Here are 100 books that Felbrigg fans have personally recommended if you like
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I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
The title sums up what archaeologists are trying to do when they excavate a site. In this short book, Agatha Christie provides ‘an inconsequent chronicle’ of five archaeological field seasons in Mesopotamia in the 1930s, in the course of which she gently and wittily reveals a picture of the British working abroad between the Wars – a way of working that now seems as distant as the period she was uncovering.
Agatha Christie's personal memoirs about her travels to Syria and Iraq in the 1930s with her archaeologist husband Max Mallowan, where she worked on the digs and wrote some of her most evocative novels.
Think you know Agatha Christie? Think again!
To the world she was Agatha Christie, legendary author of bestselling whodunits. But in the 1930s she wore a different hat, travelling with her husband, renowned archaeologist Max Mallowan, as he investigated the buried ruins and ancient wonders of Syria and Iraq. When friends asked what this strange `other life' was like, she decided to answer their questions by…
I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
Everybody who has read this extraordinary book seems to have an overwhelming urge to discuss it with other people. It tells the true story of the murder of a young woman in 1931 in northern England, a death for which no-one was ever brought to trial. This is not just an unsolved mystery but deftly reveals what life was like in a north Northumberland town in the 1930s, as well as exposing how chaotic and class ridden policing was at the time.
In January 1931, on a lonely stretch of Northumberland road known as Wolf's Nick, flames rose up into the night sky from the neighbouring moorland.
Beyond help, Evelyn Foster lay engulfed in flames near her burning car, desperately hoping to be found by a passing vehicle.
With her last breath, she described her assailant: a mysterious man with a bowler hat who had asked her to drive him to the next village, then attacked her and left her to die.
What followed was a remarkable effort by some members of the police to track down Evelyn's killer while other members…
I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
A wittily written, powerful evocation of women’s lives in Arkansas from the 1930s to the 1980s, the history of how they got there and what made them such strong women. This is a revelation of family myth and tradition told fondly, yet with piercing pragmatism, in a way that provides insights into how we can understand women’s lives at all periods and in all places.
Reflects on the experience of growing up female in the South, explaining the meaning of the southern heritage, the southern notion of the feminine ideal, and the reasons why southern women leave their roots.
I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
Excavations in the Crypt of Christ Church, Spitalfields, London in 1984-9 uncovered 1000 skeletons, of which 387 were in coffins with inscribed plates giving the names and ages of the deceased. A mixed team of specialists were able to analyse the bodies and follow up the documentary evidence to reveal extraordinary details of life, dentistry and funerary practices between 1729 and 1859 in this historically rich part of London.
Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.
I was so overwhelmed by the perfection of this American masterwork that I sought out the founder of The Thomas Wolfe Society, the greatest Thomas Wolfe collector who ever lived and who will ever live, and became his very close friend.
This is a huge book, with the music of pitch-perfect prosody from beginning to end, and yet it's only part of a much greater whole—every one of Wolfe's books connect together in some way, forming a massive cadency of music in words. If you examine them, there's only two main branches (Eugene Gant as the protagonist in one, and Monk Webber as the protagonist in the other). But it's really all one big expanding fable. This volume has, in my opinion, the richest writing, from the opening proem to the tiny diamond-sharp moving-picture painting of the final line.
The sequel to Thomas Wolfe's remarkable first novel, Look Homeward, Angel, Of Time and the River is one of the great classics of American literature. The book chronicles the maturing of Wolfe's autobiographical character, Eugene Gant, in his desperate search for fulfillment, making his way from small-town North Carolina to the wider world of Harvard University, New York City, and Europe. In a massive, ambitious, and boldly passionate novel, Wolfe examines the passing of time and the nature of the creative process, as Gant slowly but ecstatically embraces the urban life, recognizing it as a necessary ordeal for the birth…
I have loved historical novels since my mom first read Anne of Green Gables to me as a kid. They are the novels I reach for first and love the most. The creative glimpse into other times and lives is, to me, the most exciting reading experience. I hope you enjoy these books as much as I do. My latest book – The Sunshine Girls is a dual narrative timeline, set in the current day and the 1960s-1980s.
This novel set in 1863 during the Civil War, about two women – one enslaved in New Orleans, the other Jewish and living in New York City who risk everything for the soldiers they love. There is so much fascinating historical detail in this book - the war, the experience of Black men as soldiers, the brutal life of enslaved women in the deep south, the community they created because of and despite of the brutality. Northern free women and their domestic roles and limitations – the communities they built. It’s about bravery and needlepoint. Seriously.
“An unforgettable story of female strength, hope and friendship. This collaborative work is magnificent—a true revelation!” —Pam Jenoff, New York Times bestselling author of The Woman with the Blue Star
“A brilliant story brimming with unexpected friendships and family ties. Historically sound and beautifully stitched, The Thread Collectors will stay with you long after the last page is turned.” —Sadeqa Johnson, international bestselling author of Yellow Wife
1863: In a small Creole cottage in New Orleans, an ingenious young Black woman named Stella embroiders intricate maps on repurposed cloth to help enslaved men flee and join the Union Army. Bound…
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
I read this book in the early 1980s when it was first published and it changed my view of sewing and made me understand its cultural importance and how its value has been diminished over the centuries. It is a seminal landmark feminist book, the first to ever explore why sewing is perceived as just women’s work. Parker debates the nature of women’s embroidery through time, the dutiful and the radical, the artistic and the unacknowledged and if it hadn’t been for this book I would never have become fascinated about people who sew not simply to decorate clothes or their homes but to campaign, celebrate, conserve their stories and make their mark.
Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements.
The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works…
I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
May Morris, daughter of the more famous William, was a renowned designer and craftswoman. She shared her father’s political ideals and took them forward through the textile arts of the Arts & Crafts Movement.
Edited by embroidery artist and historian Lynne Hulse, this book brings together a wide range of new essays on facets of May Morris’s life and career. It complements the lavishly illustrated exhibition catalogue May Morris: Arts & Crafts Designer. Together these two titles provide all currently available details of May’s work, all too often overshadowed by that of her father.
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
Lob is a gentle, magical, and affirming chapter book. The story centres around Lucy, her relationship with her Grandad, and their belief in the mythical garden helper Lob. In Lucy's devotion to her grandad, and her love of nature, we come to see how grief can be slowly approached and lived with. The illustrations are beautifully observed by Smy, who is a master of showing emotion through posture and environment. I love this story for the way that it weaves grief, love, and magic together in an accessible and respectful way for children and grown-up readers.
He's older than anyone can tell. Older than the trees. Older than anybody. For as long as she can remember, Lucy has wanted to catch a glimpse of the mysterious green man who lives in Grandpa Will's garden: Lob. You have to be very special to see him; that's what Grandpa says. Lucy's parents think Lob's just imaginary, but Lucy knows he exists. And she can't believe it when she finally spots Lob in the gooseberry bushes. But Lucy's world is about to be shattered by a terrible event. What will happen to Lob now - and will she ever…
Following several years of working for the Ohio State University and Marathon Oil, I co-founded and became CEO of Solomon Software, originally named TLB, Inc. (The Lord’s Business) headquartered in Findlay, Ohio. We grew to more than 400 employees and $60 million in revenue, servicing over 40,000 clients worldwide, and then sold our company to Great Plains Software and that combined business was sold to Microsoft six months later. I later established Solomon Cloud Solutions, a technology consulting service firm for Microsoft Independent Software Vendors and Microsoft Business Solutions Channel Partners. Now, I assist businesses and organizations with implementing leadership development systems that will help them grow with a company called LeadFirst.ai.
This book unveils some of the mysteries of how our brains are designed and function.
Although not written from a biblical perspective, it unveils some of the reasons for the dual nature described in scripture—why we often hear two voices in our head and how we decide which one to follow. It also points out the challenges of group wisdom and convention versus thinking independently, thus avoiding the deception that creeps into group thinking.
As a Christian, I found this book unintentionally providing insight into biblical principles for decision-making and leadership. God is the owner and source of all truth, and we can see Him in everything.
No organization can survive without iconoclasts innovators who single-handedly upturn conventional wisdom and manage to achieve what so many others deem impossible. Though indispensable, true iconoclasts are few and far between. In Iconoclast, neuroscientist Gregory Berns explains why. He explores the constraints the human brain places on innovative thinking, including fear of failure, the urge to conform, and the tendency to interpret sensory information in familiar ways.
