I’m Jill Santopolo, a novelist, editor, and mom who was born in New York and currently lives in Washington, DC. I’ve written Everything After, More Than Words, and The Light We Lost, which was the Reese Witherspoon Book Club pick in February 2018. My books have been named to The New York Times, USA Today, Wall Street Journal, Apple, and Indiebound bestseller lists, and have been translated into more than 35 languages. I love Instagram and rarely ever use Twitter (but you can find me there, too)--and music makes my heart sing. When I was growing up I learned to play the piano, flute, and piccolo, and I loved singing and dancing.
Tracey Garvis Graves’s novel about second chances and starting over is filled with so much warmth, it’s impossible not to cheer for her characters and to feel true empathy for their situations. Newly-divorced Layla discovers she had to make peace with her past to find love in her present—and music is the key to it all.
From Tracey Garvis Graves, the bestselling author of The Girl He Used to Know comes a love song of a story about starting over and second chances in Heard It in a Love Song.
Love doesn’t always wait until you’re ready.
Layla Hilding is thirty-five and recently divorced. Struggling to break free from the past―her glory days as the lead singer in a band and a ten-year marriage to a man who never put her first―Layla’s newly found independence feels a lot like loneliness.
Then there's Josh, the single dad whose daughter attends the elementary school where Layla teaches music.…
I'm a storyteller and folktale collector. All my jobs have involved telling stories – as a community librarian, in theatre, in education, and since 2006 as a professional storyteller and writer. I work in schools, festivals, and outdoor education with all sorts of people and their animals. I have honed my skills to find the most enjoyable traditional tales that can be shared widely. I live in Scotland, where I encourage families to read and tell their favourite stories together. Storytelling is a living art form that belongs to everyone. More than anything, I love the natural world, and I bring the magnificence of nature into all my work.
This book is packed with Taffy Thomas's best riddle tales.
Taffy has been storytelling for many years and is brilliant at it. He knows just how to keep a story short and exciting. Each tale has at least one and often more riddles to be solved by the reader or listener. The expertly drawn pictures are humorous and help you solve the riddles.
It's also great for storytellers, parents, and teachers who want to keep their audience actively engaged. I tell these riddle tales when I want my listeners to join in and be part of the fun. Taffy tells us where and who he learned the riddles from – an enjoyable insight into his extraordinary life as a teller of tales.
We have been fascinated by riddles for as long as we have had language - think of the legend of the sphinx in Greek mythology. This wonderful book includes both magical riddle tales and simple challenges, with clues and answers hidden in intricate illustrations. Discover how the farmer saved his daughter by solving the fairies' riddles or how the old hen-wife helped the two brothers solve the mystery of their father's will. Have a read - you'll be hooked.
When I was a kid, my biggest escape was my father’s record collection. Growing up in 1990s NJ, music was a huge part of my experience. Springsteen was from a few miles south, Bon Jovi was from the town next to mine, and Whitney Houston was from the same state but a different county. Music told stories. Inspired my the music of my youth, I now make my living as a storyteller— I tell stories onstage, write books about storytelling and teach others how to tell stories effectively. I have no musical gifts except for the mass consumption of any book with juicy tales about the world of music. Here are a few of my favorites.
Levon Helm’s unflappable integrity makes him such a likable protagonist you’ll root for him as he rises up from small-town Arkansas boy to A list musician. You’ll see the salt of the Earth underdog that he was as he recounts what happened behind the scenes at “The Last Waltz.” This Wheel’s on Fire reads like a director’s cut commentary you can’t believe you’re privy to hearing.
The singer and drummer of the Band details, in this book, the history of one of the most influential groups of the 1960s. While their music evoked a Southern mythology with their beautifully crafted, image-rich songs, only their Arkansan drummer, Levon Helm, was the genuine article. This updated edition of his life story includes a new epilogue that covers the last dozen years of his life. From the cotton fields to Woodstock and from seeing Sonny Boy Williamson and Elvis Presley to playing for President Clinton, This Wheel's on Fire replays the tumultuous life of Levon Helm in his own…
I’m a fantasy writer and Christian witch with over 10 years of research, practice, and passion under my hat. Discovering the fantastical concept of “real world” magic as a youth—and the ways in which the institutions in power have tried so hard to stamp it out, despite it being an undeniable part of our cultural and spiritual psyche—has inspired me to explain all I know in my fantasy and seek out all the magic and wonder in my reality. After all, our fantasy stories must get their inspiration from the real world—from all the magic, mysticism, and struggle hidden under the pretty face of mainstream religion.
I am Slovene-American, my mother being off the boat. This book told me what I’d wanted to know: how my people engaged with the world around them, not just physically, but metaphysically. Anyone interested in understanding the way folk belief mixed with medicine, and why people would resort to beliefs we would view strange in modern day, could learn quite a bit from this book about the rural folk of Slovenia and their medicine.
It’s also a key resource for one fantasy book I still have in the works, which is reminiscent of Arden’s The Bear and the Nightingale, and it is a wonderful anthropological resource that shows, very plainly, how magic is alive in this world as much as it is in the fictional ones we love so much.
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
This is an absolute must for anyone interested in almost any musical genre.
Now in its fifth edition, it takes on the arduous task of sifting through the back stories of over 1,000 of the most familiar tunes through 500 years of musical history.
A more recent, albeit still antique reference, is the story of how “Jingle Bells” came to be, and the controversy regarding where it was actually, written; the snow-covered streets of Medford, Massachusetts, or the live oak-lined thoroughfares of Savanah, Georgia.
This classic, painstakingly researched compilation of music information, newly revised and enlarged, analyzes nearly 1,000 of the world's most familiar melodies, tracing them back to their original printed sources. Here in one convenient volume are the composers, lyricists, copyright date, first lines of music, lyrics, physical condition of first editions, and other data on a tremendous range of compositions, including We Shall Overcome, Haydn's Surprise Symphony, The Well-Tempered Clavier, There's No Business Like Show Business, Silent Night, Pictures at an Exhibition, Schubert’s Ave Maria, and many more. 30 black-and-white illustrations.
I never wrote anything longer than a 5-minute song before I was forty-five years old! My life has been spent on the road as a performing songwriter, dancing and playing, and (after our own twins were born) teaching kids to do the same. But one night I woke up from a dream I couldn’t wrangle into song length, and by the end of the day, I had written four chapters of The Locke Box. I naturally wrote songs as I wrote the book. I got curious about who else was doing that. So here’s a short list…
David Berkeley, a singer/songwriter, wrote this book of short stories, each one connected because the minor characters in one story are the major characters in another. David wrote a song for each story from the character’s point of view. The music album is called Cardboard Boat and you can find it on his homepage.
The Free Brontosaurus made this list because Berkeley's creative genius knows no bounds. He has been prolific in words and music for decades while raising a family and traveling the world. This particular work, with its interconnected set of characters, explores beauty and gratitude in unlikely circumstances.
The Free Brontosaurus is a novella comprising ten interweaving stories, complete with an accompanying album of ten songs. All set in the same fictional city, at the same moment in time, minor characters in one story are major characters in another. It is a bit like Olive Kitteridge, if reimagined by Miranda July. These are gently written narratives of isolation, describing characters disconnected from home and community. The book is full of dark humor, sadness, and glimmers of joy. Ultimately, the characters' abilities to find beauty in the bizarre connect and redeem them, offering the characters (and us) hope. The…
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
If you want to delve into how music functions in the human mind and how it helps support communities and groups, then Anthony Storr’s is the book for you. Eminent psychiatrist, Oxford professor, and proficient pianist and violist, Storr (author of Churchill's Black Dog) uses his deep knowledge of philosophy, psychology, and religion to address questions like “Where does music come from?”, “Is music a common language for all humanity?” “How does music trigger emotions?” “Are our encounters with music in any way comparable with encountering persons?” Drawing on the work of Jung, Nietzsche, and Schopenhauer, Storr argues that music, like religion, is a feature of allhuman cultures. Like religion, it offers solace and comfort from the hardships of life.
However, music is not universal—different cultures develop their own musical traditions and conventions, just as they develop different political systems and different languages. What is universal, and this…
Examines the psychological, emotional, historical and philosophical roles of the musical experience in a person's life. This text looks at music as both a social and a solitary experience and supports the contention that music is the most significant experience in life.
This
illustrated collection of weird, chilling, quirky stories of ghosts, witches, and occult creatures includes very famous writers such as M.R. James, Edith
Nesbit, and Thomas Hardy, as well as less well-known ones like Bernard Capes and John
Collier.
I saved up their tales, rationing myself to one per day because they
were such a pleasure, each one a neat little parcel of beautifully shivery
words.
Being worried about pagan sacrifice and lurking monsters was a lot
better than worrying about real stuff, and this horrid, lovely book made me
happy.
'Wicked witches, bad fairies, and the restless dead be damned, for those who are looking to fill up their folk horror fiction shelves, Damnable Tales is a must-have' Andy Paciorek, Horrified Magazine 'I had to keep pulling myself away from it so I didn't finish it in one sitting . . . An incredible book' Annie Kapur, Vocal Media
This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
Galway-based writer Kate Thompson heard the Scottish folk song "Annan Water" in her local pub. It tells of a doomed rider who crosses a flooded river to meet his Annie. Thompson fills out the sparse narrative into a modern setting, and makes the ballad a character in her story when Michael is haunted by the words: "And woe betide you, Annan Water / By night you are a gloomy river." She harnesses its resonance, harness being apt as the story centres around Michael's horse-dealing family as well as his attraction to another Annie. There is tragedy in the story, as in the ballad—Thompson believes children should not be protected from death. Certainly children brought up on ballads, as I was, face sisters killing sisters, hangings, and, of course, drownings.
. Michael first sees Annie one morning on the banks of Annan Water, when he is out exercising two horses from his parents` stables. That first impression of her never leaves him. She triggers in him a desire to get to know and understand her and in doing so, to understand himself . Complicated by the fact that he is haunted by the tune and words of a song about the Annan Water, he finds there is no easy answer to the way he must go- to get to know Annie seems as impossible as interpreting the words of the…
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
I love this book because it takes me to the far north (where I used to live).
It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.
