Fans pick 67 books like The Thread Collectors

Amanda Skenandore’s beautiful and insightful novel about a silent film star who was sent to live in a Louisiana Leper Colony in the 1920s. The book is rich and full of surprising historical details. While it might seem like a downer – it is funny and heartwarming, with a beautiful coming-of-age story and romance at its heart.  Absolutely fascinating.

Mary Jane is a kind of a quiet novel. It lulls you into a false security with its lyrical prose and fantastic 1970s historical details about a teenage girl coming of age in Baltimore. She gets a job as a babysitter for a respectable neighborhood doctor – but the doctor is a psychiatrist hired to help a famous musician get sober. This book is funny and tender and sharp all at once. And it reminded me of my childhood.

NYC in the ’70s gets the spotlight with all of its grit and glitter in this extremely thoughtful and thought-provoking novel about a mother and daughter. It’s not just rich in fascinating detail about the time and setting, it’s a nuanced look at women’s sexuality and the price of fame and family obligations.

Heather O’Neill is one of my favorite authors. She lives in the nuanced and gritty places in relationships. She also sets her novels in really exciting and different time periods. I could pick any of her books, but her latest is so delicious. When We Lost our Heads is set during the turn of the 19th century in Montreal. It’s about two women from different economic realities and families – who forge a very unlikely, volatile, destructive, and important relationship. It is funny and dark and the time and setting are vital and exciting. 

I read this book in the early 1980s when it was first published and it changed my view of sewing and made me understand its cultural importance and how its value has been diminished over the centuries. It is a seminal landmark feminist book, the first to ever explore why sewing is perceived as just women’s work. Parker debates the nature of women’s embroidery through time, the dutiful and the radical, the artistic and the unacknowledged and if it hadn’t been for this book I would never have become fascinated about people who sew not simply to decorate clothes or their homes but to campaign, celebrate, conserve their stories and make their mark.    

Although this is the story of a house from the early 17th century to the 1960s, it offers a fascinating insight into the lives of the four families who lived there in turn as they won and lost fortunes, married well and badly, and survived the events of history.

This impressive volume brings together two of my favorite topics: art journals and color. A unique idea sparked a round-robin collaboration between fifteen noted mixed-media artists: Each artist was invited to select a color and create a beginning for an art journal. 

The volumes traveled throughout the United States for over a year and were worked on by all the participants. Eventually, each journal returned home, absolutely bursting with creativity. The inclusions ran the gamut of custom musical CDs, found objects, poetry, fold-outs, quilted textiles and embroidery, and more. 

The lavish photography on each page makes this book a feast for the eyes, and the emotional stories from the artists provide insights into the healing nature of art journaling. From pure white to mysterious black (and every color in between), the true colors in this book lifted my spirits.  

May Morris, daughter of the more famous William, was a renowned designer and craftswoman. She shared her father’s political ideals and took them forward through the textile arts of the Arts & Crafts Movement. 

Edited by embroidery artist and historian Lynne Hulse, this book brings together a wide range of new essays on facets of May Morris’s life and career. It complements the lavishly illustrated exhibition catalogue May Morris: Arts & Crafts Designer. Together these two titles provide all currently available details of May’s work, all too often overshadowed by that of her father.

Lob is a gentle, magical, and affirming chapter book. The story centres around Lucy, her relationship with her Grandad, and their belief in the mythical garden helper Lob. In Lucy's devotion to her grandad, and her love of nature, we come to see how grief can be slowly approached and lived with. The illustrations are beautifully observed by Smy, who is a master of showing emotion through posture and environment. I love this story for the way that it weaves grief, love, and magic together in an accessible and respectful way for children and grown-up readers.

I love this book because Edna Pontellier is perhaps the original flawed yet sympathetic heroine—a character ahead of her time and a symbol of the growing stirrings of feminism.

I underlined many passages in my dog-eared copy from college (my professor was the editor), including the line, “Mrs. Pontellier was not a mother-woman,” a contrast with the other mothers summering on Grand Isle who doted on their children. She’s not what a woman and mother was supposed to be in 1899—she’s in love with a man other than her husband; she eschews the trappings of motherhood; and ultimately she escapes in the most heartbreaking way.

This book was so explosive at the time, that it was pulled from shelves and didn’t enjoy success and a rightful place in the literary cannon until it was reissued in 1966. There’s a reason it’s had a treasured place on my bookshelf for nearly… show more.