As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Nur Jahan was one of the great queens of India, but I had never learned about her even in my studies at university.
I felt absolutely transported into her life, ambitions, and loves through this riveting novel that is so poetic you’ll want to read it in your bath with the door locked and a candle lit. This book feels like a window into the life of a woman you wish was your mother, your sister, your best friend.
It’s the first of the trilogy, and a magnificent journey into ancient India and the history of the Taj Mahal.
An enchanting seventeenth-century epic of grand passion and adventure, this debut novel tells the captivating story of one of India's most legendary and controversial empresses -- a woman whose brilliance and determination trumped myriad obstacles, and whose love shaped the course of the Mughal empire. She came into the world in the year 1577, to the howling accompaniment of a ferocious winter storm. As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is a survey of all Mughal architecture, in which only a few pages are devoted to the Taj Mahal directly, but for anyone who wants to understand the Taj not as something unique and inexplicable, but as a logical part of a longer tradition of design, this book is essential reading. While there are other surveys of Mughal architecture on offer, a major strength of this one is the author’s inclusion of many minor and provincial buildings that provide a wider context for the famous stand-out masterpieces like the Taj.
In Architecture of Mughal India Catherine Asher presents the first comprehensive study of Mughal architectural achievements. The work is lavishly illustrated and will be widely read by students and specialists of South Asian history and architecture as well as by anyone interested in the magnificent buildings of the Mughal empire.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This slim but well illustrated book gives an account of archaeological excavations that the author and others carried out in the mid-1990s. They unearthed the large but previously lost garden called the Mehtab Bagh on the far bank of the River Yamuna, facing the Taj Mahal. In so doing they debunked the long-standing myth about Shah Jahan’s plans to build a black replica Taj on that spot and showed instead what the real original garden scheme was like. Fascinatingly told, the story fully lives up to the claim to reveal ‘new discoveries’.
For 350 years, the Taj Mahal in Agra has reigned luminous and splendid as perhaps the most admired monument in the world. Visitors who gazed across the Yamuna River from the Taj pavilions have viewed what appears to be little more than farmers' fields and barren ground. But historical references as well as paintings from the time of Shahjahan (r. 1628-58) reveal that it was once densely covered by rectangular walled enclosures and lush vegetation. The Mughal emperor Babur built gardens here as a way of evoking the characteristic delights of the homeland he had abandoned when he moved from…
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I found this book utterly engrossing. The subject of Sir Thomas Roe’s embassy to India from 1616 to 1619 interested me in part because of my interest in cross-cultural exchanges and partly because of my own visit to some of the places previously trodden by Roe.
I liked the fact that the book had a clear argument, namely that Roe’s previous personal and political experiences influenced his perceptions and conduct in India.
Above all, I found the writing a joy. Despite its undoubted scholarship, the book reads as a novel. Das brings colour to all the descriptions, whether of people, places, or events. I wish I could write like that.
WINNER OF THE BRITISH ACADEMY BOOK PRIZE
A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR
A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century.
'A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story' - William Dalrymple, Financial Times
'A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour' - Spectator
'Beautifully written and masterfully researched,…
The past fascinates me because it is strange and different to the world we live in today. That is why I prefer looking at earlier centuries than contemporary times because the distant past requires an extra effort on our part to unlock how people back then made sense of their world. When I read an old chronicle on how Indigenous people spent days traveling to meet acquaintances and even strangers, it piqued my interest. Did they really need to meet face-to-face? What did traveling mean to them? The books on the list below are attempts by historians to understand the travelers of the past.
Unwanted Neighbours is a captivating look at the frontier interactions between the Mughals and the Portuguese.
I like how Flores breaks the typical division between maritime and overland empires. The Mughal Empire was as much maritime as it was territorial, and the Portuguese maritime empire had an overland side to it as well.
The stories of cross-cultural relations in the book give texture to the past and help readers imagine the complexities of the characters in Mughal India.
In December 1572 the Mughal emperor Akbar arrived in the port city of Khambayat. Having been raised in distant Kabul, Akbar, in his thirty years, had never been to the ocean. Presumably anxious with the news about the Mughal military campaign in Gujarat, several Portuguese merchants in Khambayat rushed to Akbar's presence. This encounter marked the beginning of a long, complex, and unequal relationship between a continental Muslim empire that was expanding into south India, often looking back to Central Asia, and a European Christian maritime empire whose rulers considered themselves 'kings of the sea'.
Michael Schuman is the author of three history books on Asia, most recently Superpower Interrupted: The Chinese History of the World, released in 2020. He has spent the past quarter-century as a journalist in the region. Formerly a correspondent for The Wall Street Journal and Time magazine, he is currently a contributor to The Atlantic and a columnist for Bloomberg Opinion.
Mixing deep archival scholarship with brilliant storytelling, Dalrymple transports the reader into the final days of the Mughal Empire and its last emperor. The story centers on Delhi during the mutiny against British rule in 1857, the last great attempt by the Indians to throw off their European overlords until Gandhi. What begins with hope ultimately ends in tragedy, for the Mughal poet-ruler who fails to grasp his chance to change history, and the brilliant civilization his empire had fostered.
At 4pm on a dark, wet winter's evening in November 1862, a cheap coffin was buried in eerie silence: no lamentations, no panegyrics, for as the British Commissioner in charge of the funeral insisted, 'No vesting will remain to distinguish where the last of the Great Moghuls rests.' This Mughal was Bahadur Shah Zafar II, one of the most talented, tolerant and likeable of his remarkable dynasty who found himself leader of a violent uprising he knew from the start would lead to irreparable carnage. Zafar's frantic efforts to unite his forces proved tragically futile. The Siege of Delhi was…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is an anthology of all of the written sources on the Taj Mahal from the period of its construction in the 17th century. It brings together translations of every description or mention of the building in Mughal court histories, or accounts by foreign travellers, and explains all of the historical and religious inscriptions that are written on the building itself. The book is meant for the serious student and lacks narrative flow; but the focus exclusively on written sources dating from the same time as the Taj really helps you understand it in its own time.
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
If Eastern and Central Europe are often ignored in historical fiction in the sixteenth century, that’s even more true of lands east of the Ural Mountains. This gorgeous study of Mughal India in the reigns of Emperor Humayun and his son Akbar charts the story of Adhira, a temple dancer in Rajasthan. Born during one of her homeland’s rare rainstorms, Adhira bears the weight of her father’s expectation that she will carry on the kathaktradition to which he has devoted his life. Through the story of Adhira and her brother Mahendra, Duva—herself a practitioner of kathak—plunges us into the highs and lows of temple life and reveals a deep understanding of the religious dance she portrays.
Shortlisted for the 2016 William Saroyan International Prize for Writing
It is 1554 in the desert of Rajasthan. On a rare night of rain, a daughter is born to a family of Hindu temple dancers just as India’s new Mughal Emperor Akbar sets his sights on their home, the fortress city of Jaisalmer, and the other Princely States around it.
Fearing a bleak future, Adhira’s father, the temple’s dance master—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists that Adhira is destined to “marry” the temple’s…
I've been a fan of Tamora Pierce for nearly as long as I've been writing—well over twenty years. She's been an enormous inspiration throughout my authorship. Her books have accompanied me through many travels, waited in my bag during classes and life events, and I've given them as gifts to other people. Finding books and authors for a more adult audience, which possess that same essence—strong characters, magic, found family, adventure, a touch of romance, and some historical or mythological influence—is a fantastic hunt. I hope you enjoy these. I'm going to look for some more!
The best stories are the ones that inspire us to read more, right? I love history and mythology—something instilled in me by Tamora Pierce's books—so the inspiration for this setting, India's Mughal Empire, appealed to me before I even cracked the book open. Mehr had a strength that didn't falter through the entire story. I wanted her to win, to succeed, no matter what that meant for the rest of her world. This book was not afraid to carry me to some dark places, which I needed to see to push the limits of my own work. Immediately after I finished this, I snapped up everything else Tasha Suri had on the market. I may also need to read some more books about the Mughal Empire.
*Named one of TIME's Top 100 Fantasy Books Of All Time
A nobleman's daughter with magic in her blood. An empire built on the dreams of enslaved gods. Empire of Sand is Tasha Suri's lush, dazzling, Mughal India-inspired debut fantasy.
The Amrithi are outcasts; nomads descended of desert spirits, they are coveted and persecuted throughout the Ambhan Empire for the power in their blood.
Mehr is the illegitimate daughter of an imperial governor and an exiled Amrithi mother she can barely remember, but whose face and magic she has inherited. When Mehr's power comes to the attention of the Emperor's…
