I’m a former journalist. I’m nosey. I like to know what’s going on around me. I like to know how the place I live in has evolved. I was born in the UK, but was taken to southern Africa as a child, so grew up with English parents in a colony of the former British empire. I moved to another former colony - Australia. I worked and lived in London for several years. In all of these places I have been fascinated by the history that shaped them. The books I have recommended and the research I did on my own have all helped me understand my place in the universe.
As an unwitting child of the British Empire, I have, as the modern phrase goes, some lived experience of it.
Much that is written about it has its basis in ideology: empire was glorious; or colonialism is the devil’s work. This book uses ten cities of Empire to search out its on-the-ground history. It is marvelously absorbing and free of cliche, jingoism, or bias. It is fluently written and led me to see these iconic cities in a new light.
From Tristram Hunt, award-winning author of The Frock-Coated Communist and leading UK politician, Ten Cities that Made an Empire presents a new approach to Britain's imperial past through the cities that epitomised it
Since the return of Hong Kong to China in 1997 and the end days of Empire, Britain's colonial past has been the subject of passionate debate. Tristram Hunt goes beyond the now familiar arguments about Empire being good or bad and adopts a fresh approach to Britain's empire and its legacy. Through an exceptional array of first-hand accounts and personal reflections, he portrays the great colonial and…
I studied the history of sub-Saharan Africa at the University of Cambridge. Study revealed to me how complicated was the region and how contested the history of a place and people could be. I'm a white man with a love for southern African history. There are white Africans. The history of the continent is their history too. But the preponderance of records were created by white writers, until relatively recently, and this always threatened to obscure the Black experience, Black actions, Black history. In Shaka Zulu, I found a character who wasn't reacting, on the whole, to external actions, but forging a Black empire, a Zulu empire, as the result of internal forces and experiences.
This was the first book I read on Shaka Zulu.The cover of the paperback version was enough to entice a curious twelve-year-old! More than that, it was my father’s book and had clearly meant something to him. But most of all, it tells the incredible story of an outcast who built an empire only to be assassinated by his own brother! Ritter recounts the myths and facts that surround Shaka, never shying away from the limitations of his evidence but painting a compelling biography.
I recommend this book as a happy medium between two extremes. It is unlike those works vilifying Shaka as a monstrous tyrant directly and indirectly responsible for a trail of death across almost a third of Africa. But it is equally different from those that sanctify Shaka as the leonine warrior-king who forged a nation that wields power to this day. There will always be…
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
We’ve all seen them, those big British spectaculars – at royal coronations, funerals, and weddings. What I admire most about Cannadine’s book is the way he doesn’t just remind us that the Victorians invented all this but why it was so important to them too.
The Victorians were in love with spectacle – and making spectacles of themselves (think about those big Victorian dresses!) Cannadine is great at putting spectacle at the centre of their political world, too. Showing off was a way of showing power.
With the return of Hong Kong to the Chinese government in 1997, the empire that had lasted three hundred years and "upon which the sun never set" finally lost its hold on the world and slipped into history. But the question of how we understand the British Empire--its origins, nature, purpose, and effect on the world it ruled--is far from settled. In this incisive work, David Cannadine looks at the British Empire from a new perspective--through the eyes of those who created and ruled it--and offers fresh insight into the driving forces behind the Empire. Arguing against the views of…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
The Broken Years is a wonderful book about what Australian soldiers thought and felt during the war.
It originated in Bill Gammage’s PhD thesis, which was the first systematic study of the soldiers’ letters and diaries collected by the Australian War Memorial. The result is an illuminating and moving masterpiece, which proved transformational.
When he began his thesis he was in unfamiliar territory, as the concentrated use of these sources was unprecedented — in fact, military history itself was not popular. But he persevered, gradually sensing he was on to something, and indeed he was.
The Broken Years became an enduring classic. It was personally very influential for me during the 1970s when I was a dissatisfied, recently graduated lawyer considering a change to something more aligned with my interest in history. I took the plunge, left the law, and I’ve been a historian and biographer ever since.
WHEN THE GREAT WAR STARTED, MOST AUSTRALIANS BELIEVED IN THE NOTIONS OF PATRIOTISM, COURAGE AND UNSWERVING LOYALTY TO THE BRITISH EMPIRE. BUT AS THE WAR DRAGGED ON, AS THE HORRORS INTENSIFIED AND THE CASUALTY LISTS GREW, PATRIOTISM GAVE WAY TO CYNICISM AND COURAGE TO DESPAIR. USING THE DIARIES AND LETTERS OF ABOUT ONE THOUSAND FRONT LINE SOLDIERS IN THE FIRST AIF, BILL GAMMAGE SHOWS HOW AND WHY THESE CHANGES TOOK PLACE. THE BROKEN YEARS IS A VIVID, OFTER HORRIFYING AND MOVING PORTRAYAL OF SOLDIERS AT WAR - MEN LOCKED IN A TRAGEDY THAT ENGULFED AN AGE.
I was in my 40s before I began exploring the topic of the British Empire. It came after I realised it explained so much about me (my Sikh identity, the emigration of my parents, my education) and so much about my country (its politics, psychology, wealth…) and yet I knew very little. It turned out that millions of people feel the same way… and I hope I provide an accessible introduction and summary of the massive topic.
By her own admission, Morris was nostalgic about British Empire, and while I disagree with some of her conclusions, and she herself remarked that she was “ashamed” of the work before she died, there is no doubt that she penned the single best narrative of Britain’s imperial adventures.
No other writer has written so accessibly and elegantly about a complicated history that extended across five centuries.
For me, proof that you don’t always need to agree with a writer to admire them.
I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outsideof society.
Along with Le Carre Adam Hall was my magical touchstone to understanding what being an exceptional thriller writer meant.
This book, the second in a long distinguished series, continued the crises dealt with by the British spy named Quiller. Hall had an idiosyncratic way of writing that taught me that style was as important as plot in a thriller – perhaps even more. For me, style is what grabs my attention as a reader.
Today, style is what draws me along, both as a reader and as a writer of thrillers. Style is the thread on which is built both plot and characters. It is also imperative when setting scenes in faraway places.
Quiller, known only by his codename, is the British government's #1 intelligence agent. Darkly exotic Bangkok is center stage for a master assassin's plan. The target: a visitor so important he is only called "The Person". As the clock ticks away in the final hours, Quiller becomes the bait to stop the killer.
I’ve been fascinated by British colonial history for decades. Learning little about it as a child, I was shocked to learn, as a university student, how little I’d been taught about the British Empire at school. So, I set out to study it. Inevitably, this academic interest later combined with my fondness for country walking. I once trekked 1000 miles from the tip of Scotland–John O’Groats–to the southernmost part of England, called Land’s End. This took me 2 months. I’ve since explored the UK countryside’s colonial past in a humane history book called The Countryside, recounting my rambles through these lovely landscapes with ten walking companions.
This book is a great guide to life in hard times. What struck me about it is that there is all sorts of wisdom in here that is less familiar to us than the most famous of Dr. King’s speeches. Here, you can see the old seeds of modern-day culture wars and some excellent and brave recommendations on how to deal with them.
The book could have been written yesterday, always a great test of enduring insight.
The classic collection of sixteen sermons preached and compiled by Dr. King
As Dr. King prepared for the Birmingham campaign in early 1963, he drafted the final sermons for Strength to Love, a volume of his best-known homilies. King had begun working on the sermons during a fortnight in jail in July 1962. Having been arrested for holding a prayer vigil outside Albany City Hall, King and Ralph Abernathy shared a jail cell for fifteen days that was, according to King, ‘‘dirty, filthy, and ill-equipped’’ and “the worse I have ever seen.” While behind bars, he spent uninterrupted time preparing…
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
I used Parker’s journal extensively in my research for Bottle and Glass. It is the account of a British officer arriving in the Canadian wilderness for the first time. Parker’s style is very much modern and journalistic, giving an immediacy to the wonder and apprehension he has for his new surroundings. The reader is right there with him marveling over the rudeness of frontier life. A representative quote: “Kingston is one of the dirtiest, or rather muddiest places I have ever been in, even in my extensive peregrinations; it is the worst lighted, and most miserably paved place I have ever been in… the number of masterless dogs prowling about the streets at all times is abominable, the quantity of pigs laying in every corner is disgusting in the extreme, and the number of cattle roaming about the streets with their inexpressive countenances is really, really past bearing!”
I started the Edge of Empire series which includes Beside Turning Water when I was a Park Guide at Boston’s National Historical Park. As a guide I gave tours on the Freedom Trail which preserves the buildings and stories from the era of the American Revolution. I wanted to create a book like the ones I love full of romance a bit of sex, and with historical accuracy. Books that would help readers fall in love with the characters and understand the history of the events in the Revolution without that dry history-class feeling.
I studied with Jane Kamensky while I was working on a MA in American History. Little did I know that she had a wicked historical character hidden inside. Learning that inspired me to write good history inside a realistic and sexy historical plot. This is a story of hidden identity and unexpected love.
The characters are a portrait artist and his apprentice. The apprentice appears to be a young man, as only young men would take such a position in 18th-century Boston, and the artist is surprised at his yearning for him.
BONUS: This edition contains a Blindspot discussion guide.
Stewart Jameson, a Scottish portrait painter fleeing his debtors in Edinburgh, has washed up on the British Empire's far shores—in the city of Boston, lately seized with the spirit of liberty. Eager to begin anew, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a fallen woman from Boston's most prominent family who has disguised herself as a boy to become Jameson's defiant and seductive apprentice.
Written with wit and exuberance by accomplished historians, Blindspot is an affectionate send-up of the best…
I’m a historian of empire, with a particular interest in the British Empire, colonial violence, and the ways in which imperialism is shown and talked about in popular culture. I studied at Oxford University, and having lived in and travelled around much of the Middle East, South Asia and Africa, I am always trying to understand a bit more if I can… but reading is best for that… My first book was The Khyber Pass.
A landmark work by virtue of being the first book by a black woman to be published in Britain, this is a powerfully harrowing account of Mary’s own life as a slave in the Caribbean. Though only short, it supplies valuable testimony on the gruesome British exploitation of enslaved people over the centuries, and the many cruelties inflicted upon Mary personally by her brutal ‘owners’. Should be required reading for all those who think of the British Empire with nostalgia.
Mary Prince was born into slavery in Devonshire Parish, Bermuda. While she was later living in London, her autobiography, The History of Mary Prince, was the first account of the life of a black woman to be published in the United Kingdom. This edition of "The History of Mary Prince" is Volume 4 of the Black History Series. It is printed on high quality paper with a durable cover.
