Here are 100 books that The Beauty Myth fans have personally recommended if you like
The Beauty Myth.
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I am a curious, passionate, and introspective woman. My values have led me to a quest to have a profound impact on the world and leave a legacy of healing. Each book on my list has profoundly impacted me and led me to challenge my values, rethink my priorities, heal my inner turmoil, and use my lived experience to help others lead a more meaningful life.
This book profoundly moved me, opening my eyes to a concept I had never contemplated. This book explores the origins of weight stigma and anti-fatness while linking them to the history of the development of racism.
Patriarchy, white supremacy, and the false conclusion that black people who were brought to Europe to be slaves were inferior because of their “larger appetite for sex and food” is a stunning revelation. This book rocked my world and incited inner rage and a quest to right this wrong.
Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association
Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association
How the female body has been racialized for over two hundred years
There is an obesity epidemic in this country and poor black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago.
Strings weaves together an eye-opening…
I’ve been reporting on and writing about food, eating, health, and body image for the last 25 years. So much of what we’re taught about those issues, it turns out, is wrong, inaccurate, and often damaging. I’ve made a point of uncovering the truth in those areas and to write about it in ways that help other people through this difficult terrain. My writing philosophy can be summed up in six words: I write so I’m not alone. And, I would add, so you’re not alone, either.
Though Linda Bacon didn’t originate the idea of Health at Every Size (HAES), this book popularized it for a mainstream audience. Here Bacon explains what HAES is and isn’t in clear, readable prose, supported by research, evidence, and logic. This book is a perfect starting point for anyone who wants to explore the ways we think about weight and health and how they are (and aren’t) connected.
Fat isn't the problem. Dieting is the problem. A society that rejects anyone whose body shape or size doesn't match an impossible ideal is the problem. A medical establishment that equates "thin" with "healthy" is the problem. The solution? Health at Every Size. Tune in to your body's expert guidance. Find the joy in movement. Eat what you want, when you want, choosing pleasurable foods that help you to feel good. You too can feel great in your body right now--and Health at Every Size will show you how. Health at Every Size has been scientifically proven to boost health…
I am a curious, passionate, and introspective woman. My values have led me to a quest to have a profound impact on the world and leave a legacy of healing. Each book on my list has profoundly impacted me and led me to challenge my values, rethink my priorities, heal my inner turmoil, and use my lived experience to help others lead a more meaningful life.
I love this book and recommend it to people struggling with negative body image.
Sonya Renee Taylor teaches that we are all connected and that self-judgment in one person extends to the judgment of all people. I found myself digging deeply into the roots of any critical views that I might have held of my own body and then challenging them. Ultimately, it helped me embrace body neutrality and, ultimately, body liberation.
"To build a world that works for everyone, we must first make the radical decision to love every facet of ourselves...'The body is not an apology' is the mantra we should all embrace." --Kimberlé Crenshaw, legal scholar and founder and Executive Director, African American Policy Forum
"Taylor invites us to break up with shame, to deepen our literacy, and to liberate our practice of celebrating every body and never apologizing for this body that is mine and takes care of me so well." --Alicia Garza, cocreator of the Black Lives Matter Global Network and Strategy + Partnerships Director, National Domestic…
I’ve been reporting on and writing about food, eating, health, and body image for the last 25 years. So much of what we’re taught about those issues, it turns out, is wrong, inaccurate, and often damaging. I’ve made a point of uncovering the truth in those areas and to write about it in ways that help other people through this difficult terrain. My writing philosophy can be summed up in six words: I write so I’m not alone. And, I would add, so you’re not alone, either.
There’s been a lot of research on how girls fall prey to diet culture, lose their self-confidence, disappear into disordered eating/eating disorders/low self-esteem at puberty. A lot of that is triggered by living in a culture that’s so messed up around food, eating, and body image. So I’m always looking for tools to give girls to help them navigate that treacherous time, and this is one of the books I like to recommend.
It is worrying to think that most girls feel dissatisfied with their bodies, and that this can lead to serious problems including depression and eating disorders. Can some of those body image worries be eased? Body image expert and psychology professor Dr Charlotte Markey helps girls aged 9-15 to understand, accept, and appreciate their bodies. She provides all the facts on puberty, mental health, self-care, why diets are bad news, dealing with social media, and everything in-between. Girls will find answers to questions they always wanted to ask, the truth behind many body image myths, and real-life stories from girls…
I’ve always been fascinated by the stories of outsiders. I’m probably attracted to the topic because I come from a couple of misfits who reared me in a small town in the deeply conservative South. My mom is an irreverent, Socialist, Croatian immigrant with half a dozen kids, and my dad a curmudgeonly polyglot who loves books more than people. First as a journalist, then as a historian, I’ve long studied the economies and cultures created by those systematically marginalized or merely with a healthy disdain for the mainstream—enslaved people, queers, disenfranchised women, downtrodden artists, poor immigrants. The books here all capture things that make our society beautifully textured, diverse, and resilient.
This book shows how fashion can be a powerful political tool and how subcultures can effectively fight back against oppression. From the civil rights movement to anti-apartheid activism in the 1980s, Black women all over the world used elements of “soul style” to physically defend themselves and advocate for equality. Along the way, they forged a universal identity that helped create solidarity and refute ideologies of racial inferiority.
I personally value how Ford’s insight into the expressive power of fashion has cleared a sartorial path for cultural historians working in all areas. I also deeply admire her clear and captivating storytelling chops, which make this book feel perpetually relevant.
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality.
In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into…
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.
The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it…
I’ve been meditating since I’m 10 years old, constantly inquiring about why humans are suffering. This led me on a very introspective journey into tantra. After travelling the world for over two decades to study tantric lineages and spiritual traditions, I founded The New Tantra in 2010 and developed a range of workshops with ground-breaking sexual practices. Through this crazy, wild, and genderfluid exploration, I’ve taught thousands of people how to improve their sex lives and experience sexuality in a totally different way. I believe that by dealing with our sexual conditioning, we can live more playful, innocent, and happier lives for ourselves and the future generations to come.
Professor Paglia’s books are a tad academic for most people’s taste, but I find it important to feature her here. In this book, she stirs up important questions around gender and sex. It seems that we are steadily moving towards a growing acceptance of diversity to the point in which androgyny is even becoming a desirable trait. Being genderfluid myself, I’ve sometimes asked myself these questions daily. In order to have more spiritual sex, it’s important that we accept and acknowledge our desires, and I’m all for supporting the full expression of feminine and masculine in both women and men. On top of this, Paglia is a real provocateur, which I like and can relate to. Truly one of the bright minds of our time.
From the fiery intellectual provocateur - and one of our most fearless advocates of gender equality - a brilliant, urgent essay collection that both celebrates modern feminism and affirms the power of men and women and what we can accomplish together.
Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection,Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.
Aliya Whiteley is one of my all-time favourite writers. I could’ve easily included a few of her books on my list!
The Beauty imagines a future world where the women are all gone, and the last men are eking out a survivalist existence. While the main protagonist is a man, the return of ‘the beauty’ shines a light on female power and importance. This gut-wrenching tale sits somewhere between body horror and ancient fable—a place where your skin crawls and your mind can’t stop thinking about what you’d just read.
Nominated for the Shirley Jackson and Saboteur awards, this game-changing story was chosen by Adam Nevill as one of his favourite horror short stories: "What a refreshing gust of tiny spores this novella explodes into, and I inhaled them all with glee".
Somewhere away from the cities and towns, in the Valley of the Rocks, a society of men and boys gather around the fire each night to listen to their history recounted by Nate, the storyteller. Requested most often by the group is the tale of the death of all women.
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
I love this book not just because of its enduring importance - Woolf remains a towering feminist figure - but because of its vivid, imaginative writing.
Based on lectures given to female students at Cambridge, Woolf’s essay argues powerfully for the intellectual independence of women. Such independence, she reasons, must first be materially possible, hence the female writer’s need for that famous "room of one’s own."
To exemplify this, Woolf imagines a certain Judith Shakespeare, the playwright’s equally talented sister: would she not be incapable of achieving the same success as her brother owing to the patriarchal structures of society? In our post-Me Too world a century later, the question remains vital.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.
As a historian of feminism, I have been trying for decades to understand how gender, race, class, and nationality are knotted together in ways that are not always obvious or trackable in our personal experience. The books I recommend here have served as brilliant lanterns for me—not simply pointing out the flawed history of western feminism but instead explaining the complicated effects of whiteness and imperialism in the development of today’s feminist identities, ideologies, and consciousness. For me, these histories offer intersectional keys decoding the map of the world we’ve been dropped into and offering a path leading to a more justly feminist future….I hope they do for you too!
This book takes a tour through the most impactful and influential popular literature circulating in the 19th and early 20th centuries—the stories that laid the groundwork for a collective Anglo-American consciousness—and explains how these stories produced a set of feminist ideologies that were reliant upon a racist and imperialist imaginary. Whether it is her chapter on the “King and I” in “Uncle Tom’s Cabin” or her tracking of the “picanninies” romping through “Peter Pan” and a “Passage to India,” Donaldson explains how we came to associate feminism with the ideologies of slavery and colonialism in the deepest recesses of our imaginations.
Donaldson presents new paradigms of interpretation that help to bring the often oppositional stances of First versus Third World and traditional versus postmodern feminism into a more constructive relationship. She situates contemporary theoretical debates about reading, writing, and the politics of identity within the context of historical colonialism--primarily under the English in the nineteenth century.
