Here are 100 books that Gleaning for Communism fans have personally recommended if you like
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Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
I love how O’Donnell’s subtle narration, akin to the satirist Mikhail Zoshchenko, highlights the absurdities of a state improvising its way to power. She shows how the Bolsheviks were trying to figure out how to replace a capitalist concept of ownership with something. They hadn’t figured out what that something was and were simultaneously trying to establish their government and control over people and things.
O’Donnell makes this story vivid through following a variety of people’s attempts to create and navigate this new system, often with tragic consequences.
A history that reframes the Bolsheviks' unprecedented attempts to abolish private property after the revolutions of 1917
The revolutions of 1917 swept away not only Russia's governing authority but also the property order on which it stood. The upheaval sparked waves of dispossession that rapidly moved beyond the seizure of factories and farms from industrialists and landowners, envisioned by Bolshevik revolutionaries, to penetrate the bedrock of social life: the spaces where people lived. In Power and Possession in the Russian Revolution, Anne O'Donnell reimagines the Bolsheviks' unprecedented effort to eradicate private property and to create a new political economy-socialism-to replace…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
If you have spent any time in Moscow, you can’t help but notice the seven Stalinist vysotki (“tall buildings” – not to be confused with capitalist skyscrapers) that dot the landscape. I love how this book provides a full history and context of how these buildings embodied many aspects of Soviet ideology, with all of its contradictions.
Zubovich combines this with the stories of the people connected with them – those displaced to make way for their construction, Gulag inmates who were key to their construction, and the Soviet elites who lived in them.
In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. Moscow Monumental explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital.
Drawing on a wealth of original archival research, Katherine Zubovich examines the decisions and actions of Soviet elites-from top leaders to master architects-and describes the experiences of ordinary Muscovites…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
Starks presents us with a marvelous story of the tortured relationship between Soviet society and smoking. On the one hand, Soviet leadership was generally opposed to smoking – both for health and cultural reasons. On the other hand, smoking became associated with both masculinity and the Revolution. Like many a smoker, Soviet society just couldn’t quit, even as the effects of smoking became more and more apparent.
What I love about this book is how Starks takes something omnipresent and disposable – the cigarette – and tells the story of the Soviet Century through it, touching on such a breadth of topics as gender, labor, political, medical, economic, and cultural history. This is a book you just can’t quit.
Winner of the Southern Conference on Slavic Studies Book Award
Enriched by color reproductions of tobacco advertisements, packs, and anti-smoking propaganda, Cigarettes and Soviets provides a comprehensive study of the Soviet tobacco habit. Tricia Starks examines how the Soviets maintained the first mass smoking society in the world while simultaneously fighting it. The book is at once a study of Soviet tobacco deeply enmeshed in its social, political, and cultural context and an exploration of the global experience of the tobacco epidemic.
Starks examines the Soviet antipathy to tobacco yet capitulation to market; the development of innovative cessation techniques and…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
I don’t enjoy reading theory and I love reading a good story. Somehow, Golubev managed to write a book in which he makes theory accessible and tells a series of unexpected, fascinating tales about how Soviet people from the 1950s on interacted with everything from model planes and boats to stairwells and televisions.
It is difficult to describe what a weird and fun book this is – most attempts to do so would make it sound esoteric and focused on theory, but this is no ordinary book. It features a cast of characters as diverse as bodybuilders, wayward youth, and Soviet psychics whose stories are told through stuff.
The Things of Life is a social and cultural history of material objects and spaces during the late socialist era. It traces the biographies of Soviet things, examining how the material world of the late Soviet period influenced Soviet people's gender roles, habitual choices, social trajectories, and imaginary aspirations. Instead of seeing political structures and discursive frameworks as the only mechanisms for shaping Soviet citizens, Alexey Golubev explores how Soviet people used objects and spaces to substantiate their individual and collective selves. In doing so, Golubev rediscovers what helped Soviet citizens make sense of their selves and the world around…
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
This short novel is not set in the Soviet Union but in an unnamed post-Communist country that bears a striking resemblance to Bulgaria. The central character is the deposed Communist dictator, on trial for his crimes. The story is seen through his eyes, and he paints himself not as a villain but a misunderstood hero, a man who devoted his life to building socialism and a better life for his people. I know of no other book that is so good at getting into the head of a former dictator.
The bestselling, Booker Prize-winning author of The Sense of an Ending trains his laser-bright prose on the collapse of Communism in Eastern Europe.
Stoyo Petkanov, the deposed Party leader, is placed on trial for crimes that range from corruption to political murder. Petkanov's guilt—and the righteousness of his opponents—would seem to be self-evident. But, as brilliantly imagined by Barnes, the trial of this cunning and unrepentant dictator illuminates the shadowy frontier between the rusted myths of the Communist past and a capitalist future in which everything is up for grabs.
I entered the United States Army in August 1970, two months after graduation from high school, completed flight school on November 1971, and served a one-year tour of duty in Vietnam as a helicopter pilot in Troop F (Air), 8th US Cavalry, 1st Aviation Brigade. After my discharge, I served an additional 28 years as a helicopter pilot in the Illinois National Guard, retiring in 2003. I graduated from Triton Junior College, the University of Illinois at Chicago, and Northwestern University Law School in 1981. My passion for this subject arises, as one would expect, from my status as a veteran. My expertise is based on my own experience and 16 years of research and writing that went into the preparation of my book.
Starting in World War II, American cryptanalysts broke Soviet codes and determined that hundreds of Americans working for the Soviet Union were active within the federal government during the New Deal and throughout the Second World War. Code named Venona, this operation was a closely guarded secret until declassification in 1996. When these intercepts were combined with information acquired from Soviet archives after the collapse of the USSR, they revealed not only a massive penetration of American government, science, and industry by Soviet spies but an American Communist Party that had assisted in these efforts, serving as an arm of Soviet intelligence. In other words (quoting American Communist Party member Alfred Bernstein), “[Joseph] McCarthy was right.” “The system was loaded with Communists.”
Only in 1995 did the United States government officially reveal the existence of the super-secret Venona Project. For nearly fifty years American intelligence agents had been decoding thousands of Soviet messages, uncovering an enormous range of espionage activities carried out against the United States during World War II by its own allies. So sensitive was the project in its early years that even President Truman was not informed of its existence. This extraordinary book is the first to examine the Venona messages-documents of unparalleled importance for our understanding of the history and politics of the Stalin era and the early…
I visited Moscow for the first time in 1964. The Cold War was in full swing. I was still at school, learning beginners' Russian. I returned a few years later as a graduate student. By this point I was hopelessly infected with an incurable and progressive disease: curiosity about the Soviet Union under communism. I was full of questions, many of which could not be answered for decades, until communist rule collapsed. Becoming a professional scholar, I spent the next half-century studying the history, economics, and politics of communist societies. The biggest obstacle was always secrecy, so it seems fitting that the system of secrecy is the topic of my most recent book.
This is the best (to be fair, the only) English-language novel about how the Soviet economy was supposed to work and how it actually worked in the 1950s and 1960s. (The author says it is “not a novel” but a Russian fairytale.)
I was reluctant to read it, and expected to find fault with it, but I found it both moving and utterly convincing. It has all the ingredients of a war story: the various characters are trying to survive, to find love, to protect their families, to serve the nation, or to better humanity, while being ground between the wheels of great-power politics and everyday existence.
The book’s only omission (I learned later, after years of research) is that it does not account sufficiently for the role of the secret police in Soviet-era workplace surveillance and the selection of managers.
'Bizarre and quite brilliant.' Dominic Sandbrook, Sunday Times
'Thrilling.' Michael Burleigh, Sunday Telegraph
'Francis Spufford has one of the most original minds in contemporary literature.' Nick Hornby
The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working.
Red Plenty is about that moment in history, and how it came, and how it…
I’m the writer of an award-winning, best-selling series called the Lane Winslow Mysteries. They take place in British Columbia right after the Second World War, and feature an intelligent, canny, beautiful, polyglot who has just retired from spying for the British—this character inspired by my own beautiful multilingual mother, who did intelligence work in the war. I love the mystery genre, and while no one loves a burned-out, borderline alcoholic inspector who's divorced and has children who won’t return his calls more than I, I've always really adored what I call the “gentleman inspectors.” Men who are happily married, or will be soon, smart, educated, ethical, emotionally complex people you’d like to meet one day.
Stuart Kaminski brings us the wonderful detective, Porfiry Rostnikov, a barrel of a man who wanted to be a wrestling champion in his youth, and surely the only honest policeman in the Soviet system. He is kind and generous and will fix the plumbing of anyone in his building for the sheer joy of it. He is entranced by the geometry of pipes and their challenge. He is also a man of a certain age who has seen it all and has no illusions. His relationship with soviet authorities is tricky; they suspect his Jewish wife, and his love of Ed McBain books, but he’s the only man who can catch the crook and save the state embarrassment.
“Never miss a Kaminsky book, and be especially sure not to miss Death of a Russian Priest.” —Tony Hillerman, New York Times–bestselling author
In the darkest hours of communist rule, Father Merhum fought to protect the sanctity of the Orthodox Church. Now the Soviet Union is gone, but the bureaucracy survives, and within it lurk men who would do anything to undermine the fragile new Russian democracy. Father Merhum is on his way to Moscow to denounce those traitors when he is struck with an ax and killed.
As police inspectors Porfiry Rostnikov and Emil Karpo dig into the past…
David Satter is a leading commentator on Russia and the former Soviet Union. He is the author of five books on Russia and the creator of a documentary film on the fall of the Soviet Union. He has been affiliated with the Hudson Institute and the John Hopkins University School of Advanced International Studies. He is presently a member of the academic advisory board of the Victims of Communism Memorial Foundation.
In this multi-generational novel, Maximov showed what the Soviet system meant for ordinary people whose speech he had a rare gift for capturing. In his portrait of seven decades of the Lashkov family, he showed how the drive of the communists to control the lives of others on the basis of an ideology whose implications they themselves did not understand tore families apart. Pyotr Lashkov, the patriarch, became totally alienated from his alcoholic anti-communist brother. Vadim Lashkov, a member of the third generation, is put in a mental hospital. A fellow prisoner advises him: “If ever you think of trying to escape, the search will be thorough, very thorough. And they’ll find you… because you’ve found out a little more than ordinary mortals are supposed to know.”
Years ago, as part of my research, I interviewed Elia Kazan and Abraham Polonsky, two key figures in the blacklist story, and two men who were on different sides in terms of how they responded to the postwar Congressional investigations. These personal encounters – in New York and Los Angeles – fed a fascination with the anti-Communist purge in Hollywood, its dramaturgy, and the way filmmakers of that generation were caught up in it in different ways. There are more specialized works but the books recommended provide a substantive introduction to this still globally resonant topic, calling attention to the problematic and still difficult relationships between citizenship and cultural identity.
While several books have offered accounts of the House Committee on Un-American Activities (HUAC) hearings and the blacklist in the entertainment industry, Alan Casty questions liberal perspectives on the subject, and develops a distinctive perspective. In particular he challenges what he sees as an overly simple moral take on the actions of those who cooperated with HUAC and those who did not. He discusses the role of the Communist Party in Hollywood and the impact of Cold War politics— and the politics of Stalin and the Soviet Union—on the decisions that politicians and witnesses took. There is particularly interesting material here on Robert Rossen’s experience, as someone who ‘resisted’ the Committee but later cooperated with it. This Is the best account of those that challenge the dominant perspectives in the literature.
Much has been written about the history of Communism in America, including the Party's appeal to many in the Hollywood community of the 1930s and 40s. While several books have offered standard accounts of the House Un-American Activities Committee (HUAC) hearings and the blacklist in the entertainment industry, Alan Casty provides a fresh and provocative perspective. In Communism in Hollywood: The Moral Paradoxes of Testimony, Silence, and Betrayal, Casty challenges the absolute dualisms of the period: cowardly informers and heroic martyrs. Drawing on newly available material, Casty illustrates the control by the international Communist movement and the role of the…
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