From childhood on, I’ve been drawn to storytellers, especially those who use their imagination to captivate and question. My favorite stories twist and turn, and throw light on the every day to reveal what is inexplicable, weird, wondrous, and often heartrending. My taste runs wide, and I could list dozens of favorite collections. Having released my own debut book of stories during the pandemic, I learned firsthand how difficult it can be to find readers for story collections, especially when those collections are published by smaller presses. For that reason, I’ve chosen five recent debuts from masterful authors I hope more readers will discover.
Caroline Kim’s The Prince of Mournful Thoughts is packed with stories that juggle humor and heartbreak. The book, set in California, Korea, and France, hosts a cast of rich and complex characters. Kim plumbs the experiences of Koreans and Korean-Americans with sensitivity and a fluidity that makes for a rich reading experience. “Lucia, Russell and Me,” one of my favorite pieces, follows an irreverent adolescent girl, whose family has just moved to America. That story, like the others, is filled with arresting details and characters that shift and change in unexpected ways. Other terrific stories are the genre-bending, historical titular story, and the futuristic piece about a suburban housewife and her therapy robot. Kim is an uncanny observer of everyday life and her way of seeing makes for gratifying reading.
Exploring what it means to be human through the Korean diaspora, Caroline Kim's stories feature many voices. From a teenage girl in 1980's America, to a boy growing up in the middle of the Korean War, to an immigrant father struggling to be closer to his adult daughter, or to a suburban housewife whose equilibrium depends upon a therapy robot, each character must face their less-than-ideal circumstances and find a way to overcome them without losing themselves. Language often acts as a barrier as characters try, fail, and momentarily succeed in connecting with each other. With humor, insight, and curiosity,…
Outside Is the Oceanreads like a novel, with stories interlinked and main characters growing more faceted as you read. The book centers on Heike, who left her native Germany after the war to settle in America, and her son Stewart, who both loves her and yearns for freedom from the drama she creates. Lansburgh presents a fascinating portrait of Heike at various junctures in her life, with a small cast of characters orbiting around her. Be prepared to be drawn into Heike’s chaotic world as you read, and to oscillate back and forth between shock and empathy. This is a book about family and enduring bonds between mother and son. That it is so beautifully crafted only adds to the delight.
Three days after her twentieth birthday, a young woman who grew up in Germany during World War II, crosses the Atlantic to start a new life. Outside Is the Ocean traces Heike's struggle to find love and happiness in America. After two marriages and a troubled relationship with her son, Heike adopts a disabled child from Russia, a strong-willed girl named Galina, who Heike hopes will give her the affection and companionship she craves. As Galina grows up, Heike's grasp on reality frays, and she writes a series of letters to the son she thinks has abandoned her forever. It…
Jen Fawkes’s Mannequin and Wife is a playful, wide-ranging collection of twenty-two stories. Fawkes is a versatile story writer, adept at both realistic and speculative fiction, but she is at her best in the imaginative, genre-blending realm. I love the energy of her prose, and the sudden twists of humor as she explores unusual points of view. One of my favorite stories is “Come Back, Rita,” a retelling of Frankensteinin the form of a detective tale. The book is a smorgasbord of forms and experiments. If you enjoy Shirley Jackson and Edgar Allan Poe, and stories with a darkly comic and off-kilter vibe, you’ll enjoy Mannequin and Wife, as well as her newest collection, Tales the Devil Told Me.
In Mannequin and Wife, the debut story collection from Jen Fawkes, sharp and imaginative tales trip seamlessly across borderlands, navigating comedy and tragedy, psychological and magical realism, the mundane and the marvelous.
Readers of these adventurous fictions will encounter a flock of stenographers, the strongest woman alive, a taxidermist with anger issues, an Elephant Girl, a fairy on her lunch break, and a married couple who live with a department store mannequin. Elsewhere, an American actor impersonates a code-breaking Britisher during World War II. A mother awaiting her son's return discovers his personal ad soliciting the services of a cannibal…
Kristina Gocheva-Newberry is a natural storyteller. Her narrators tend toward disarming authenticity. They tell it like it is, rather than censoring themselves out of politeness—a habit several of her characters see as problematic and uniquely American. What Isn’t Remembered features a plethora of characters of Russian and Armenian descent, both in the US and in Russia, and depicts their lives as citizens, immigrants, and the children of immigrants. Cultural tensions wind through the book and are tempered by startling moments of tenderness. At heart, the book is about messy relationships and the invisible histories that press and bind. What Isn’t Remembered is the perfect book to sink into on a quiet, rainy day.
Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, the stories in What Isn't Remembered explore the burden, the power, and the nature of love between people who often feel misplaced and estranged from their deepest selves and the world, where they cannot find a home. The characters yearn not only to redefine themselves and rebuild their relationships but also to recover lost loves-a parent, a child, a friend, a spouse, a partner.
A young man longs for his mother's love while grieving the loss of his older brother. A mother's affair sabotages her relationship with her daughter, causing…
I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances andparticipants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.
Steeped in a long history of violence and suffering, Michael X. Wang's debut collection of short stories interrogates personal and political events set against the backdrop of China that are both real and perceived, imagined and speculative. Wang plunges us into the fictional Chinese village of Xinchun and beyond to explore themes of tradition, family, modernity, and immigration in a country grappling with its modern identity. Violence enters the pastoral when Chinese villagers are flung down a well by Japanese soldiers and forced to abandon their crops and families to work in the coal mines, a tugboat driver dredges up…
In this spellbinding debut story collection, characters willingly open their doors to trouble. An investment banker falls for a self-made artist who turns the rooms of her apartment into eerie art installations. An au pair imagines her mundane life as film noir, endangering the infant in her care. A son pieces together the brutal attack his mother survived when he was a baby. These stories bristle with menace and charm with intimate revelations. Through nimble prose and considerable powers of observation, Swearingen takes us from Chicago, Minneapolis, and Northern Michigan, to Seattle, Venice, and elsewhere. She explores not only what it means to survive in a world marked by violence and uncertainty, but also how to celebrate what is most alive.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
