The most recommended books about tobacco

I recommend this book because it is about lobbying and it is funny. “Lobbying” and “funny” are not usually words you see in the same sentence. I am pretty cynical, but not as cynical as the author of this book.

Our protagonist, Nick Naylor, is a tobacco lobbyist with no shame and a lot of money. His opponents, including a self-righteous anti-tobacco senator from Vermont, are not much better than Naylor, obsessed as they are with attention and power. Most lobbyists are not like Nick Naylor. But some are.

The book skewers platitudes about “freedom” and “personal choice,” which are familiar lobbyist tropes.

This verse novel primarily sets the stage for a crucial journey Phoebe, a sixteen-year-old slave, living on a Virginia tobacco plantation in 1858, decides to make that will take her north to freedom. I like to write poetry myself and have favourites among verse novels that have proliferated in recent years. This is one of them. The poetry here is beautifully-crafted and underlines the power of language Phoebe has discovered, having taught herself to read. Pignat alternates viewpoints as she presents a cast of characters that includes a Canadian doctor posing as a birdwatcher who helps slaves escape. Bird imagery is a motif throughout the book—so apt in detailing a flight to a new world.

When I was 8 years old, I plastered our house with anti-smoking stickers. It greatly annoyed my parents—but they quit smoking. Alas, a couple other close relatives did not, and both ended up dying from smoking-related diseases.

Part of the reason they did not quit was surely the decades-long campaign by tobacco companies to sow doubts about the dangers of smoking.

This book illuminates the strategies that the tobacco companies used to get a few scientists to spread these doubts, and I was amazed to see how the exact same strategies—and in some cases the very same scientists—have been used to sow doubt about climate change. Reading this book makes clear that the disinformation campaign is organized and dangerous.

The Enlightenment is often associated with intellectual changes. But the book sheds a new light on this “Age of Reason” by showing how emotions and feelings played a crucial role in this intellectually and sensorially dynamic period. Purnell tells this change by providing many interesting, and funny, episodes. My favorite, among others, is the seventeenth-century vogue for perfumes made of the excretions of the civet cat or the musk deer, and it was only in the mid-eighteenth century that floral scents became popular. This shift had to do with people’s ideas about health, cleanliness, and naturalness that changed over time. You will learn how and why people in the eighteenth and nineteenth centuries thought about the senses, how they experience their sensory world, and how our sensory experience came about over the course of a few hundred years.

This book is the forgotten classic of presidential writing—a blockbuster in its own time and a model for how modern political memoirs could be better. Coolidge was a stunningly good writer. (The New York Times called him “the most literary man who has occupied the White House since 1865.”) In his autobiography, he included many memorable stories, including one about his son, Calvin Jr., and his summer job picking tobacco. “If my father was president,” one of the laborers told him, “I would not work in a tobacco field.” “If my father were your father,” Calvin Jr. replied, “you would.” Yet the most memorable passage comes later, when the president describes Calvin Jr.’s shocking death. “In his suffering,” the most powerful man in the world wrote, “he was asking me to make him well. I could not.”

In 1961, American illustrator Peter Spier won a Caldecott Honor for his version of this ancient song, and in 2014 he revisited his book, turning the black and white illustrations into glorious colour. As a scholar of ballads, I’m thrilled by their persistent popularity. The first evidence of “The Fox” is in a manuscript in the British Library from the second half of the fifteenth century, with its chorus—“Pax vobis, quoth the fox, for I am going to the town.” It’s clearly the same song, just missing the ‘o’ after town. What’s the attraction? Besides Spier’s shimmering double spreads of Americana, there’s tight storytelling with great visual details, a tune, a chorus, and a hero’s journey with a happy ending—for Fox and his family, at least! 

Using short stories, essays, and memoir selections from such authors as Poe, Tolstoy, Dorthey Parker, and Cheever, this book is an anthology of literature on addiction. Poe’s short story, “The Black Cat,” captures the madness that comes of alcoholism. Tolstoy’s essay offers sage advice about the nature of addiction. A lesser-known but standout story by Donna Steiner, “Sleeping with Alcohol,” teaches us what it’s like to be in love with an alcoholic and watching that person self-destruct. I’m a professor of English, and I used this book in a class I taught called “The Literature of Addiction,” alongside Dirk Hanson’s The Chemical Carousel as a primer for better understanding addiction before launching into stories, essays, and memoirs about it. The short stories in Under the Influence: The Literature of Addiction are entertaining as well as enlightening, and its other selections are just as informative as the books I previously mentioned.

The definitive work on the Elmira POW Camp, Michael Gray’s book is a captivating account of life inside the pen on the Chemung River. Especially valuable is Gray’s account of Elmira’s management by the post commanders, commandants, Commissary General of Prisoners and its supervision by the War Department. It is a web of intrigue and even conspiracy. Another important aspect of this path-breaking book is the micro-economy that was created by the prisoners, who kept themselves busy by catching and selling rats, making jewelry, and other ornaments, and fostering a marketplace where tobacco was the primary medium of exchange.