Here are 87 books that A Gift of Love fans have personally recommended if you like
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I’ve been fascinated by British colonial history for decades. Learning little about it as a child, I was shocked to learn, as a university student, how little I’d been taught about the British Empire at school. So, I set out to study it. Inevitably, this academic interest later combined with my fondness for country walking. I once trekked 1000 miles from the tip of Scotland–John O’Groats–to the southernmost part of England, called Land’s End. This took me 2 months. I’ve since explored the UK countryside’s colonial past in a humane history book called The Countryside, recounting my rambles through these lovely landscapes with ten walking companions.
I love this book because it describes Sanghera’s personal journey into the history of the British empire, something he barely learned about in his school lessons in the UK.
The book is great because it doesn’t assume prior knowledge about the topic, so it goes over some basics that are easy to miss. In places, it’s funny; in places, it's sad, but the best thing about Empire is its feel for narrating a good story and being transparent about some of the personal feelings that this history brought up for the author
WINNER OF THE 2022 BRITISH BOOK AWARD FOR NARRATIVE NONFICTION
***THE BOOK THAT INSPIRED THE CHANNEL 4 DOCUMENTARY 'EMPIRE STATE OF MIND'*** THE SUNDAY TIMES BESTSELLER
'The real remedy is education of the kind that Sanghera has embraced - accepting, not ignoring, the past' Gerard deGroot, The Times _____________________________________________________
EMPIRE explains why there are millions of Britons living worldwide. EMPIRE explains Brexit and the feeling that we are exceptional. EMPIRE explains our distrust of cleverness. EMPIRE explains Britain's particular brand of racism.
Strangely hidden from view, the British Empire remains a subject of both shame and glorification. In his bestselling…
I’ve been fascinated by British colonial history for decades. Learning little about it as a child, I was shocked to learn, as a university student, how little I’d been taught about the British Empire at school. So, I set out to study it. Inevitably, this academic interest later combined with my fondness for country walking. I once trekked 1000 miles from the tip of Scotland–John O’Groats–to the southernmost part of England, called Land’s End. This took me 2 months. I’ve since explored the UK countryside’s colonial past in a humane history book called The Countryside, recounting my rambles through these lovely landscapes with ten walking companions.
This is a well-written book with a strong sense of history’s human stories. It is painstakingly researched—but beautifully narrated—and based on archival evidence to explore the lives of Africans in Britain during the Tudor period.
It tells so many diverse stories about Black divers, servants, circumnavigators, and so much more. Teachers have since used this book to update their school lessons about the Tudor period.
A Book of the Year for the Evening Standard and the Observer
A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England...
They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any…
I’ve been fascinated by British colonial history for decades. Learning little about it as a child, I was shocked to learn, as a university student, how little I’d been taught about the British Empire at school. So, I set out to study it. Inevitably, this academic interest later combined with my fondness for country walking. I once trekked 1000 miles from the tip of Scotland–John O’Groats–to the southernmost part of England, called Land’s End. This took me 2 months. I’ve since explored the UK countryside’s colonial past in a humane history book called The Countryside, recounting my rambles through these lovely landscapes with ten walking companions.
David Olusoga is a leading British historian. Though he modestly says all he’s done is to examine “domestic” British—its established but insular island story—through the lens of empire, the result has been revelatory for the British. He’s more responsible than anyone else for resourcing an informed public conversation about empire, particularly Britain’s centuries-long involvement in transatlantic slavery.
This was the first book I read that really looked at British history from the outside, from places like Bunce island on the African West Coast, from which the British transported enslaved Africans, and the broad and unfamiliar range of colonial activities that this book accessibly captures, telling accurate, evidence-based stories with respect and compassion.
'[A] comprehensive and important history of black Britain . . . Written with a wonderful clarity of style and with great force and passion.' - Kwasi Kwarteng, Sunday Times
In this vital re-examination of a shared history, historian and broadcaster David Olusoga tells the rich and revealing story of the long relationship between the British Isles and the people of Africa and the Caribbean.
This edition, fully revised and updated, features a new chapter encompassing the Windrush scandal and the Black Lives Matter protests of 2020, events which put black British history at the centre of urgent national debate. Black…
I’ve been fascinated by British colonial history for decades. Learning little about it as a child, I was shocked to learn, as a university student, how little I’d been taught about the British Empire at school. So, I set out to study it. Inevitably, this academic interest later combined with my fondness for country walking. I once trekked 1000 miles from the tip of Scotland–John O’Groats–to the southernmost part of England, called Land’s End. This took me 2 months. I’ve since explored the UK countryside’s colonial past in a humane history book called The Countryside, recounting my rambles through these lovely landscapes with ten walking companions.
This was a pioneering book, gathering essays about British country houses and their connections to transatlantic slavery. The introduction–explaining the book’s concept and evidence base—neatly epitomizes what country houses symbolize in people’s imaginations and focuses on why and in what ways these places are connected to the empire.
The essays that follow are accessible but really detailed, and the essay collection really ends up defining the historical field.
There are few things more emblematic of England's heritage than the great country houses which grace our landscape. But such properties are not to be viewed simply as objects of architectural and curatorial or artistic interest. They are also expressions of wealth, power and privilege and, as new questions are being asked of England's historic role in the Atlantic world, and in particular about slavery, new connections are being unearthed between the nation's great houses and its colonial past.
In 2007 English Heritage commissioned initial research into links with transatlantic slavery or its abolition amongst families who owned properties now…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
This is an exciting and important poetry anthology.
Spanning the history of black poetry in America, the editor Camille T. Dungy has collected one hundred and eighty poems by ninety-three poets. Her introduction radically enlarges the realm of eco-poetry as she considers the exclusion of African-American poets from the nature poetry genre while also exploring the complexity of their relationship with the land that witnessed or abetted centuries of racist subjugation.
Thought-provoking essays by Alice Walker, Marilyn Nelson, and others, introduce each of the ten sections in which I found a treasure trove of poets I’ve long admired, such as Rita Dove and Ross Gay, and poets I’ve never come across before, such as Kamilah Aisha Moon.
This book presents the natural world seen through the eyes of black poets. ""Black Nature"" is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry - anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the…
Like most writers, I’ve been a voracious reader since I was a child; but my preferences were witches and haunted houses, rather than princesses and talking frogs. As I developed my own writing, I wanted to tell stories that were reflective of my world but with a dark twist. My first completed story was "Patchwork", about a woman emptying the marital home after the breakdown of her marriage. I went on to participate in several popular horror anthologies. I really enjoy the challenge of writing a great short story because you have to get the reader in a chokehold early and then deliver that gut punch sooner than later.
This was an obvious pick. As a Black girl who grew up loving zombies but could never find girls who looked like me slaying and slashing through hordes of monsters – this book cover had me at ‘hello’. Inside is all of the magic you could ever dream in color. And the title is explained in the introduction: Sycorax was the deceased African sorceress referenced in Shakespeare’s The Tempest. Demons, vamps, witches (oh my!), and more compiled into more than 500 pages of both stories and poetry. I was floored to discover so many more Black women writers of dark and speculative fiction! I can’t pick a favorite but ‘Kim’ by Nicole Sconiers always comes to mind first when I talk about this collection.
A 2018 Bram Stoker Award Finalist! Thought-provoking, powerful, and revealing, this anthology is composed of 28 dark stories and 14 poems written by African-American women writers. The tales of what scares, threatens, and shocks them will enlighten and entertain readers. The works delve into demons and shape-shifters from "How to Speak to the Bogeyman" and "Tree of the Forest Seven Bells Turns the World Round Midnight" to far future offerings such as "The Malady of Need". These pieces cover vampires, ghosts, and mermaids, as well as the unexpected price paid by women struggling for freedom and validation in the past.…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
This book mixes personal poetry and history and art and space. It is a wonder! Smith looks at the Hubble Telescope and all of its marvels along with one of its engineers, her father Floyd Smith.
Smith mixes stars, David Bowie, mass shootings, love, racism, sexism all in this poetry collection and somehow, it works. It more than works. It explodes!
I don’t know if this work has much to do with my own; there is history, yes, and there is social commentary. But mostly, there is excellent poetry that is exemplary for any poet writing today.
In this brilliant collection of new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant and revisits kitschy concepts like 'love' and 'illness', now relegated to the museum of obsolescence. With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe, accompanying the discoveries, failures and oddities of human existence and establishing Smith as one of the best poets of her generation.
As an author, editor, and woman of color, I celebrate stories that reflect a diversity of voices. Good storytelling allows us to catch a glimpse into lives that may be similar or different from ours, that champion what makes us unique while reminding us that we are not alone.
In this anthology, twenty-one Black women writers, including Jesmyn Ward, Gabourey Sidibe, Lynn Nottage, and Tayari Jones, write about the first time they saw themselves reflected in literature. This moving collection of essays is at once a love letter to books and an exploration of the intersection of race, gender, and the written word.
'Required reading.' - Cosmopolitan 'This should be read as a sacred text. Here, you will bear witness to a perpetual salvation song.' - Jason Reynolds
Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives - but not everyone regularly sees themselves reflected on the pages of a book.
In this timely anthology, Glory Edim, founder of the online community, Well-Read Black Girl, brings together original essays by some of America's best black women writers to shine a light on how…
I am the author of ten collections of microfiction and poetry. I came to microfiction after having written several novels and short story collections. I just felt that I was saying more than I wanted to say. Microfiction has allowed me to completely distill my stories to the essence of what makes them tick. Of the 26 books I have written, the microfiction collections are my favorites because every word and idea is carefully measured. I am presently working on my next collection of microfiction and have no immediate plans to return to writing at longer lengths. Oddly, writing small has freed me up so I can experiment with various genres, structures, and ideas. I honestly feel microfiction has made me a much better writer.
John Edgar Wideman is the first African-American writer I can clearly point to who took microfiction seriously enough to write an entire collection. His stories are filtered through the lens of Blackness, but that is not the major reason why I like this book. Wideman does things with language that force me to completely step back and rethink things. I find myself reading his words aloud, simply because they feel as though they transcend the page. If it were not for Wideman, I would not feel as comfortable revealing the authenticity of my experience in my work.
BRIEFS is a groundbreaking new collection of "microstories" from celebrated author John Edgar Wideman, previous winner of both the Rea and O. Henry awards saluting mastery of the short story form. Here he has assembled a masterful collage that explodes our assumptions about the genre. Wideman unveils an utterly original voice and structure-hip-hop zen-where each story is a single breath, to be caught, held, shared and savored. A relief worker's Sudan bulletin, a jogger's bullet-dodging daydreams, your neighbor's fears and fantasies, an absent mother's regrets-Wideman's storytellers are eavesdroppers and peeping Toms, diarists and haiku historians. The characters and compass points…
I’ve been pondering philosophical questions and trying to understand my queer sexuality since childhood. While checking out The Portable Nietzsche in my high school library, the librarian warned me the philosopher was “a bad man.” Then I had to read the book, which not only taught me to become critical of all forms of authority, but also, perhaps paradoxically, empowered me to embrace my queerness. As a college and graduate student, I studied many of the American academic movements based in Continental philosophy grouped under the rubric, “theory.” When queer theory emerged in the early 1990s’, I found a place for myself. I'm convinced that we should never stop putting our identities under critique.
Aberrations in Black is not the only important early queer of color intervention in queer theory, but I find it the most rewarding.
Showing how signal works in the African-American literary tradition pose important challenges to social norms and to the sociological discourse of their times, Ferguson advances an intersectional critique that forefronts race and also attends to gender, sexuality, and class.
The book’s brilliant close readings, such as the reading Toni Morrison’s Sula in the context of The Moynihan Report particularly stand out. The book is a corrective to the apparent colorblindness of much of early queer theory.
A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture
The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture-sexual difference-can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology-Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson-has measured African Americans's unsuitability for a liberal capitalist…
