Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
My book tells the epic story of the Red Army’s victory in the Second World War through stuff – everything from spoons to tanks.
The Red Army was the largest army ever assembled, which fought the bloodiest conflict in recorded history. The Soviet Union mobilized men aged 17-55, women, a variety of ethnic groups, and formerly repressed elements of society to defeat a genocidal enemy. Often, the only thing uniting these diverse cadres was that they wore the same uniform, ate the same food, used the same weapons, and built and lived in the same bunkers. This is the story of how these people – many of whom had reason to hate the Soviet state – came together around a common set of objects to defeat fascism.
I love how O’Donnell’s subtle narration, akin to the satirist Mikhail Zoshchenko, highlights the absurdities of a state improvising its way to power. She shows how the Bolsheviks were trying to figure out how to replace a capitalist concept of ownership with something. They hadn’t figured out what that something was and were simultaneously trying to establish their government and control over people and things.
O’Donnell makes this story vivid through following a variety of people’s attempts to create and navigate this new system, often with tragic consequences.
A history that reframes the Bolsheviks' unprecedented attempts to abolish private property after the revolutions of 1917
The revolutions of 1917 swept away not only Russia's governing authority but also the property order on which it stood. The upheaval sparked waves of dispossession that rapidly moved beyond the seizure of factories and farms from industrialists and landowners, envisioned by Bolshevik revolutionaries, to penetrate the bedrock of social life: the spaces where people lived. In Power and Possession in the Russian Revolution, Anne O'Donnell reimagines the Bolsheviks' unprecedented effort to eradicate private property and to create a new political economy-socialism-to replace…
If you have spent any time in Moscow, you can’t help but notice the seven Stalinist vysotki (“tall buildings” – not to be confused with capitalist skyscrapers) that dot the landscape. I love how this book provides a full history and context of how these buildings embodied many aspects of Soviet ideology, with all of its contradictions.
Zubovich combines this with the stories of the people connected with them – those displaced to make way for their construction, Gulag inmates who were key to their construction, and the Soviet elites who lived in them.
In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. Moscow Monumental explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital.
Drawing on a wealth of original archival research, Katherine Zubovich examines the decisions and actions of Soviet elites-from top leaders to master architects-and describes the experiences of ordinary Muscovites…
Starks presents us with a marvelous story of the tortured relationship between Soviet society and smoking. On the one hand, Soviet leadership was generally opposed to smoking – both for health and cultural reasons. On the other hand, smoking became associated with both masculinity and the Revolution. Like many a smoker, Soviet society just couldn’t quit, even as the effects of smoking became more and more apparent.
What I love about this book is how Starks takes something omnipresent and disposable – the cigarette – and tells the story of the Soviet Century through it, touching on such a breadth of topics as gender, labor, political, medical, economic, and cultural history. This is a book you just can’t quit.
Winner of the Southern Conference on Slavic Studies Book Award
Enriched by color reproductions of tobacco advertisements, packs, and anti-smoking propaganda, Cigarettes and Soviets provides a comprehensive study of the Soviet tobacco habit. Tricia Starks examines how the Soviets maintained the first mass smoking society in the world while simultaneously fighting it. The book is at once a study of Soviet tobacco deeply enmeshed in its social, political, and cultural context and an exploration of the global experience of the tobacco epidemic.
Starks examines the Soviet antipathy to tobacco yet capitulation to market; the development of innovative cessation techniques and…
I don’t enjoy reading theory and I love reading a good story. Somehow, Golubev managed to write a book in which he makes theory accessible and tells a series of unexpected, fascinating tales about how Soviet people from the 1950s on interacted with everything from model planes and boats to stairwells and televisions.
It is difficult to describe what a weird and fun book this is – most attempts to do so would make it sound esoteric and focused on theory, but this is no ordinary book. It features a cast of characters as diverse as bodybuilders, wayward youth, and Soviet psychics whose stories are told through stuff.
The Things of Life is a social and cultural history of material objects and spaces during the late socialist era. It traces the biographies of Soviet things, examining how the material world of the late Soviet period influenced Soviet people's gender roles, habitual choices, social trajectories, and imaginary aspirations. Instead of seeing political structures and discursive frameworks as the only mechanisms for shaping Soviet citizens, Alexey Golubev explores how Soviet people used objects and spaces to substantiate their individual and collective selves. In doing so, Golubev rediscovers what helped Soviet citizens make sense of their selves and the world around…
Cherkaev also offers us a series of amazing stories informed by theory but written in a highly readable fashion. Many of her cases are about things that weren’t supposed to exist – about the stuff gleaned from the Soviet economy that allowed people to go on expeditions into nature, bury their loved ones, and make do in an economy infamous for its shortages.
You meet a lot of fascinating people, and she throws in some very provocative, well-argued, and cogently written discussion of the Soviet leadership’s changing understanding of how to build communism and the place of stuff in the project and its aftermath.
My consistent criticism of this book is that it ends too quickly – I wanted at least fifty more pages of Cherkaev’s witty prose and fascinating tales.
Gleaning for Communism is a historical ethnography of the property regime upon which Soviet legal scholars legislated a large modern state as a household, with guaranteed rights to a commons of socialist property, rather than private possessions. Starting with former Leningrad workers' everyday stories about smuggling industrial scrap home over factory fences, Xenia Cherkaev traces collectivist ethical logic that was central to this socialist household economy, in theory and practice: from its Stalin-era inception, through Khrushchev's major foregrounding of communist ethics, to Gorbachev's perestroika, which unfurled its grounding tension between the interests of any given collective and of the socialist…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
Jest established lasting friendships with John Prine, Arlo Guthrie, and others, but ultimately, this book tells a universal story of love and hope…
We Had Fun and Nobody Died: Adventures of a Milwaukee Music Promoter
The entertaining and inspiring story of a stubbornly independent promoter and club owner
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
This funny, nostalgia-inducing book details the lasting friendships Jest established…
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