Here are 100 books that Cigarettes and Soviets fans have personally recommended if you like
Cigarettes and Soviets.
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Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
Cherkaev also offers us a series of amazing stories informed by theory but written in a highly readable fashion. Many of her cases are about things that weren’t supposed to exist – about the stuff gleaned from the Soviet economy that allowed people to go on expeditions into nature, bury their loved ones, and make do in an economy infamous for its shortages.
You meet a lot of fascinating people, and she throws in some very provocative, well-argued, and cogently written discussion of the Soviet leadership’s changing understanding of how to build communism and the place of stuff in the project and its aftermath.
My consistent criticism of this book is that it ends too quickly – I wanted at least fifty more pages of Cherkaev’s witty prose and fascinating tales.
Gleaning for Communism is a historical ethnography of the property regime upon which Soviet legal scholars legislated a large modern state as a household, with guaranteed rights to a commons of socialist property, rather than private possessions. Starting with former Leningrad workers' everyday stories about smuggling industrial scrap home over factory fences, Xenia Cherkaev traces collectivist ethical logic that was central to this socialist household economy, in theory and practice: from its Stalin-era inception, through Khrushchev's major foregrounding of communist ethics, to Gorbachev's perestroika, which unfurled its grounding tension between the interests of any given collective and of the socialist…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
I love how O’Donnell’s subtle narration, akin to the satirist Mikhail Zoshchenko, highlights the absurdities of a state improvising its way to power. She shows how the Bolsheviks were trying to figure out how to replace a capitalist concept of ownership with something. They hadn’t figured out what that something was and were simultaneously trying to establish their government and control over people and things.
O’Donnell makes this story vivid through following a variety of people’s attempts to create and navigate this new system, often with tragic consequences.
A history that reframes the Bolsheviks' unprecedented attempts to abolish private property after the revolutions of 1917
The revolutions of 1917 swept away not only Russia's governing authority but also the property order on which it stood. The upheaval sparked waves of dispossession that rapidly moved beyond the seizure of factories and farms from industrialists and landowners, envisioned by Bolshevik revolutionaries, to penetrate the bedrock of social life: the spaces where people lived. In Power and Possession in the Russian Revolution, Anne O'Donnell reimagines the Bolsheviks' unprecedented effort to eradicate private property and to create a new political economy-socialism-to replace…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
If you have spent any time in Moscow, you can’t help but notice the seven Stalinist vysotki (“tall buildings” – not to be confused with capitalist skyscrapers) that dot the landscape. I love how this book provides a full history and context of how these buildings embodied many aspects of Soviet ideology, with all of its contradictions.
Zubovich combines this with the stories of the people connected with them – those displaced to make way for their construction, Gulag inmates who were key to their construction, and the Soviet elites who lived in them.
In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. Moscow Monumental explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital.
Drawing on a wealth of original archival research, Katherine Zubovich examines the decisions and actions of Soviet elites-from top leaders to master architects-and describes the experiences of ordinary Muscovites…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
I don’t enjoy reading theory and I love reading a good story. Somehow, Golubev managed to write a book in which he makes theory accessible and tells a series of unexpected, fascinating tales about how Soviet people from the 1950s on interacted with everything from model planes and boats to stairwells and televisions.
It is difficult to describe what a weird and fun book this is – most attempts to do so would make it sound esoteric and focused on theory, but this is no ordinary book. It features a cast of characters as diverse as bodybuilders, wayward youth, and Soviet psychics whose stories are told through stuff.
The Things of Life is a social and cultural history of material objects and spaces during the late socialist era. It traces the biographies of Soviet things, examining how the material world of the late Soviet period influenced Soviet people's gender roles, habitual choices, social trajectories, and imaginary aspirations. Instead of seeing political structures and discursive frameworks as the only mechanisms for shaping Soviet citizens, Alexey Golubev explores how Soviet people used objects and spaces to substantiate their individual and collective selves. In doing so, Golubev rediscovers what helped Soviet citizens make sense of their selves and the world around…
I'm the author of four literary biographies and of one in progress. My current project is a concise interpretive biography of Ayn Rand, commissioned by Yale University Press, Jewish Lives. Among the best known and most divisive twentieth-century writers, the author of The Fountainhead and Atlas Shrugged remains the subject of fascination. I began my career as a journalist in Moscow. Before turning to literary biography I lectured in Russian literature and history in Canada. My essays and reviews have appeared in The Wall Street Journal, Huffington Post, Literary Hub, Tablet Magazine, National Post, and other newspapers and outlets.
Grigory Baklanov (born Grigory Friedman) belonged to the generation of soldiers that faced the full brunt of the German attack on the Soviet Union and of whom only 3% survived.Forever Nineteen (trans. Antonina Bouis) is a tribute to the men who remained forever young; as the author elucidates in the introduction to the novel’s American edition, “I wanted them to come alive when I wrote this book, I wanted people living now to care about them as friends, as family, as brothers.” Baklanov had attained international renown with his 1959 novel The Foothold[An Inch of Land], which appeared in 36 countries. His portrayal of the war is more personal than Grossman’s and has a different angle: rather than depicting famous battles, he is concerned with ordinary soldiers’ lives, which can be cut short at any moment. (Disclosure: Grigory Baklanov is my father.)
The story of a nineteen-year-old lieutenant in the Russian army tells of an "ordinary" man whose bravery and dedication helped save the Soviet Union from German rule in World War II, and describes the rugged and bitter battle he fought
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
The numerous heroines of this polyphonous book are quite different from all the other female protagonists on the list. First, these women are real people, former Soviet soldiers who fought in the Second World War. Secondly, these women weren’t villainous by their nature or deeds.
They had been rather vilified by their male comrades who no longer saw the use of fearless women after their war had been won. Once hailed as patriots, many of these brave women had to face discrimination when they returned home, stigmatized as sinful, unwomanly women with blood on their hands. I’ve never shed so many tears while reading a book.
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."
In 1992, I graduated high school and although I did not then know how to read or speak Russian, I interviewed six Soviet veterans who happened to live in a nursing home in Rochester NY. I was blown away by their stories; each was missing at least one limb and had a tale to tell about it. The timing was fortuitous in that there was an exhibition at the U.S. Library of Congress that summer on “Revelations from the Russian archives,” which has just opened to researchers. Although it took me some years to master Russian, I resolved then and there to go to the source and research Soviet history in Moscow itself. I am a historian now and I have been working in Moscow archives for nearly a quarter-century now. Stalin’s War is my eighth book to date, all of which draw on this work in the Russian archives.
Sebag Montefiore was the first western historian to really take advantage of the opening of Russian – and Georgian – archival sources on Stalin and his career. Court of the Red Tsar offers a precious glimpse into Stalin’s inner circle and the way the USSR was governed in the 1930s and 1940s. Although gossipy at times, and written in a popular style some professional historians resent, the book is deeply researched and a treasure trove of information which is hard to find elsewhere.
Winner of the British Book Awards History Book of the Year
Longlisted for the Samuel Johnson Prize
This thrilling biography of Stalin and his entourage during the terrifying decades of his supreme power transforms our understanding of Stalin as Soviet dictator, Marxist leader and Russian tsar.
Based on groundbreaking research, Simon Sebag Montefiore reveals in captivating detail the fear and betrayal, privilege and debauchery, family life and murderous cruelty of this secret world. Written with extraordinary narrative verve, this magnificent feat of scholarly research has become a classic of modern history writing. Showing how Stalin's triumphs and crimes were the…
Lisa Dickey is an author and book collaborator who’s helped write 20+ nonfiction books, including 10 New York Times Best Sellers. She’s also a Russophile from way back: her first post-college job was working as a nanny at the U.S. embassy in Moscow during the last days of the Soviet Union. Lisa began her writing career in St. Petersburg in the mid-1990s, writing for the Moscow Times and USA Today, and she’s the author of Bears in the Streets: Three Journeys Across a Changing Russia.
While sipping cocktails in a New York City bar in the late 1940s, John Steinbeck and the famed war photographer Robert Capa began musing about Russia. “What do the people wear there? What do they serve at dinner? Do they have parties?... How do they make love, and how do they die?” Though gallons of ink were routinely spilled in newspaper stories about the political situation there, no one covered the private lives of the Russian people, which is what these two great artists wanted to know about. So, they decided to find out for themselves. They detail the fruits of their fascinating and frequently madcap journey in A Russian Journal.
Steinbeck and Capa’s account of their journey through Cold War Russia is a classic piece of reportage and travel writing.
A Penguin Classic
Just after the Iron Curtain fell on Eastern Europe, Pulitzer Prize-winning author John Steinbeck and acclaimed war photographer Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travelers not only to Moscow and Stalingrad – now Volgograd – but through the countryside of the Ukraine and the Caucasus. Hailed by the New York Times as "superb" when it first appeared in 1948, A Russian Journal…
I've found the creep of authoritarianism to be very disquieting. One would have to be willfully blind to not see its manifestations both here and abroad. I wanted to better understand how this phenomenon cast its shadow over the world and I found the '33 Chicago World's Fair an ideal lens to view this through. I've been fascinated by world's fairs since I was a child and the '33 Fair was the first to consciously feature the future. I'm also strangely drawn to this period – if I believed in reincarnation it might provide answers, but I don't. The Zeitgeist just before the full, brutal ugliness of fascism broke over the world, fascinates me.
Brendon’s Magnus opus on the 1930s is both comprehensive and full of the telling anecdote. I found this to be one of the most informative, and best written, works of history that I have ever read. I can’t recommend it strongly enough, whether you’re researching this period or just looking for a very good book to read.
The 1930s were perhaps the seminal decade in twentieth-century history, a dark time of global depression that displaced millions, paralyzed the liberal democracies, gave rise to totalitarian regimes, and, ultimately, led to the Second World War. In this sweeping history, Piers Brendon brings the tragic, dismal days of the 1930s to life.
From Stalinist pogroms to New Deal programs, Brendon re-creates the full scope of a slow international descent towards war. Offering perfect sketches of the players, riveting descriptions of major events and crises, and telling details from everyday life, he offers both a grand, rousing narrative and an intimate…
I have been writing about Russia for the past 20 years for all the UK national newspapers, The Spectator and contributed to several TV documentaries. I am fascinated by Russia which is a unique country and has been a major influence on the world for the past 100 years. Based on new documents, my book Londongrad - From Russia with Cash revealed how Russian Oligarchs made their wealth, moved it out of Russia,hid their fortunes and then parked and spent it in London. My new book - Agents of Influence - provides an insight into how the KGB influenced the West based on new archives.
Based on an unprecedented treasure trove of documents smuggled out of the Soviet Union by former intelligence officer Vasily Mitrokhin, this book demonstrated the KGB operations used in an attempt to destabilise the West during the Cold War - disinformation, forgery of documents, honey trapping, smears, surveillance and recruiting agents of influence and politicians in the UK, NATO countries and the USA.
I am recommending The Mitrokhin Archive because it is based on primary documents. So many books about espionage are based on memories and speculation, while the Mitrokhin Archive's value is that its assertions and revelations are based on actual KGB documents.
And so this book was indispensable for my research for my book.
'One of the biggest intelligence coups in recent years' The Times
For years KGB operative Vasili Mitrokhin risked his life hiding top-secret material from Russian secret service archives beneath his family dacha. When he was exfiltrated to the West he took with him what the FBI called 'the most complete and extensive intelligence ever received from any source'. This extraordinary bestselling book is the result.
'Co-authored in a brilliant partnership by Christopher Andrew and the renegade Soviet archivist himself ... This is a truly global expose of major KGB penetrations throughout the Western world' The Times
