folk of the Air series in this complete e-book collection which includes: The Cruel Prince, The Lost Sisters, The Wicked King, and The Queen of Nothing.
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
Jude was seven years old when her parents were murdered and she and her…
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This is more than a collection of garden folktales.
Donald Smith takes us on a storytelling odyssey through each month of the year. Reflecting on his garden in Edinburgh, Scotland, during the global pandemic 2020, he presents stories that speak of seasonal rhythms and nature connection.
Smith peppers his unfurling garden journey with snippets of history and musings on nature and storytellers past and present. He includes his unique retelling of classic folktales like Jack and The Magic Beans and fascinating and humorous autobiographical stories.
This book's confident narrative and beautiful artwork connect us to the botanical paradise and wildlife havens that are our glorious gardens.
The garden is an oasis, a pocket of nature in our busy modern lives, full of plants, animals, insects - and a fair bit of magic.
Folk Tales from the Garden follows the seasons through a year of stories, garden lore and legends. Explore the changing face of nature just outside your front door, from the tale of the Creator painting her birds and the merits of kissing an old toad, to pixies sleeping in the tulips, and an unusually large turnip.
It’s not an exaggeration to say that finding a path toward a spiritual belief that accepted me for who I am was a lifelong pursuit for me. As someone who felt pushed out by the Catholic Church for my transness, I wanted to find something that kept some of those traditions but built on them in a way that made sense to me and included me. Italian-American folk magic had room for people like me in a way that organized religion never did. The magical memoirs of contemporary writers inspired me to synthesize what I’d learned into my own grimoire/memoir.
People throw around the phrase “this book changed my life” far too easily, in my opinion, so when I say it about this book, please know that I mean it with all my being. I found this book while I was in a mental health crisis, and it helped link me to my ancestors, the good life they would wish for me, and forgiveness through intricately detailed rituals and folk traditions.
A must-read if you’re Italian-American–or even if you’re not–this book helped me structure my life in a way that felt true to who I am.
In this fascinating journey through the magical, folkloric, and healing traditions of Italy the reader learns uniquely Italian methods of magical protection and divination and spells for love, sex, control, and revenge.
"Mary-Grace Fahrun's Italian Folk Magic is an intimate journey into the heart of Italian folk magical practices as they are lived every day. Having grown up in an extended Italian family in North America and Italy, the author presents us with the stories, characters, saints, charms, and prayers that form the core of folk religion, setting them in context in an authentic, down-to-earth, and humorous voice. A delight…
