I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.
For the Classic Maya, who flourished in and around the Yucatan peninsula in the first millennium AD, artistic materials were endowed with an internal life. Far from being inert substances, jade, flint, obsidian, and wood held a vital essence, agency, and even personality. To work with these materials was to coax their life into full expression and to engage in witty play. Writing, too, could shift from hieroglyphic signs into vibrant glyphs that sprouted torsos, hands, and feet. Appearing to sing, grapple, and feed, they effectively blurred the distinction between text and image.
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
In order to understand the combat of the Vikings, we must be familiar with the physical tools used for delivering violence, as revealed in the archaeological sources. Swords of the Viking Age is one of the better books in that category. It explores the material aspects of swords, one of the key tools of violence during the Viking age.
This beautifully illustrated work fills a gap in the literature in English on the swords made and used in northern Europe during the Viking age, between the mid eighth and the mid eleventh centuries. Ewart Oakeshott outlines the significance and diversity of these ancient heirlooms; co-author Ian Peirce, who handled hundreds of swords in his research for this book in museums across northern Europe, selects and describes sixty of the finest representative weapons. Where possible, full-length photographs are included, in addition to illustrations of detail; an illustrated overview of blade types and construction, pattern-welding, inscription and handle forms and their…
I’ve been writing, speaking, blogging, and tweeting about the history of American children and their childhoods for many decades. When I went to school—a long time ago—the subject did not come up, nor did I learn much in college or graduate school. I went out and dug up the story as did many of the authors I list here. I read many novels and autobiographies featuring childhood, and I looked at family portraits in museums with new eyes. Childhood history is fascinating and it is a lot of fun. And too, it is a great subject for book groups.
Toys! Dolls! Amusement Parks! They aren’t just playthings and play places; they are part of our national character and our consumer culture, as well as our private objects and experiences. Childhood is manufactured—created in our homes, communities, schools, and yes, by play. This book has a lot to say about our history but it is also a fun reminder of the things many of us grew up with or wish we had. It just might have you rooting through your attic or old photo books.
Since the advent of the American toy industry, children’s cultural products have attempted to teach and sell ideas of American identity. By examining cultural products geared towards teaching children American history, Playing With History highlights the changes and constancies in depictions of the American story and ideals of citizenship over the last one hundred years. This book examines political and ideological messages sold to children throughout the twentieth century, tracing the messages conveyed by racist toy banks, early governmental interventions meant to protect the toy industry, influences and pressures surrounding Cold War stories of the western frontier, the fractures visible…
I started practicing meditation while I was in high school and within 2 months of starting I had a metaphysical experience. That experience led me to become a scientist, I wanted to learn ways to study the spiritual using the methodologies of science. I've had a successful career with over 400 scientific publications and have had my work featured in the media and presented at hundreds of conferences and workshops around the world, including at the United Nations. Many scientists today are working to bridge the so-called gap between science and spirit and the positive effects they are having on increasing our understanding of what it is to be human.
For several decades Dr. Rupert Sheldrake has been prodding us to awaken beyond the limitations of western science as we know it.
Trained as a scientist at some of the world’s top institutions, he began to understand that science itself needed to be set free from its own dogma that has accumulated over the centuries. He shows the ways in which science is being constricted by its own assumptions that are not only limiting but dangerous for the future of humanity.
Should science be a belief system or simply a method of inquiry? In the skeptical spirit of true science, Dr. Sheldrake turns the 10 fundamental dogmas of materialism into exciting questions and shows how all of them open to startling new possibilities for discovery.
The bestselling author of Dogs That Know When Their Owners Are Coming Home offers an intriguing new assessment of modern day science that will radically change the way we view what is possible.
In Science Set Free (originally published to acclaim in the UK as The Science Delusion), Dr. Rupert Sheldrake, one of the world's most innovative scientists, shows the ways in which science is being constricted by assumptions that have, over the years, hardened into dogmas. Such dogmas are not only limiting, but dangerous for the future of humanity.
According to these principles, all of reality is material or…
I am Kurt D. Springs. If you read my back of the book bio, you’ll find I have advanced degrees in anthropology and archaeology and a focus on European prehistory. However, I’ve always been fascinated by military history. I’ve recently studied how modern warfare has changed many old paradigms. I’ve also studied modern and ancient religions, and many of the fiction works I enjoy have ESP or magic elements, especially Andre Norton’s works. I am also a fan of the HALO game universe. I like to tell people my stories are the children of Andre Norton’s Forerunner series and HALO.
Forerunner is the book that made me a fan of Andre Norton. I enjoyed how she mixed space travel, ESP powers, and remarkable world-building.
Andre Norton’s Forerunner influenced the paranormal part of my own world-building. The alien girl, Simsa, was a compelling character. Starting off as a streetwise orphan on the planet Kuxortal, the human spaceman Thom takes her on a journey of self-discovery.
They must stop space pirates from plundering ancient warships. To do so, she must discover her true heritage of power and nobility.
On ancient port world planet Kuxortal, young Simsa grows up among garbage
pickers who live upon the ancient ruins of a fallen galactic civilization
- the Forerunners. But Simsa has always been different. Her skin is
iridescent blue-black and she shares a telepathic bond with an alien pet, a
bat-like zorsal, like no other. When Simsa's mentor dies, she must scrape
a poor existence from an unyielding planet. But then Thom, a star ranger,
arrives from the heavens, leading Simsa on a path to the discovery of her
origins that takes both through danger to the ultimate revelation. The truth…
I started my career as a New York magazine editor and cynical journalist writing about art, celebrities, and show designers. Eventually I had an existential meltdown where I realized I was trapped in reductive materialism. I didn’t believe in a soul or a spirit or anything that wasn’t tangible. I decided to explore psychedelics and wrote my first book, Breaking Open the Head, after visiting indigenous cultures in Africa and South America where I took Iboga, ayahuasca, and mushrooms in initiation ceremonies. I learned we are facing an ecological and geo-political meta-crisis. I tried to find the roots of this, hoping to save humanity from extinction by unifying us around a mystical realization of oneness.
This is a book that can change your way of understanding your life and your world, profoundly and permanently! Gebser demonstrates that human consciousness has evolved through a series of stages, from the archaic or aboriginal, through the magic and mythical to the current mental-rational structure. Surveying areas ranging from science to art, Gebser proposes that our current meta-crisis is actually necessary to force a mutational break to the next structure of consciousness, the integral-aperspectival, where we will be able to shift between different realizations of time and space, as our world transforms around us.
Born in Posen in 1905, Jean Gebser came from an old Franconian family domiciled in Thuringia since 1236. A nephew of German chancellor von Bethmann-Hollweg, he was a descendant on his mother's side of Luther's friend Melanchthon. He was educated in Breslau, Konigsberg, Rossleben, and at the University of Berlin. In 1929 Gebser emigrated to Italy and subsequently lived in Spain where he was attached to the Ministry of Education of the Spanish Republic. From 1937-1939 he lived in Paris in the circle which included Picasso, Andre Malraux, Paul Eluard, and Louis Aragon. In 1939 he made his permanent home…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
This is a collection of essays for a major exhibit at the National Museum of Scotland in 2017. It features essays on aspects of the endurance of the Jacobite cause, and objects associated with Jacobitism (like Bonnie Prince Charlie’s silver picnic set). It also has over 200 pictures. This myth has endured through the writings of Sir Walter Scott through Outlander, and this book presents the much, much larger, and more complex story.
In the summer of 1745 'Bonnie Prince Charlie', grandson of James VII and II landed on the Isle of Eriskay in the Outer Hebrides of Scotland. He would be the Jacobite Stuarts' last hope in the fight to regain the three kingdoms of England, Scotland and Ireland. The Jacobite legend has an enduring fascination and now renewed global interest due to the Outlander books and television series. A major new exhibition on Bonnie Prince Charlie and the Jacobites opens at the National Museum of Scotland on 23 June 2017, and tells a compelling story of love, loss, exile, rebellion and…
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
My archaeological career began in 1971 in the Mimbres region of Southwestern New Mexico. I continued to work in the area, on and off, until 2013. Along the way, I wrote four books and many chapters/articles about Mimbres, and I formed some strong opinions on ancient Mimbres history.
Centered in the Mimbres River valley, the Mimbres built about twenty sizable stone villages at the same time as Chaco Canyon, from 1000 to 1125. Their towns were notably large for the time, fueled by sophisticated canal irrigation (probably adopted from the Hohokam, see above). But Mimbres is most famous for its remarkable black-on-white pottery: artfully-painted bowl interiors show bugs, fish, antelopes, birds, and people – people doing things, tableaus of daily life, esoteric rituals, mythical events. These images appeal strongly to us, today. In ancient times, however, Mimbres bowls and Mimbres art seems to have been limited to the Mimbres region…
People have called the mountains, rolling hills, wide valleys, and broad desert plains of southwestern New Mexico home for at least ten thousand years. When they began to farm a little over two thousand years ago, they settled near the rich soils in the river floodplains. Then, around 900, the people of this region burned all of their kivas and started gathering in large villages with small ritual spaces and open plazas. Between 900 and about 1100, they also made the intricately painted geometric and figurative bowls today called Mimbres, their best-known legacy. Then, in the 1130s, they stopped making…
I suspect my passion for this topic was born when my doctor came into my C-section recovery room and uttered the words “chromosomal abnormality.” My daughter has Down syndrome, and full disclosure: I had zero interest in being a disability mom. Yet as I fell in love with this beautiful, funny, sassy girl, my whole worldview shifted. I am a far better person than I was when she entered my life. She has taught me the beauty and the blessing wrapped up in the things that first appear to be the most difficult.
Sometimes you get caught up in who you’re “supposed” to be, or the image you’re supposed to project, and you end up losing your authentic self—and your connection with those you love suffers because of it. In True Places, Suzanne’s life of quiet desperation is interrupted when a girl emerges from the forest right in front of her—a girl who’s never encountered civilization. As Suzanne takes this girl under her wing, she starts to question everything she has accepted as sacrosanct. In that, she stands in place of us all: caught in the rat race, longing for permission to cut through the crap and be who we are meant to be. The courage with which she faces the opposition of her family—and finds her way to a new, healthier relationship with them—is inspirational.
"True Places is a beautiful reminder that though we may busy ourselves seeking what we want, what we need has an uncanny way of finding us." -Camille Pagan, bestselling author of Life and Other Near-Death Experiences
A girl emerges from the woods, starved, ill, and alone...and collapses.
Suzanne Blakemore hurtles along the Blue Ridge Parkway, away from her overscheduled and completely normal life, and encounters the girl. As Suzanne rushes her to the hospital, she never imagines how the encounter will change her-a change she both fears and desperately needs.
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Creation’s Journey ties actual native stories and beliefs with genuine artifacts from the vast collections of the National Museum of the American Indian. It provides a refreshing approach to our understanding of indigenous people’s utilitarian objects and how important they are in their daily lives. The photos in this book show the care for detail and craftsmanship that was pervasive in everyday Native American objects and clothing. It inspired me to commission native Americans to hand make the various costumes shown in my book.
Drawing on the vast collections of the National Museum of the American Indian, Creation’s Journey retells the story of native life from the Arctic to the Tierra del Fuego, and from childhood to old age.
