Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.
Mary "Jacky" Faber, an orphaned street kid in early 19th century London, begins her adventures across the seven seas by dressing up as a ship's boy. Throughout the series she builds up quite the amazing resume that would put a Navy Seal to shame. And of course, there is a bit of romance here and there but the focus lies on Jacky sailing the world and kicking butt!
Life as a ship's boy aboard HMS Dolphin is a dream come true for Jacky Faber. Gone are the days of scavenging for food and fighting for survival on the streets of eighteenth-century London. Instead, Jacky is becoming a skilled and respected sailor as the crew pursues pirates on the high seas. There's only one problem: Jacky is a girl. And she will have to use every bit of her spirit, wit, and courage to keep the crew from discovering her secret. This could be the adventure of her life--if only she doesn't get caught. . . .
Two events happened around the same time, 1950-51, that made me want to go to sea. One was seeing the movie Down to the Sea in Ships and the second was a 30-minute boat ride on the sea. I was about 9-years old at the time. I think I must have identified with the boy (Jed) in the novel and unlike my younger brother, I enjoyed the thrill of the wind and waves and I wasn’t seasick. From then on, I had a lifelong love of the sea, serving with the Merchant Navy, having my own seagoing boat and for 22 years teaching navigation and sailing knowledge to Sea Cadets.
You do not have to be a lover of seafaring novels to enjoy Dana’s memoir and his vivid descriptions of people and places. Two Years Before the Mast is a masterpiece of writing. As an Englishman, I have always enjoyed reading American prose; Steinbeck, Hemingway, Melville, they seem to write clearly and to the point without the long-windedness of some authors.
How times have changed since the days when Dana was a seaman, (even when I was at sea in the 1950s 60s, and 70s) to today’s conditions for seafarers. My nephew who is a chief engineer with BP has the same amount of leave as the time he spends at sea, (4 months max) with the internet, skyping, and Netflix. He is highly paid and flown home first class. My contract was for 12 months, no leisure facilities on the ship, a letter now and then, and a train…
‘Two Years Before the Mast’ is a memoir by the American author Richard Henry Dana, published in 1840, having been written after a two-year sea voyage from Boston to California on a merchant ship starting in 1834. A film adaptation under the same name was released in 1946. It is the true story of Richard Henry Dana’s voyage aboard the merchant vessel the ‘Pilgrim’ on a trip around Cape Horn during the years 1834 to 1836. Dana was a student at Harvard when a case of the measles affected his vision. He left school and enlisted as a sailor on…
I am a historian of the United States' global pasts. What excites me most in both research and teaching is approaching familiar topics from unconventional angles whether through unfamiliar objects or comparative perspectives. To do so I have approached the US past from the perspective of its emigrants and the global history of gold rushes, and am doing so now in two projects: one on the ice trade and another on the United States’ imperial relationship with Africa between the Diamond Rush of 1867 and the First World War. I currently teach at the University of Oxford where I am a Fellow in History at St Peter’s College.
It’s not possible to understand the United States without understanding its maritime past. Rouleau takes us onto the forecastle to show just how important US mariners were (how could they not be when 100,00 departed the republic each year?) in a vivid account with lots of surprising details drawn from scrimshaw and logbooks. These working-class diplomats shaped the foreign perception of the United States in port cities around the world through their (often violent) encounters with foreign peoples, their onshore carousing, and their spread of black face minstrelsy around the globe.
Many Americans in the Early Republic era saw the seas as another field for national aggrandizement. With a merchant marine that competed against Britain for commercial supremacy and a whaling fleet that circled the globe, the United States sought a maritime empire to complement its territorial ambitions in North America. In With Sails Whitening Every Sea, Brian Rouleau argues that because of their ubiquity in foreign ports, American sailors were the principal agents of overseas foreign relations in the early republic. Their everyday encounters and more problematic interactions-barroom brawling, sexual escapades in port-city bordellos, and the performance of blackface minstrel…
It has a particular resonance for me because I studied in a Maritime College and I had relatives who spent their working lives at sea and probably they experienced much of what Lowry's protagonist here experiences. A tramp steamer in the 1920s/30s.
The novel spoke to me on a deeper level than most other novels have done.
Curiously enough, I had this paperback when I was young and always planned to read it and never did. Four decades later I acquired the same edition and now I have read it. I wish I had explored the work of Lowry sooner!
His prose style is exquisite. Lyrical and strange but also muscular and true. There is no baroque decoration for its own sake here. The poetry is beautiful but brutal. There is a sturdy stream of consciousness backed up by an extraordinary set of dialogue exchanges and…
Malcolm Lowry, who would permanently stake his claim to literary immortality with the masterpiece Under the Volcano, wrote Ultramarine, his debut, as an undergraduate at Cambridge. Displaying the linguistic virtuosity and haunting imagery that became signatures of Lowry's mature style, Ultramarine, a novel he continually rewrote and revised from publication until his death, is one of his central works, and this new edition offers the opportunity for a fuller assessment of his place in the modern canon.Ultramarine is the story of Dana Hilliot's first voyage, as mess-boy on the freighter Oedipus Tyrannus bound for Bombay and Singapore: of his struggle…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Washington Irving once famously described a long sea voyage as a “blank page in existence.” Stephen Berry’s analysis of James Oglethorpe’s Georgia Expedition, which sailed from England to colonial Georgia in 1735, shows that the opposite was true. Rather than merely serve as the stage on which the human drama of migration played out, the sea voyage was a dynamic actor in the experience itself. Far from land, migrants had time and space to reconsider their views on society, religion, and identity in ways that shaped their new lives in America.
A vivid and revealing portrait of shipboard life as experienced by eighteenth-century migrants from Europe to the New World
In October 1735, James Oglethorpe's Georgia Expedition set sail from London, bound for Georgia. Two hundred and twenty-seven passengers boarded two merchant ships accompanied by a British naval vessel and began a transformative voyage across the Atlantic that would last nearly five months. Chronicling their passage in journals, letters, and other accounts, the migrants described the challenges of physical confinement, the experiences of living closely with people from different regions, religions, and classes, and the multi-faceted character of the ocean itself.…
Since the publication of my first book in 1988, my emphasis has always been on history as “story.” That is, the stories of men and women in past centuries with whom we share a common humanity but who faced challenges very different from our own. My goal is to bring their stories to as wide an audience as possible. Whether they describe Newfoundland fisherman in the 17th-century North Atlantic, expatriate Irish men and women in 18th-century Bordeaux, or colonial New Yorkers defying British authority on the eve of the American Revolution, the common theme is the impact of trade and the sea on the lives of ordinary people.
Sailors — among my favorite books — is a vivid account of the lives of English merchant seamen in the 17th and 18th centuries. These were the years when England rose to dominance in global commerce and became the greatest naval power in the world. Acclaimed historian Peter Earle explores every aspect of the sailor's life: conditions of service, wealth and possessions, life aboard ship, the perils of the sea, discipline and punishment, sickness, desertion, mutiny and mortality, and the role of the sailor in times of war. Evocative, scholarly, and colorful, this story of England's "bravest and boldest" reveals how life on the waves was not all storms and conflict, tyranny and revolt, but also one of comradeship, adventure, and love of the sea.
A social and economic history of the lives of English merchant sailors in the 17th and 18th centuries, when England dominated the world in commerce and power. Drawn from primary documents and diaries, all aspects are examined, including conditions of service, discipline, mortality and war.
I have been fascinated with travel and adventure stories since I read The Magic Faraway Tree by Enid Blyton. I finished a whole Walter Scott book; with a dictionary balanced on one knee because Jeanie Deans decides to walk from Edinburgh to London. Romance? Bah! Humbug! I’d rather journey into The Heart of Darkness, follow the hobbits to Mount Doom, or ride a sandworm with Paul Atreides. Show me a lone traveler thrown into the middle of an unfamiliar, confusing culture and you have my full attention. Naturally, when I started typing out my first manuscript, it just had to be a fantasy adventure about an Iban headhunter.
This is one of those books that I had to put down a couple of times previously because the protagonist’s flaw hit too close to home. Jim is so ashamed of his past cowardice that each time his identity is found out, he will travel farther away from the spreading Western colonies. A Western marauder eventually invades the Malay and Bugis community where he lives, and Jim has to bear the consequence of speaking up for the man in good faith. After so many years, this book is still one of my top favorites because Jim finally stops running and faces his fear. He ultimately becomes the hero that he has always wanted to be.
'To the white men in the waterside business and to the captain of ships he was just Jim - nothing more. He had, of course, another name, but he was anxious that it should not be pronounced.'
Lord Jim tells the story of a young, idealistic Englishman - 'as unflinching as a hero in a book' - who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an Eastern port. His life is blighted: an isolated scandal assumes horrifying proportions. An older man, Marlow, befriends Jim, and helps to…
As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Captain Liz Clark is who I would have wanted to be when I grew up, had I found her story in my teens.
There were almost no strong female role models that I could point to as a girl who inspired me, and illuminated a path of an adventurous woman. Captain Liz Clark built her own sailboat and decided to take on the entire Pacific Ocean on her adventures to find love, connection, and a relationship to nature and her own pure heart.
I clutched this book to my heart and took it with me everywhere for a month. Then I wrote Captain Liz to option it, so we can make a TV show about her life, because we need her story on screen!
Chasing a dream is never easy, but if you go far enough, it will set you free.
Captain Liz Clark spent her youth dreaming of traveling the world by sailboat and surfing remote waves. When she was 22, she met a mentor who helped turn her desire into reality. Embarking on an adventure that most only fantasize about, she set sail from Santa Barbara, California, as captain of her 40-foot sailboat, Swell, headed south in search of surf, self, and the wonder and learning that lies beyond the unbroken horizon.
In true stories overflowing with wild waves and constant challenges,…
As a child of immigrants I lived in three countries and went to five schools by grade eight, and I loved it! It started a passion in me for people and cultures. I’ve now lived in six countries, I speak five languages and visited countless places as a tourist. Learning about people and cultures is in my blood. Seeing the world, expanded my imagination and love for fantastical worlds. But, because I’ve met with many cultures and individuals, reading books with shallow characters and badly developed cultures is painful for me. I can tell when an author truly understands their characters and the worlds they create and I value that.
I’m a sucker for teen romance, but, I don’t like it when that’s all the story is about. Fable and Namesake had that awesome teen love but it was perfectly intertwined into the larger plot of the story. On that note, the plot was great! It was rich and extensive, not just a cover for the romance. Additionally, the book delved into parent-teen relationships on a realistic and detailed level, which I find to be a rarity in YA fantasy novels.
With the Marigold ship free of her father, Fable and its crew were set to start over. That freedom is short-lived when she becomes a pawn in a notorious thug's scheme. In order to get to her intended destination she must help him to secure a partnership with Holland, a powerful gem trader who is more than she seems.
As Fable descends deeper into a world of betrayal and deception, she learns that the secrets her mother took to her grave are now putting the people Fable cares about in danger. If Fable is going to save…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I love a good adventure tale, and this one is set on the high seas and spans countries and cultures. I’ll never forget the character of Kalua, an untouchable man of enormous size and strength who saves a woman from horrible abuse at the hands of her own family. It’s just one example of a rich cast of characters who held my rapt attention.
At the heart of this epic saga, set just before the Opium Wars, is an old slaving-ship, The Ibis. Its destiny is a tumultuous voyage across the Indian Ocean, its crew a motley array of sailors and stowaways, coolies and convicts. In a time of colonial upheaval, fate has thrown together a truly diverse cast of Indians and Westerners, from a bankrupt Raja to a widowed villager, from an evangelical English opium trader to a mulatto American freedman. As their old family ties are washed away they, like their historical counterparts, come to view themselves as jahaj-bhais or ship-brothers. An…
