Here are 100 books that Anna of Denmark fans have personally recommended if you like
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I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I love this book because it combines history and literature, doing justice to both. By setting Lear and Macbeth in their cultural and political contexts, Professor Shapiro has given me new insights into both plays. Before seeing them again, I’ll go back to this book.
Shapiro is a model for me of an academic historian who successfully addresses a wider audience by avoiding academic jargon, explaining the unfamiliar, and telling a good story. He wears his great scholarship lightly, but he has done a huge amount of research and has a mastery of his subject.
Preeminent Shakespeare scholar James Shapiro, author of Shakespeare in a Divided America, shows how the tumultuous events in 1606 influenced three of Shakespeare’s greatest tragedies written that year—King Lear, Macbeth, and Antony and Cleopatra. “The Year of Lear is irresistible—a banquet of wisdom” (The New York Times Book Review).
In the years leading up to 1606, Shakespeare’s great productivity had ebbed. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra.
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I love exhibition catalogues. They are usually lavishly illustrated with expert explanations of the visuals. I can dip into them at will, especially when I’m too tired for a major investment of time in reading.
This one is particularly fine as its production values are high and the explanations lengthy. Prince Henry, the son of James VI and I, who died suddenly in November 1610 at the age of eighteen, was, like his mother, Queen Anna, a patron of music, paintings, masques, architecture, and gardens. These interests are amply revealed in the fascinating pictures and text of this wonderful catalogue.
This exploration of Henry's life and image, and the extraordinary reaction to his death, transforms our understanding of this exceptional prince and the time in which he lived. In November 1612, shortly before his nineteenth birthday, Henry, the eldest son of James I and Anne of Denmark, died of typhoid fever after a short illness. The nation was struck by grief at the loss of this most promising prince who, it was believed, would become a king to transform Britain. Unlike his father, Henry was seen as militaristic, ardently Protestant and fiercely moral; he was also a precocious patron of…
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I found this book utterly engrossing. The subject of Sir Thomas Roe’s embassy to India from 1616 to 1619 interested me in part because of my interest in cross-cultural exchanges and partly because of my own visit to some of the places previously trodden by Roe.
I liked the fact that the book had a clear argument, namely that Roe’s previous personal and political experiences influenced his perceptions and conduct in India.
Above all, I found the writing a joy. Despite its undoubted scholarship, the book reads as a novel. Das brings colour to all the descriptions, whether of people, places, or events. I wish I could write like that.
WINNER OF THE BRITISH ACADEMY BOOK PRIZE
A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR
A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century.
'A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story' - William Dalrymple, Financial Times
'A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour' - Spectator
'Beautifully written and masterfully researched,…
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
A good textbook is indispensable, and this is the one on James I that I most often resort to. It is lucidly written, covers an awful lot of ground, is properly referenced, and offers an in-depth look at the reigns of James VI and I and Charles I in England and Scotland.
Although it is ten years old now, I still place it top of my reading list for undergraduates studying this period of history.
A gripping new account of one of the most important and exciting periods of British and Irish history: the reign of the first two Stuart kings, from 1567 to the outbreak of civil war in 1642 - and why ultimately all three of their kingdoms were to rise in rebellion against Stuart rule.
Both James VI and I and his son Charles I were reforming monarchs, who endeavoured to bolster the authority of the crown and bring the churches in their separate kingdoms into closer harmony with one another. Many of James's initiatives proved controversial - his promotion of the…
Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
Caroline Bingham is one of the forgotten titans of Scottish popular nonfiction. From the 1970s to the 1980s (she sadly died young in 1998), she produced a multitude of books covering the lives of various Scottish monarchs.
Her books (although research has moved on quite a bit) are beautifully and sensitively written and her two books on James (she wrote one on his life in Scotland and then one on his life in England) are sparkling.
Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
Steven J. Reid’s comprehensive study of James’s youth and rise to real power is as well-researched as it is readable. Most people are only familiar with the older James when he was king of England—the tired stereotype of the doddering, prematurely-aged old king.
But his early life and reign in Scotland were fraught with drama and high politics–all of which helped make James James.
Shortlisted for the Saltire Society Scottish History Book of the Year Award
James VI and I was arguably the most successful ruler of the Stewart Dynasty in Scotland, and the first king of a united Great Britain. His ableness as a monarch, it has been argued, stemmed largely from his Scottish upbringing. This book is the first in-depth scholarly study of those formative years.
It tries to understand exactly when in James' 'long apprenticeship' he seized political power and retraces the incremental steps he took along the way. It also poses new answers to key questions about this process. What…
I absolutely love the Pre-Raphaelites, they are my utter passion and these books are the fuel for that fire. Who wouldn't want to be a Pre-Raphaelite woman? Smart, talented, resourceful, these women define what it is to make a mark and great some of the most ground-breaking art in history. I'm particularly obsessed with Pre-Raphaelite women, the artists and muses who created the art we love so much today. After spending almost 30 years researching their lives and loves, it's now my absolute pleasure in telling everyone about these astonishing women, and why we should love them and learn from them.
Of course, women of the Pre-Raphaelite movement were not only on the canvas, they also were the artists responsible for a vast array of art in different mediums, from painting and sculpture to enameling and embroidery. The later years of the Victorian period saw women flocking to art schools and claiming the profession from their male counterparts and freeing them to create art that equally defines the Pre-Raphaelite and subsequent movements.
Although the word "Victorian" connotes a kind of dry propriety, the artists working in the Victorian era were anything but. Starting with the Pre-Raphaelite Brotherhood and lasting through the dawn of the 20th century, the era's painters, writers, and designers challenged every prevailing belief about art and its purpose. The full spectrum of the Victorian avant- garde is in magnificent display in this book that features nearly 150 works drawn from the Birmingham Museum's unparalleled collection. Characterized by attention to detail, vibrant colors, and engagement with literary themes and daily life, the paintings, works on paper, and decorative objects featured…
I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.
Much of the Western world but especially eighteenth and nineteenth-century Britain obsessively purchased, collected, displayed, and thought about Chinese things. A brilliant literary critic, Elizabeth Chang traces this obsession through a wide variety of British texts from Sir William Chambers, Dissertation on Oriental Gardening (1772) to Isabella Bird's, Chinese Pictures (1904). Chang takes us on an intimate journey into a pleasurable yet imperialistic and often racist material culture that still shapes the way the West looks at and consumes Chinese products.
This book traces the intimate connections between Britain and China throughout the nineteenth century and argues for China's central impact on the British visual imagination. Chang brings together an unusual group of primary sources to investigate how nineteenth-century Britons looked at and represented Chinese people, places, and things, and how, in the process, ethnographic, geographic, and aesthetic representations of China shaped British writers' and artists' vision of their own lives and experiences. For many Britons, China was much more than a geographical location; it was also a way of seeing and being seen that could be either embraced as creative…
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
The distinctive selling-point of this work is summed up by its sub-title: a focus on law, politics and religion as causal factors, not just for humdrum witchcraft accusations but for major, sustained witch-hunts. Brian Levack has made a huge contribution to our understanding of witch-hunting, and here brings his specialist expertise to bear on Scotland, which experienced the most intense, and devastating panics anywhere in the British Isles (and worse even than most places in continental Europe).
Historians have long learned not to see witch-hunts as hysterical spasms of pre-Enlightenment ‘superstition’. Demonology was a serious subject in the sixteenth and seventeeen centuries, and was logically coherent within the mentalities of the time. Witchcraft, then, wasn’t some insane sideshow to the dominant legal, political and religious issues of the day, but central to those issues.
Embedding witchcraft in these mainstream contexts is essential to understanding what it once meant, not just…
Witch-Hunting in Scotland presents a fresh perspective on the trial and execution of the hundreds of women and men prosecuted for the crime of witchcraft, an offence that involved the alleged practice of maleficent magic and the worship of the devil, for inflicting harm on their neighbours and making pacts with the devil.
Brian P. Levack draws on law, politics and religion to explain the intensity of Scottish witch-hunting. Topics discussed include:
the distinctive features of the Scottish criminal justice system
the use of torture to extract confessions
the intersection of witch-hunting with…
Like many others, I had an early fascination for pop music, which moved on to rock music as I grew older. I would love to know more about the artists or music figures who made such emotional and stunning music that made the world better and more exciting. British rock and roll music has made a massive impact on the Western life that we all know and love. These five books are the best ones for me, and while all are unique, they have humor and interesting details and let me gain knowledge about these iconic figures.
I loved this book because I was able to find out more about this lynchpin of the indie music World of the 80s and 90s that I grew up in. Primal Scream was responsible for some iconic tunes, and learning more about Bobby was insightful and entertaining. I discovered so much that I didn’t know about the band’s musical journey and Bobby's influences.
'Gillespie is rock and roll's Oliver Twist. A punk rock fairytale, razor sharp on class struggle, music, style, and a singular view of the world resulting in one of the world's great bands. Couldn't put down' Courtney Love
Born into a working-class Glaswegian family in the summer of 1961, TENEMENT KID begins in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock n roll epiphany arrives like a bolt of lightning shining from Phil Lynott's…
