Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
A Beauty and the Beast retelling, set amid the upheaval of the Second World War, in which the Beast is a dragon and the protagonist is a person who doesn’t see why his daughter should take the rap for her father’s misdemeanour. Humane and compassionate, this story isn’t afraid of exploring the theology of sexuality, but it never gets bogged down in details, and it maintains its fairy-tale atmosphere while remaining grounded in time and place. I loved it.
An m/m World War II-era retelling of Beauty and the Beast.During a chance summer shower, an English country parson takes refuge in a country house. The house seems deserted, yet the table is laid with a sumptuous banquet such as the parson has not seen since before war rationing. Unnerved by the uncanny house, he flees, but stops to pluck a single perfect rose from the garden for his daughter - only for the master of the house to appear, breathing fire with rage. Literally. At first, the parson can't stand this dragon-man. But slowly, he begins to feel the…
As a writer, I'm fascinated by the experiences that affect people's identity. I want my characters to have this multiplicity and depth too, and since I was born and grew up in Lebanon, an obvious place for me to start was by looking at the impact that war had on people's everyday lives. The characters I write about simply want to get on with the business of living, but can't do this without taking into account the bigger events that are happening around them.
Mothering Sunday takes place on a single day in March 1924, a day off for all the servants, including Jane Fairchild, although as a foundling she has no mother to go home to. The novella revolves around the affair Jane has with soon-to-be-married Paul Sheringham, the only remaining son of the neighbouring family, and heir to their estate. The writing is imbued with a sense of loss, of time warping and wavering, of what-would-have-beens, and conveys the difficulties faced by those who had to carry on in the wake of the Great War.
Now a major film starring Olivia Colman, Colin Firth, Odessa Young and Josh O'Connor (The Crown), scripted by Alice Birch (Normal People)
'Exquisite . . . Mothering Sunday shows love, lust and ordinary decency straining against the bars of an unjust English caste system' Kazuo Ishiguro It is March 30th 1924. It is Mothering Sunday.
How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold?
Beginning with an intimate assignation and opening to embrace decades, Mothering Sunday…
I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison.
Although I love a good murder story, I also enjoy fiction about other sorts of crime.
In this book, Manchester-based private investigator Kate Brannigan has two cases to solve: a series of art thefts and a case of industrial sabotage that leads to two murders that seem at first glance to be unconnected. Kate is determined to solve the case, even if it involves using unorthodox methods to do so.
I love her range of skills, from Thai boxing to going undercover to staking out a suspect. I find Kate a very likable character: funny, sarcastic, conflicted about her love life, and with a backing group of friends she genuinely cares for.
The fourth riveting thriller in the Kate Brannigan series, from No.1 Sunday Times bestseller Val McDermid.
'The Queen of Crime is still at the top of her game' Independent
When a Monet is stolen from a stately home, Manchester-based private eye Kate Brannigan goes head to head with organized crime as she hunts the thieves through Europe.
Meanwhile, someone is leaving a trail of bodies across the Northwest. As Kate confronts some harsh truths in her own life, the case stretches her love and loyalty to its limits.
Historical romance author Emmanuelle lives on the bonny banks of Loch Fyne with her husband and beloved haggis pudding Archie McFloof—connoisseur of bacon treats and squeaky toys. She’ll never tire of dreaming up handsome and mysterious strangers she’d love to be snowed in with.
When our heroine discovers her fiancé cheating on her at a Yuletide country house party, she flees in distress, saddling up to return to London on horseback. Cue the intervention of a devilishly handsome rakehell offering his carriage. With all good sense thrown to the wind, lovely Lily is soon climbing aboard—in more ways than one.
When the pair encounter [gasp] a snowstorm and must take refuge on his estate, the passion-o-meter reaches new heights. This book comes with a fabulous (and well-earned) “sizzle alert”. Hoorah!
Attempting to mend a broken heart by indulging in an affair with a rakehell would not be the wisest course of action for a young lady of the ton. But when Miss Lily Godwin has a chance encounter with the mischievous Lord Nash at a Yuletide house party, she is sorely tempted to throw all dictates of decorum out the window. After all, it’s Christmas.
Author’s Note to Readers: An Improper Christmas is Book 3 in the loosely linked, Improper Liaisons Novella series. It can also be read as a stand-alone. Also please note, this is a NEW COVER edition.…
I
grew up reading classic mysteries—Arthur Conan Doyle, Agatha Christie, Dorothy
Sayers, and way more—so I love a good amateur detective thrown into the midst
of a case, working it in their own inimitable style.
Antony Johnston's Dogsitter
Detective (soon to be followed by a second volume) absolutely nails this
conceit while updating it to the modern era. Aging actress Gwinny Tuffel not
only finds herself embroiled in a murder at her friend's country house wedding but has to solve it with a pair of dogs in tow!
It's charming, it's fun, and don't
worry: nothing bad happens to the dogs.
Meet Gwinny, an unlikely bloodhound, and her four-legged friends determined to dig up the truth.
Penniless Gwinny Tuffel is delighted to attend her good friend Tina's upmarket wedding. But when the big day ends with a dead body and not a happily-ever-after, Gwinny is left with a situation as crooked as a dog's hind leg.
When her friend is accused of murder, Gwinny takes it upon herself to sniff out the true culprit. With a collection of larger-than-life suspects and two pedigree Salukis in tow, she is set to have a ruff time of it.
I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
Although this is the story of a house from the early 17th century to the 1960s, it offers a fascinating insight into the lives of the four families who lived there in turn as they won and lost fortunes, married well and badly, and survived the events of history.
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book combines superb photographs with scholarly text by two of the most eminent writers on the country house today, with additional essays by other authors who are respected experts in their fields. I like nothing more than to just open it up and flick through the pages, dipping into the text and enjoying the images. The book is a beautiful object in itself.
From The Crown to Downton Abbey, the country house speaks to our fantasies of rustic splendour, style, and escape. Featuring three hundred photos from the National Trust, this lavish book draws back the curtain on the finest and most important historic homes in England, Wales, Scotland, and Ireland, revealing these great houses' intriguing pasts, grand interiors, and vi-brant reinventions for the enjoyment of modern-day visitors, residents, and armchair travellers. Locations include Knole, Cragside, Castle Howard, Chatsworth, Polesden Lacey, Petworth, Castle Bodiam, Blenheim, Longleat, and dozens more. Illuminating essays by country house expert Jeremy Musson, legendary British author and historian David…
I’m
a big Jane Austin fan, so I loved how the writer took all of the characters
from the different books, put them together in a house party, and then killed
one off.
The two sleuths were terrific, and I loved their diversity that she
created. Diversity is important to me as a Jewish author of Jewish romances, so
that aspect really appealed to me.
The mystery was well done, and I hope she
has a sequel coming because I couldn’t put it down and can’t wait to read more
from her.
A summer house party turns into a thrilling whodunit when Jane Austen's Mr. Wickham—one of literature’s most notorious villains—meets a sudden and suspicious end in this brilliantly imagined mystery featuring Austen’s leading literary characters.
“Had Jane Austen sat down to write a country house murder mystery, this is exactly the book she would have written.” —Alexander McCall Smith
The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This phantasmagorical oral history unfolds during one of my favorite time periods, the psychedelic late 60s/early 70s. It also fuses two of my favorite sub-genres, folk horror and haunted houses.
I could easily visualize the setting and the different characters as I read their statements and tried to piece together the reality of what happened during the band’s infamous time at Wylding Hall.
After the tragic and mysterious death of one of their founding members, the young musicians in a British acid-folk band hole up at Wylding Hall, an ancient country house with its own dark secrets. There they record the classic album that will make their reputation but at a terrifying cost, when Julian Blake, their lead singer, disappears within the mansion and is never seen again. Now, years later, each of the surviving musicians, their friends and lovers (including a psychic, a photographer, and the band s manager) meets with a young documentary filmmaker to tell his or her own version…
