I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
The year is AD 133. Hadrian is Emperor of Rome and all its vast empire, including Britannia. The greater part of that island has long been under imperial rule and the Roman legions control most of the land, quelling uprisings and building new forts and towns. Around the fortress of Eboracum (now known as York), a bustling garrison settlement is developing, while along the north-west frontier of Hadrian's empire, the legions are completing the construction of a mighty wall. Introducing us to this world is Senovara, born into the Parisi, a local tribe whose customs have been little changed by Roman rule. But she is also the young wife of Quintus, a veteran of the 6th Legion Victrix. Settling in Quintus's home is both bewildering and awe-inspiring for Senovara as she seeks to adjust to Eboracum's cosmopolitan environment, come to terms with new customs and reconcile their cultural differences. Senovara finds that daily life in the settlement can be harsh; a constant struggle to provide her family with fresh food, water and warmth. Yet there is much enjoyment to be had as well, at the public baths or with new friends. There is also the excitement of religious festivals and in the regular news from the frontier, and peril in the form of a deadly fever which sweeps through Eboracum, forcing Senovara and her children to flee to her brother in the countryside.
Roman Woman is an immersive, compelling narrative which gets to the heart of what life was like for everyday people in Roman Britain.
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The title sums up what archaeologists are trying to do when they excavate a site. In this short book, Agatha Christie provides ‘an inconsequent chronicle’ of five archaeological field seasons in Mesopotamia in the 1930s, in the course of which she gently and wittily reveals a picture of the British working abroad between the Wars – a way of working that now seems as distant as the period she was uncovering.
Everybody who has read this extraordinary book seems to have an overwhelming urge to discuss it with other people. It tells the true story of the murder of a young woman in 1931 in northern England, a death for which no-one was ever brought to trial. This is not just an unsolved mystery but deftly reveals what life was like in a north Northumberland town in the 1930s, as well as exposing how chaotic and class ridden policing was at the time.
Although this is the story of a house from the early 17th century to the 1960s, it offers a fascinating insight into the lives of the four families who lived there in turn as they won and lost fortunes, married well and badly, and survived the events of history.
A wittily written, powerful evocation of women’s lives in Arkansas from the 1930s to the 1980s, the history of how they got there and what made them such strong women. This is a revelation of family myth and tradition told fondly, yet with piercing pragmatism, in a way that provides insights into how we can understand women’s lives at all periods and in all places.
Excavations in the Crypt of Christ Church, Spitalfields, London in 1984-9 uncovered 1000 skeletons, of which 387 were in coffins with inscribed plates giving the names and ages of the deceased. A mixed team of specialists were able to analyse the bodies and follow up the documentary evidence to reveal extraordinary details of life, dentistry and funerary practices between 1729 and 1859 in this historically rich part of London.
5,888 authors have recommended their favorite books and what they love about them. Browse their picks for the best books about rural poverty, funerals, and murders.
We think you will like The Oxford Companion to Crime and Mystery Writing, Murder on the Orient Express, and A Siege of Bitterns if you like this list.
From Martin's list on crime fiction, the world’s most popular genre.
I dreamed for many years of writing a book about crime fiction. I’m primarily a crime novelist, but so was Julian Symons, and the experience of writing fiction is invaluable when discussing other writers and understanding what they were trying to do. I approached Oxford University Press, with a view to producing a Companion about the genre, comprising essays by writers including myself. This led to a fruitful meeting with an OUP editor and novelist, Michael Cox, but the project was stillborn when his American colleagues had commissioned just such a book, to be edited by Rosemary Herbert. Rosemary invited me to contribute twenty-odd essays to her Companion, and I found the work of my fellow contributors (including Symons) a delight to read.
From Mats' list on mysteries with a Nordic flair.
One does not put together a list like this without mentioning the Queen of Crime. Christie is the one who got me into crime fiction, and this is probably her best book. The location, the characters, the murder mystery, the plot—this book has everything! Plus, it’s a relatively short read for the weekend.
From A.M.'s list on Canadian detective and mysteries.
A Siege of Bitterns features an unusual protagonist: a reluctant detective. DI Domenic Jejeune is a Canadian transplanted to the UK, to premier birding country. Jejeune likes bird watching as much, if not more, than solving murders. He occasionally comes across as a tortured eccentric. One wonders how he can solve crimes. But he does. His odd individualism is reminiscent of famous fictional detectives like Sherlock Holmes or Hercule Poirot. A Siege of Bitterns features a tangled bird’s nest of false starts and red herrings. Burrows doesn’t shy away from descriptive prose and yet the novel doesn’t lose momentum. It stays focused on the prize: the whodunit.