I’m an Irish novelist and occasional screenwriter. My latest book, Duffy and Son, is my sixth. I can be drawn in by any well-told tale, of course, but I’ve always had the strongest reaction to stories with at least some element of comedy. I don’t know, I just find books in which no one says anything funny to be deeply unrealistic. It infuriates me when any piece of fiction is viewed as ‘lesser’ because there’s a chance it might make you smile. The books listed here will definitely make you smile. If you give them a chance, I hope you find them as worthy of your time as I did.
You can read a good screenplay with as much ease and pleasure as you read a novel, and the Fleabag scripts aren’t just good—they’re immaculate.
I pore over this book again and again, hoping that maybe this time I will see the trick, the moment of misdirection or sleight of hand that enables a story of profound personal pain—grief, loneliness, fear, they’re all here, all the big ones—to be so bloody funny. There is no trick, of course. There’s just flawless writing.
You should of course watch the TV show these scripts underpin, but do yourself a favour and read them too. Phoebe Waller-Bridge really did something here.
Go deeper into the groundbreaking, Golden Globe and Emmy-winning series with this must-have collection—“a completist’s dream of a book, including the show’s full scripts and Waller-Bridge’s commentary” (Vogue).
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY EVENING STANDARD
“Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.”
Phoebe Waller-Bridge’s critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit,…
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
I have read this book nearly a hundred times. Given that it is less than seventy pages long with sometimes only twenty-five words (or less) on a page, that may not seem like much of a feat. But the exquisite spacing between the words invites the reader to drop deep into the lost feminine, to pause, and to feel her essence. This book allows us to not only recognize what has been lost but also to repeatedly imagine how our lives might be different if we could fully experience and embrace the archetypal feminine.
Long ago before the patriarchal period, in many places on Earth, the Goddess was worshipped. Circle of Stones draws us into a meditative experience of the lost Feminine and creates a space for us to consider our present lives from the eyes of women's ancient culture and ritual. Incorporating the most ancient symbol of spirituality-the circle of stones-Duerk weaves stories, dreams, and visions of women to lead each reader into a personal yet archetypal journey, posing the reflective question, "How might your life have been different if . . ."
I’m a trans parent of a trans teen. (I didn’t do it on purpose. It just worked out that way.) I’m always looking for books by trans authors that accurately reflect transgender experiences at every life stage, but particularly during middle school and the teen years. The books I’ve selected are my favorites because they’re authentic—and because they let readers learn difficult, complicated lessons through fiction. When I’m not writing books, reading books, editing books, or eating books for dessert, I’m caring for my disabled dogs, dirt-biking with my kid, or drawing near an open window with a mug of green tea and some lo-fi beats.
“I want to be a boyfriend who is a girl.” — Pen Oliveira, protagonist and all-around badass. While this YA novel isn’t specifically about being trans, it does explore gender from the angle of a girl who dresses like a boy, hangs out with the boys, and likes girls—much to the consternation of her parents. Pen does a lot of heavy thinking about what “girl,” “boy,” “man,” and “woman” mean, whether any of these labels apply to her, and the damage that results when others saddle her with expectations according to their own definitions of those words. I love books that make me rethink my definitions of femininity and masculinity, and this novel gave me a lot to mull over for a long time.
"Fierce. Tender. Unstoppable." is how Lauren Myracle describes M-E Girard's brilliant and addictive debut about the many battles Pen Oliviera faces growing up butch and awesome with no one else like her around for miles. Now in paperback!
"Pen is an inspiration to anyone who's struggled to be understood, and a vital addition to the growing world of genderqueer protagonists." -The New York Times Book Review
Lambda Literary Award Winner * Entertainment Weekly Best YA Book of 2016 * Children's Book Council Books Best Book of 2016 * Kirkus Reviews Best Teen Coming-of-Age Novel…
I’ve been rising for years. In fact, Dark Star: Reclaiming Lilithis the culmination of 18 years’ worth of my personal ascension, which is certainly still a work in progress. My book is written in an extremely magical realistic, sci-fi/fantastical manner. I do believe that there are a cohort of women here on Planet Earth right now who’ve incarnated to help carry Gaia into her 5th dimension. Especially now, it’s relevant to move our planet into a more sustainable, spiritual, and connected way. If our voices can span across genres, generations, and gender, then maybe, they can reach all corners of the Universe before it’s too late for us and our planet.
This book not only changed my entire life, but it has also helped me shape the ending of my own book. Wilson gave me the permission and vocabulary to express abstract concepts that I was carrying around; sacred rage, patriarchal oppression, a lineage of matricidal trauma… big stuff. Rather than a book, Maiden to Mother is a cultural and feminine ancestral movement. By traversing your own underworlds and excavating all of the buried, scorned, traumatized parts of ourselves, we can then begin the healing journey and live honest to our souls. In this non-fiction book, Wilson asks the reader to go where they’ve never gone before, and in return, promises liberation and true joy. She delivers this in a no-bullshit manner. And guess what? It works.
When the goddess culture was stolen and buried, so too were women's rites of passage into our wild, intuitive femininity and maturity. With Maiden to Mother, Sarah Durham Wilson excavates these ancient rites, guiding us through a sacred and crucial initiation from the immature Maiden into the archetypal Mother - the powerful, safe, compassionate, full-bloom feminine life force that exists within all of us.
Becoming the Mother is every woman's birthright - regardless of whether or not she raises children. The Mother is who we needed as a child, who we were meant to be in this life, and who…
The theme of this list is so important to me as an independently published author. Ever since I was about 14 years old I knew I wanted to tell stories, and my way, so even then I was looking into indie publishing. The idea of offering my books up to the traditional publishing chopping block, to be edited and mulled into what’s most marketable, scared me so much! I didn’t want to tell my stories another person’s way. So here we are, and I’m giving you guys a list of indie recommendations whose authors feel very much the same way. We just want to tell our stories. And have control over how that’s done. ;)
If you like your fantasy a little darker, with more longing than spice (but still a little spice too ;) ) then this might be the book for you. Of Divine Blood features a main character who embraces her femininity and emotions and eventually manages to turn them into a fiery rage that leads her to take revenge on her abusers. It’s pretty glorious. And Corvina’s love interest is pretty amazing too; empowering without being dominating, and he’s the perfect mix of sweet and protective. Check the trigger warnings, then give her a read!
The Divine Gods may have been Corvina's patrons but she would tear them down from their thrones and ascend to claim their places - to claim her place - both in this world and the heavens above. For none would own her body again.
All her life she spent caged like an animal. The shackles the Elder Priest cast over her held her prisoner to the chantry. She had once been devoted to her lessons, to harnessing each of the seven magics the Divine had bestowed upon her. She had once loved…
I'm the author of Penelope’s Purple Passions. I've been in love with writing poetry since I was a little girl. I would go under the bunk bed at night with my flashlight and write all these poems about love, not that I knew anything about love, but what I did know was how writing poetry made me feel. I believe love is truly the most valuable gift we can give to another soul in our lifetime. I want my poetry to empower people and be that beacon of light in people’s lives. Poetry is the avenue where I can spread love and hope globally to anyone who picks up my books.
I recommend this book because it places emphasis on women knowing their self-worth. This book also speaks about loving deeply and not having that love given back in return. I could identify with being in relationships that have made me feel unloved and unworthy. I could also identify with having that eye-opening moment when you come to the realization that you are this beautiful, gifted, wonderful human being worthy of having a person in your life who recognizes and truly appreciates you for all that you embody. The takeaway from this book I gained is to never love anyone more than you love yourself.
#1 New York Times bestseller Milk and Honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity.
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
I read this book in the early 1980s when it was first published and it changed my view of sewing and made me understand its cultural importance and how its value has been diminished over the centuries. It is a seminal landmark feminist book, the first to ever explore why sewing is perceived as just women’s work. Parker debates the nature of women’s embroidery through time, the dutiful and the radical, the artistic and the unacknowledged and if it hadn’t been for this book I would never have become fascinated about people who sew not simply to decorate clothes or their homes but to campaign, celebrate, conserve their stories and make their mark.
Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements.
The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works…
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
Another classic, written in 1984 by the author of Against Our Will: Men, Women, and Rape, Brownmiller covers a lot: body, hair, clothes, voice, skin, movement, emotion, ambition. She says in her prologue, "I offer this book ... in the hope that the feminine ideal will no longer be used to perpetuate inequality between the sexes, and that exaggeration will not be required to rest secure in biological gender."
"Illuminating and informative....Essential reading." THE NEW YORK TIMES BOOK REVIEW Writing with great passion, warmth, and wit on a subject that's never been explored in these terms before, Susan Brownmiller draws on the many manifestations of femininity through the ages, and demonstrates in beautiful and telling detail the many powerful nuances of that one word. "A positive joy to read!" Nora Ephron CHICAGO TRIBUNE BOOK WORLD
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.
The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it…
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
Marian Woodman has been my shero ever since I attended a workshop of hers. I recall sitting in the audience listening to her speak and blinking my eyes. How could it be that she could shape-shift from a coy flirtatious maiden, into a warm nurturing mother, and then moments later appear as a regal, confident, and sovereign queen and then a deeply wise crone? She clearly understood and embodied the full range of the conscious feminine in its various aspects.
Of her many books, this is the one I love the most because, in this collection of interviews with her, the passion of her speaking voice comes through the written word loud and clear. Her phrasing is so delicious, my tattered copy is underlined throughout.
