Here are 100 books that The Twentieth Wife fans have personally recommended if you like
The Twentieth Wife.
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I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
This is a book you wouldn't want to lend to a friend, but you might want to buy it for a friend! It’s a genre-defying memoir of a grieving daughter that I found inspirational and validating in the wake of my own parents' deaths. Helen MacDonald loses her father and embarks on a journey to find, adopt, and train a goshawk, one of the fiercest and most feral predators on Earth...a remarkable metaphor for her own wild grief.
As her relationship evolves with the goshawk, Mabel, they learn together the beauty and terror of being alive. I found great inspiration here because it taught me that you can talk about hard things in a lyrical, uplifting way, leaving your readers to soar on the last page, not jumping out of windows.
One of the New York Times Book Review's 10 Best Books of the Year
ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20)
The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of…
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I am a passionate long-distance hiker and regularly enjoy local walks close to where I live in Oxfordshire. Over the years, I have walked many long-distance trails, including Camino Pilgrimages. The books I am sharing are those that have inspired my own walking adventures and self-reflection. I am a big believer in the benefits of walking for mind, body, and spirit, and I personally enjoy those benefits daily. My passion for walking and the depth of thinking it can help you attain has found its way into both my personal and business life. Walking to me is life!
I loved this book because I could relate to the tough, emotional place the author was in when she made this epic journey. Her rucksack was extremely heavy. It felt like it represented the burden she was carrying at the time. I loved the unfolding of both her physical and emotional journey, how much she learned about herself, and how much she was eventually able to let go of to enable her to move forward.
Reading this book motivated me to go on a similar journey, hiking many of the Camino Pilgrimage routes. This was a book I thought about long after I had finished reading it. It had the kind of truth about it that stays with you.
#1 NEW YORK TIMES BESTSELLER • A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again.
At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the…
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
N. L. Holmes is my absolute favorite “under the radar” historical fiction author writing today. She has a number of wonderful books out there, but if I had to suggest one to new readers, I would pick Bird in a Snare, the first book of the Lord Hani Mystery series. Set in Ancient Egypt under the reign of Akhenaten, the series is an amazing insight into a tumultuous part of ancient history I knew next to nothing about when I first picked up the book and a great mystery series. Throw in awesome prose and a wonderful cast of characters, and I recommend this one whenever I get the chance.
When Hani, an Egyptian diplomat under Akhenaten, is sent to investigate the murder of a useful bandit leader in Syria, he encounters corruption, tangled relationships, and yet more murder. His investigation is complicated by the new king’s religious reforms, which have struck Hani’s own family to the core. Hani’s mission is to amass enough evidence for his superiors to prosecute the wrongdoers despite the king’s protection—but not just every superior can be trusted. And maybe not even the king!
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
Set in the US in the late 70s, this book was one I went back and forth on if it fit my criteria of being a lesser-known locale (or possibly even historical fiction, since the 60s and 70s are just now starting to hit that cut-off). The world it presents—life in a traveling carnival during the tail end of the freakshow era—was so interesting, though, I felt I had to slip it in. On the run from a terrible secret, the protagonist joins the carnival as their “fat lady” act in the freakshow… and things are just as crazy (and yet somehow so emotionally grounded?) as that premise makes it sound. I’d definitely suggest giving it a read.
Trapped and isolated in small-town Wisconsin, Sarah wants nothing more than to blend in and lead a normal life away from her abusive brother. Weighing five hundred pounds and having no job or formal education, however, makes this almost impossible.
When Sarah commits an unthinkable act, she seizes the only opportunity available to escape the consequences of her actions. She contacts the carnival man who previously offered her a job as a sideshow act. Burying her guilt, Sarah leaves home and begins performing under the stage name Lola Rolls.
Traveling from town to town, Lola wonders if it's possible to…
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
Is this a children’s book? Yes. Yes, it is. Since ten-year-old me can still remember reading it, however, (particularly a paragraph about how special it was to be able to read and write in sixth-century China—which blew ten-year-old me’s mind) it’s still going on the list. Lady of Ch’iao Kuois also one of the Scholastic Royal Diaries series, which I devoured as a younger reader, and is fabulous as a whole. It includes both well-known (another Elizabeth I book? Yep) and more obscure historical figures, all written about in a way that allows children to connect to them. Highly recommended for both the young and young at heart!
Readers can embark on an extraordinary journey to Southern China in the 6th century A.D. where they will meet sixteen-year-old Ch'iao Kuo, a born leader called Red Bird, whose bravery and brilliance is unrivaled.
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
I admit, Baltasar and Blimundais not the type of historical fiction I generally pick up (a more distanced narrative voice plus magical realism doesn’t tend to be my normal pick for pleasure reading) but I felt I needed to read at least one novel set in 18th century Portugal before trying to write my own set there. Something by a Portuguese author as well seemed entirely the way to go. So, I picked this up, and am really glad I did.
In eighteenth-century Portugal, fifty thousand laborers carry stones on their backs across mountains to build the king's convent, a heretical priest devises a magic flying machine--the Passarola--and two lovers' dream of flight sets them apart.
As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Captain Liz Clark is who I would have wanted to be when I grew up, had I found her story in my teens.
There were almost no strong female role models that I could point to as a girl who inspired me, and illuminated a path of an adventurous woman. Captain Liz Clark built her own sailboat and decided to take on the entire Pacific Ocean on her adventures to find love, connection, and a relationship to nature and her own pure heart.
I clutched this book to my heart and took it with me everywhere for a month. Then I wrote Captain Liz to option it, so we can make a TV show about her life, because we need her story on screen!
Chasing a dream is never easy, but if you go far enough, it will set you free.
Captain Liz Clark spent her youth dreaming of traveling the world by sailboat and surfing remote waves. When she was 22, she met a mentor who helped turn her desire into reality. Embarking on an adventure that most only fantasize about, she set sail from Santa Barbara, California, as captain of her 40-foot sailboat, Swell, headed south in search of surf, self, and the wonder and learning that lies beyond the unbroken horizon.
In true stories overflowing with wild waves and constant challenges,…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is a survey of all Mughal architecture, in which only a few pages are devoted to the Taj Mahal directly, but for anyone who wants to understand the Taj not as something unique and inexplicable, but as a logical part of a longer tradition of design, this book is essential reading. While there are other surveys of Mughal architecture on offer, a major strength of this one is the author’s inclusion of many minor and provincial buildings that provide a wider context for the famous stand-out masterpieces like the Taj.
In Architecture of Mughal India Catherine Asher presents the first comprehensive study of Mughal architectural achievements. The work is lavishly illustrated and will be widely read by students and specialists of South Asian history and architecture as well as by anyone interested in the magnificent buildings of the Mughal empire.
