Here are 100 books that Mommy, Buy Me a China Doll fans have personally recommended if you like
Mommy, Buy Me a China Doll.
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As a Children’s Librarian for over 30 years, my passion has been for the sound of language. I want children to hear rhythmic, joyful language that will make them fall in love with words. My own career as a storyteller and author continues this same love of language. I try to write my own picture books in such a way that any adult who picks them up will read them out with the same kind of verve and joy that I put into them.
A great Thanksgiving treat. “Dancin’ in the kitchen. The family’s packed in tight. I think we may be dancin’ in the kitchin’ all night!” The family cooks, sets the table, and eats…all while dancing and chanting along. Get your beat going. Hand out spoons to beat on pans and rock along with this joyful picture book. All the way to the end, “Grandpa does the washin’. We all pitch in to dry. We’re still dancin’ in the kitchen, with the radio way up high!”
Dinner time is dancin' at Grandma's house while the chicken and dumplings simmer on the stove and all three generations of the family groove to the music on the kitchen radio, working up generous appetites.
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
In 1961, American illustrator Peter Spier won a Caldecott Honor for his version of this ancient song, and in 2014 he revisited his book, turning the black and white illustrations into glorious colour. As a scholar of ballads, I’m thrilled by their persistent popularity. The first evidence of “The Fox” is in a manuscript in the British Library from the second half of the fifteenth century, with its chorus—“Pax vobis, quoth the fox, for I am going to the town.” It’s clearly the same song, just missing the ‘o’ after town.What’s the attraction? Besides Spier’s shimmering double spreads of Americana, there’s tight storytelling with great visual details, a tune, a chorus, and a hero’s journey with a happy ending—for Fox and his family, at least!
This Caldecott Honor book from beloved illustrator Peter Spier is a spirited take on a classic American folk song.
"[Spier's] finely detailed, action-packed New England autumn vistas are almost startlingly beautiful."—The New York Times
Over fifty years after he won a Caldecott Honor for The Fox Went Out on a Chilly Night, legendary illustrator Peter Spier went back to this time-honored favorite in 2014 to paint the half of the book that was originally printed in black and white. In this glowing, restored vision of Spier’s beloved classic, follow the wily fox as he roams a sleepy New England town…
As a Children’s Librarian for over 30 years, my passion has been for the sound of language. I want children to hear rhythmic, joyful language that will make them fall in love with words. My own career as a storyteller and author continues this same love of language. I try to write my own picture books in such a way that any adult who picks them up will read them out with the same kind of verve and joy that I put into them.
This is a perfect, soothing lullaby. “Bears are sleeping, deer are sleeping, snow is piling high. Even hungry wolves are sleeping…hush and bye you bye..” Soft, blurry illustrations of sleeping animals in a snowy Russian countryside. Notes for the lullaby run along the bottom of the pages. My daughters loved this gentle bedtime book, a last…quiet book before kissing them goodnight.
As a Children’s Librarian for over 30 years, my passion has been for the sound of language. I want children to hear rhythmic, joyful language that will make them fall in love with words. My own career as a storyteller and author continues this same love of language. I try to write my own picture books in such a way that any adult who picks them up will read them out with the same kind of verve and joy that I put into them.
This tale is one long, rousty chant. “Big Black Bear came out of the woods. Stuck his nose in the air and smelled something good!” Just keep that chanting going as Big Black Bear threatens Little Girl and creates havoc in her house, then is caught by Momma Bear and made to apologize. “I’m very sorry, please excuse me. I’m a little black bear, who just turned three.”
Big Black Bear learns his manners after he barges in on Little Girl at the Brown Brick House on Sycamore Street. By the author of Eek! There's a Mouse in the House.
From childhood on, I’ve been drawn to storytellers, especially those who use their imagination to captivate and question. My favorite stories twist and turn, and throw light on the every day to reveal what is inexplicable, weird, wondrous, and often heartrending. My taste runs wide, and I could list dozens of favorite collections. Having released my own debut book of stories during the pandemic, I learned firsthand how difficult it can be to find readers for story collections, especially when those collections are published by smaller presses. For that reason, I’ve chosen five recent debuts from masterful authors I hope more readers will discover.
I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances andparticipants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.
Steeped in a long history of violence and suffering, Michael X. Wang's debut collection of short stories interrogates personal and political events set against the backdrop of China that are both real and perceived, imagined and speculative. Wang plunges us into the fictional Chinese village of Xinchun and beyond to explore themes of tradition, family, modernity, and immigration in a country grappling with its modern identity. Violence enters the pastoral when Chinese villagers are flung down a well by Japanese soldiers and forced to abandon their crops and families to work in the coal mines, a tugboat driver dredges up…
As a psychologist and university professor teaching internationally, I’ve had opportunities to listen to people’s stories globally, and impart wisdom gleaned from my own cross-cultural experiences. Invitations to share ranged from teaching others inner and spiritual healing methods to being Reader’s Digest’s “Online Ask an Expert about Infidelity”, to training local recovery workers during the two deadliest disasters of this century. Therefore, I cannot say I ‘chose’ to become an expert on betrayal. It chose me. From childhood on, betrayal gave me opportunities to personally experience and learn from interpersonal infidelities, health crises, social injustice, and mass trauma. The school of hard-knocks tests us first—then we get the teaching.
Dangerous Friend is an Eastern wake-up call for Western ‘seekers’ and ’would-be spiritual teachers’. Drawing from Vajrayana teachers, Rig’dzin Dorje clarifies betrayal is a “final portal of freedom…in which we are able to question…our narcissistic determination to maintain the illusion of duality.” As a transpersonal psychologist, I’ve noticed sometimes Western seekers who hunger for enlightenment imagine devotion to their Spiritual Teacher will give them a ticket to ride a wave of bliss into nirvana.
A teacher must betray a student’s fantasies, attachments, and delusions, (including those about their teacher), in favor of devotion to the teachings. Despite a desire to have others be accountable to us, and responsible for us, this book confirms the necessity to cultivate Self-compassion and awareness—and to turn inward for liberation.
Although Tibetan Buddhism continues to grow in popularity, the crucial relationship between teacher and student remains largely misunderstood. Dangerous Friend offers an in-depth exploration of this mysterious and complex bond, a relationship of paramount importance in Tibetan Buddhist practice.
According to Tibetan Buddhist tradition, the student must have complete trust in the teacher (the "dangerous friend") if he or she is to achieve any understanding. It is the teacher's responsibility to uphold the integrity of the tradition, the basis of which is compassion for all beings, by transmitting it properly to an appropriate student. Likewise, it is the student's responsibility…
Victoria Talwar, PhD, is a professor and the chair of the Department of Educational & Counselling Psychology at McGill University. She is a recognized leading expert on children’s deception and has published numerous articles on children’s honesty and lie-telling behaviors. Dr. Talwar has given workshops to parents, teachers, social workers, and legal professionals. Among other distinctions, she was awarded the Society for Research on Child Development Outstanding Early Career Contributions to Child Development Research award. She is a Fellow of the American Psychological Association (Division 7), a Fellow of the Association for Psychological Science, and a member of the College of the Royal Society of Canada.
This is my favourite book to read to children about honesty. It illustrates why it is good to tell the truth.
Often books focus on the negative aspects of lying. My research shows that it is important to show there are positive consequences for honesty.
In this book, the Emperor gives a seed to each child in the kingdom, proclaiming, “Whoever can show me their best in a year’s time, shall succeed me to the throne!”. The boy, Ping, plants his seed but it does not grow and he has nothing but an empty pot. He truthfully presents his failure. It turns into a triumphant end when his honesty (even as others are dishonest) is rewarded.
The artwork is delicate and the text simple, but powerful.
The Empty Pot is Demi's beloved picture book about an honest schoolboy
A long time ago in China there was a boy named Ping who loved flowers. Anything he planted burst into bloom.
The Emperor loved flowers too. When it was time to choose an heir, he gave a flower seed to each child in the kingdom. "Whoever can show me their best in a year's time," he proclaimed, "shall succeed me to the throne!"
Ping plants his seed and tends it every day. But month after month passes, and nothing grows. When spring comes, Ping must go to the…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
Queens and queenship is a topic that has fascinated me since childhood when I first read about women like Cleopatra and Eleanor of Aquitaine. They ignited a passion to learn about the lives of royal women which led me from the ancient Mediterranean to medieval Europe, on into the early modern era, and has now gone truly global. I am particularly passionate to draw out the hidden histories of all the women who aren’t as well-known as their more famous counterparts and push for a fully global outlook in both queenship and royal studies in the works I write and the journal and two book series that I edit.
Imperial China provides an incredible case study for queenship and the agency of royal women. Keith McMahon’s two volumes, Women Shall Not Rule and the follow-on Celestial Women: Imperial Wives and Concubines in China from Song to Qing are the ideal introductions to the lives and roles of women in Imperial China. You won’t need a background in queenship studies or an understanding of Asian history to enjoy this book and absorb both the anecdotes of the intriguing women featured and the key arguments that McMahon makes on how the position of royal women shifted over individual reigns as well as major dynastic transitions.
Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony-rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives.
Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research…
I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.
Very few people outside China have even heard of Yuan Shikai, the last prime minister of the Qing Empire who became president of the Republic of China before briefly declaring himself to be a new emperor. If it hadn’t been for Yuan, however, China would look very different today. He held the country together for a few crucial years after the revolution but then took some decisions that split it apart. He has been vilified ever since as a buffoon and a dictator, but this book asks us to take him seriously as a neglected and important figure in China’s transition. Although the book focuses too much on trying to decide whether Yuan was a good or bad person, it does what it promises and ‘reappraises’ an important life.
Yuan Shikai (1859-1916) has been both hailed as China's George Washington for his role in the country's transition from empire to republic and condemned as a counter-revolutionary. Yuan Shikai: A Reappraisal sheds new light on the controversial history of this talented administrator and modernizer who endeavoured to establish a new dynasty while serving as the first president of the republic, eventually declaring himself emperor. Drawing on untapped primary sources and recent scholarship, Patrick Fuliang Shan offers a lucid, comprehensive, and critical new interpretation of Yuan's part in shaping modern China.
