Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
A Beauty and the Beast retelling, set amid the upheaval of the Second World War, in which the Beast is a dragon and the protagonist is a person who doesn’t see why his daughter should take the rap for her father’s misdemeanour. Humane and compassionate, this story isn’t afraid of exploring the theology of sexuality, but it never gets bogged down in details, and it maintains its fairy-tale atmosphere while remaining grounded in time and place. I loved it.
An m/m World War II-era retelling of Beauty and the Beast.During a chance summer shower, an English country parson takes refuge in a country house. The house seems deserted, yet the table is laid with a sumptuous banquet such as the parson has not seen since before war rationing. Unnerved by the uncanny house, he flees, but stops to pluck a single perfect rose from the garden for his daughter - only for the master of the house to appear, breathing fire with rage. Literally. At first, the parson can't stand this dragon-man. But slowly, he begins to feel the…
I love mysteries, but I find that after a while, a lot of them tend to run together in my head. So I just love it when I find a book with a setting so unique that it sticks in my mind forever. And it’s even better when the author uses that setting to show me something new about human nature, history, or society while still delivering me a plot that keeps me turning pages.
This was a book that my dad turned me on to. I loved it so much that I immediately raced through the rest of the books in the series. For the past few years, my dad and I have had a ritual of waiting for the next book in the series to come out so that we can talk about it.
The main character is the likable son of a Boston cop who learns how to be a detective over the course of the series. But for me, what really makes this series shine is the setting. Billy is swept up in WW 2 and dispatched to solve mysteries in every corner of the conflict. The series takes you to all sorts of interesting places, like a training facility in Northern Ireland, occupied France behind the German lines, neutral Switzerland, and even the Vatican City.
“This book has got it all—an instant classic.”—Lee Child, author of The Hard Way
“It is a pleasure marching off to war with the spirited Billy Boyle. He is a charmer, richly imagined and vividly rendered, and he tells a finely suspenseful yarn.”—Dan Fesperman, author of The Prisoner of Guantanamo
What’s a twenty-two-year-old Irish American cop who’s never been out of Massa-chusetts before doing at Beardsley Hall, an English country house, having lunch with King Haakon of Norway? Billy Boyle himself wonders. Back home in Southie, he’d barely made detective when war was declared. Unwilling to fight—and perhaps die—for England,…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Kate Morton is the penultimate professional at combining sweeping historical fiction and a mystery element. Any of her books are a delight, but I chose to showcase The House at Riverton because of its English aristocratic setting and the heavy mystery element. I adore Morton’s almost magical ability to successfully weave two or even three plotlines, all in different eras, into one tight story.
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again.Winter 1999: Grace Bradley, 98, one-time house-maid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.Set as the war-shattered Edwardian…
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
One of my favorite plays. Set in an English country house across two centuries, it tells the story of Thomasina Coverly, a precocious schoolgirl in 1809 who falls in love with her eccentric tutor, Septimus Hodge.
Along the way she discovers a version of the 2nd law of thermodynamics – the fact that everything over time becomes messier. Because of sex, she jokes, apart from anything else. Byron makes a brief appearance and Stoppard manages to make him almost as witty on the stage as he was in life.
It’s a very funny, very clever play, but also incredibly moving, as a brilliant young woman briefly sees the world opening up to her remarkable understanding, before life gets in the way.
In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later.
Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park.
I’ve always loved historical romance, ever since my mother gave me my first Georgette Heyer when I was eight, and my grandmother gave me my first Barbara Cartland shortly after. The fascination has never waned, which is a good thing because I grew up to become a historical romance author myself. Since publishing my first romance in 2006, I’ve written nearly 50 books, mainly set during the Regency period (first quarter of the 19th century). I’ve always adored how a good historical romance whisks me away to a larger-than-life world replete with dashing rakes, smart-mouthed ladies, and glittering high society, not to mention witty banter, glamour, and heart-stopping romance.
This is my favorite comfort read, the perfect book for days when life has too many sharp corners. I must have read this one at least twenty times. It has all the virtues of a classic fairytale: a pure-hearted, brave heroine; an honorable, steadfast hero; and a happy ending earned through suffering and effort and against all the odds. It tells the story of Countess Anna Grazinsky, a young refugee from the Russian Revolution, who finds work as a maid at a stately home in the English countryside, where she falls in love with the gallant war hero who owns the house. But the Earl of Westholme is promised to another woman. Heartwarming, triumphantly romantic, wise, and funny, A Countess Below Stairs is one of those rare books that makes the world seem a better place.
Eva Ibbotson's charming and warm-hearted tale, A Secret Countess was originally published as A Countess Below Stairs.
Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme's crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid -…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
Reading this book is like sheer escapism to the Highlands of Scotland. Beautifully illustrated, the author has an engaging style that carries you along as she tells the story of Highland lodges and how Scotland became the place to go to find rest and escapism as well as great sport. You come away seeing Scotland in a new light and wanting to spend August amongst the heather and hills.
Featuring breathtaking photographs of some of Scotland s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornees and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain s wildest and…
Historical romance author Emmanuelle lives on the bonny banks of Loch Fyne with her husband and beloved haggis pudding Archie McFloof—connoisseur of bacon treats and squeaky toys. She’ll never tire of dreaming up handsome and mysterious strangers she’d love to be snowed in with.
When our heroine discovers her fiancé cheating on her at a Yuletide country house party, she flees in distress, saddling up to return to London on horseback. Cue the intervention of a devilishly handsome rakehell offering his carriage. With all good sense thrown to the wind, lovely Lily is soon climbing aboard—in more ways than one.
When the pair encounter [gasp] a snowstorm and must take refuge on his estate, the passion-o-meter reaches new heights. This book comes with a fabulous (and well-earned) “sizzle alert”. Hoorah!
Attempting to mend a broken heart by indulging in an affair with a rakehell would not be the wisest course of action for a young lady of the ton. But when Miss Lily Godwin has a chance encounter with the mischievous Lord Nash at a Yuletide house party, she is sorely tempted to throw all dictates of decorum out the window. After all, it’s Christmas.
Author’s Note to Readers: An Improper Christmas is Book 3 in the loosely linked, Improper Liaisons Novella series. It can also be read as a stand-alone. Also please note, this is a NEW COVER edition.…
'An absolute treat of a read with all the ingredients of a vintage murder mystery: a country house, mysterious dead bodies and three actresses all keen to catch the killer. Perfect weekend reading!' Janice Hallett, author of The Appeal
'Celebrates and gently satirises Golden Age crime novels in a hugely entertaining country house mystery' The Times ----------
Three rival actresses team up to solve a murder at the stately home of the author who made them famous - only to discover the solution lies in the stories themselves. A contemporary mystery with a Golden Age feel, perfect for fans of…
Having grown up in a family of crime-fiction readers, I published my first murder mystery in 2019 and have created two bestselling series. My 1920s-set “Lord Edgington Investigates…” books have been a big hit for me, and I’ve just published my third Christmas book overall. But that’s not the only reason I’m qualified to recommend Christmassy whodunits. I am obsessed with Christmas and, with a little help from my four-year-old daughter, spend far too much time decorating every December. Let’s just say that my Christmas Lego village is already out of control, and someone really needs to stop me from buying any more before it takes over our house.
This one is actually a bit of a cheat as it’s not really set at Christmas, although it is suitably snowy. In fact, it was originally published as “Another Little Murder” but has been renamed by canny publishers. I’ve included it anyway because it is such a fun book and, with its isolated, country-house setting, it certainly feels cosy enough for this time of year.
Published in 1947, it features an exceptionally likable detective called Dilys Hughes. She’s a witty, quirky, and determined protagonist who finds herself at the wonderfully named manor of Wintry Wold, just in time to investigate the death of its elderly owner. With its light touch and plenty of banter, it’s far closer to modern “cozy” whodunits than gritty, hard-boiled fiction. A really fun read to devour before Christmas arrives.
A classic country house mystery republished for the first time in nearly seventy years. Perfect for fans of Murder at the Old Vicarage and Partners in Crime. When Dilys Hughes finds herself snowbound in the middle of a bleak and lonely stretch of Yorkshire, she has no option but to accept help from passing motorist Inigo Brown, who is on his way to visit his uncle. Arriving at his uncle's remote country house, Wintry Wold, the couple encounters a less than warm welcome from Inigo's new young aunt, Theresa. Why is she reluctant to let Inigo see his uncle, and…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book takes the reader on a journey back into the mists of time. I was fascinated by how one house can hold so many secrets, that the author, Jane Mulvagh, unravels as she tells her tale. Madresfield was the inspiration for Evelyn Waugh’s famous fictional house Brideshead, although the real story is much more complex and interesting. Inspired by this book, I included Madresfield as one of the ten houses in my own book.
Madresfield Court is an arrestingly romantic stately home in the Malvern Hills in Worcestershire. It has been continuously owned and lived in by the same family, the Lygons, back to the time of the Domesday Book, and, unusually, remains in the family's hands to this day. Inside, it is a very private, unmistakably English, manor house; a lived-in family home where the bejewelled sits next to the threadbare. The house and the family were the real inspiration for Brideshead Revisited: Evelyn Waugh was a regular visitor, and based his story of the doomed Marchmain family on the Lygons. Never before…
