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Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection,Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.
While this book isn’t necessarily a horror, this slow, poetic, and tragic story about a young girl born in the wrong time hits me right in the heart. Corrag is a wild young girl from the mountains of Scotland who has been imprisoned as a witch. It’s 1692, and in a cold, filthy cell, she awaits her fate of death by burning—until she is visited by a young Irishman, hungry to question her. Corrag’s story flows from the beautiful poetic descriptions of wild Scottish life to the brutal Massacre of Glencoe in a style that’s absolutely unforgettable.
The new novel from Susan Fletcher, author of the bestselling 'Eve Green' and 'Oystercatchers'.
1692. Corrag, a wild young girl from the mountains of Scotland, has been imprisoned as a witch. Terrified, in a cold, filthy cell, she awaits her fate of death by burning - until she is visited by Charles Leslie, a young Irishman, hungry to question her. For Corrag knows more than it seems: she was witness to the bloody and brutal Massacre of Glencoe.
But to reveal what she knows, Corrag demands a chance to tell her true story. It is a tale of passion and…
Ursula K. Le Guin said science fiction is a metaphor of the now. It allows us to defamiliarize ourselves with the issues around us, so we can see everything from a new lens. As someone who worked in tech spaces and once wrote a poetry-generating program, I am interested in how people use language to write about technology, at all levels. I appreciate the blend of older forms of technology like phonographs along with newer forms like ChatGPT. Languages interest me: how we translate to speak to machinery or people, and how translation itself can feel like a kind of wormhole into another world.
The novel really captures the nature of memory and what it means to love and care about others.
Frightening stuff happens in the book—things are disappearing—but it’s told with a warm and light tone, almost as if you’re sailing down a river. Ogawa captures quiet moments like friends eating a slice of cake with such luminosity.
Even when the world is falling apart, there is time for conversations with friends and meals together.
Shortlisted for the International Booker Prize 2020, an enthralling Orwellian novel about the terrors of state surveillance from one of Japan's greatest writers.
'Beautiful... Haunting' Sunday Times 'A dreamlike story of dystopia' Jia Tolentino __________
Hat, ribbon, bird rose.
To the people on the island, a disappeared thing no longer has any meaning. It can be burned in the garden, thrown in the river or handed over to the Memory Police. Soon enough, the island forgets it ever existed.
When a young novelist discovers that her editor is in danger of being taken away by the Memory Police, she desperately…
Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection,Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.
Somehow insidious yet funny,The Edible Womanexplores emotional cannibalism and the destructive power of man-woman relationships. Our protagonist, Marian, exists in a world of robotic emotions and mechanical compulsions. When faced with her upcoming nuptuals, Marian begins to see food as living and suffering entities, and as this modern fable progresses, we begin to understand the nature of humanity is to eat or be eaten.
Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancee and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach ... The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and desire to be consumed.
When I was researching my novel, I learned why so many psychics are women: Spiritualism, founded in the 19th century, had both an intense following (more than 8 million followers in the late 1800s) and gave women equal importance to men, one of the few religions at the time (or since) to do so. Even today, women’s pain is dismissed by doctors disproportionately to that of men; women’s testimony is scrutinized more closely than that of men. I love books that invest women with abilities that seem super-human, perhaps as compensation for unequal access to resources. These books keep one foot in the real, one in the fantastic.
I became a vegetarian at age 13, and although my parents grumbled about having to prepare different foods, they certainly did not react as strongly as Yeong-hye’s family, who treats her decision as a kind of mental illness.
The book starts off like a dark fable, as Yeong-hye pares down her diet and believes she is turning into a tree. As the book progresses, though, it becomes a feminist allegory that asks questions that have only become more urgent since its publication: Who has the right to say what a woman does with her body?
Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide…
I’ve been meditating since I’m 10 years old, constantly inquiring about why humans are suffering. This led me on a very introspective journey into tantra. After travelling the world for over two decades to study tantric lineages and spiritual traditions, I founded The New Tantra in 2010 and developed a range of workshops with ground-breaking sexual practices. Through this crazy, wild, and genderfluid exploration, I’ve taught thousands of people how to improve their sex lives and experience sexuality in a totally different way. I believe that by dealing with our sexual conditioning, we can live more playful, innocent, and happier lives for ourselves and the future generations to come.
Professor Paglia’s books are a tad academic for most people’s taste, but I find it important to feature her here. In this book, she stirs up important questions around gender and sex. It seems that we are steadily moving towards a growing acceptance of diversity to the point in which androgyny is even becoming a desirable trait. Being genderfluid myself, I’ve sometimes asked myself these questions daily. In order to have more spiritual sex, it’s important that we accept and acknowledge our desires, and I’m all for supporting the full expression of feminine and masculine in both women and men. On top of this, Paglia is a real provocateur, which I like and can relate to. Truly one of the bright minds of our time.
From the fiery intellectual provocateur - and one of our most fearless advocates of gender equality - a brilliant, urgent essay collection that both celebrates modern feminism and affirms the power of men and women and what we can accomplish together.
I’ve always searched for personalities – mythological, literary, or real – affirming the highest ethical claims for justice. Sophocles’s Antigone is, without doubt, the preeminent example of this ethical demand, based on ancient unwritten laws and related demands for human dignity. As a woman, Antigone also presents the forgotten and suppressed orders of femininity, which were present in all archaic religions and mythologies, but later repressed and fully replaced with exclusively male Gods. I’m therefore interested in books that guide us in this search for the power of ethics and femininity and hope this list will give you an idea of the rich ethical potentials that we possess.
This book is a fascinating collection of essays on Antigone, written by key contemporary thinkers, such as Julia Kristeva, Luce Irigaray, Judith Butler, Bracha L. Ettinger, and Adriana Cavarero. Hegel daringly compared Antigone to Socrates and Jesus and this book shows the full range of ethical questions and consequences, related to Antigone and her highest ethical demand. Through this book, the fictitious woman from Sophocles’ drama written 2,500 years ago, incarnates in front of us as a living figure of contemporary feminine ethics.
As a historian of feminism, I have been trying for decades to understand how gender, race, class, and nationality are knotted together in ways that are not always obvious or trackable in our personal experience. The books I recommend here have served as brilliant lanterns for me—not simply pointing out the flawed history of western feminism but instead explaining the complicated effects of whiteness and imperialism in the development of today’s feminist identities, ideologies, and consciousness. For me, these histories offer intersectional keys decoding the map of the world we’ve been dropped into and offering a path leading to a more justly feminist future….I hope they do for you too!
This book takes a tour through the most impactful and influential popular literature circulating in the 19th and early 20th centuries—the stories that laid the groundwork for a collective Anglo-American consciousness—and explains how these stories produced a set of feminist ideologies that were reliant upon a racist and imperialist imaginary. Whether it is her chapter on the “King and I” in “Uncle Tom’s Cabin” or her tracking of the “picanninies” romping through “Peter Pan” and a “Passage to India,” Donaldson explains how we came to associate feminism with the ideologies of slavery and colonialism in the deepest recesses of our imaginations.
Donaldson presents new paradigms of interpretation that help to bring the often oppositional stances of First versus Third World and traditional versus postmodern feminism into a more constructive relationship. She situates contemporary theoretical debates about reading, writing, and the politics of identity within the context of historical colonialism--primarily under the English in the nineteenth century.
I am a woman and so like all of us who have lived long enough, I have been pushed to the edge. I’m fascinated with what society tells us we are and are not meant to feel or express. In part this is because I teach emotional intelligence and empathy, also because I am the mother of four and the more emotional literacy I have, the richer my life is. I’m not interested in having any emotions disavowed for anyone of any gender. I teach wholehearted leadership with my company Pilot Light and also speak to school students and other groups about feminism, gratitude, courage, pornography, creativity, overwhelm, and vulnerability.
"This book is about what happens when women are the storytellers too – when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it is to be human."
I reference this wonderful, non-fiction book in my novel several times. Once when Odessa the main character sees it on her bookshelf.
Another time when Odessa talks about the shocking myth of Cassandra, who was given the gift of prophecy by Apollo but when she wouldn’t sleep with him he cursed her that no one would believe her.
And the third reference is at the end of my novel, Odessa’s dog bears Casandra as her mighty name. As an embodiment of all that will be listened to and believed. Cassandra Speaks had a profound impact on me as a woman, a mother, a sister, a human, and as a…
What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers?
Elizabeth Lesser believes that if women's voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories-stories that value caretaking, champion compassion, and elevate communication over vengeance and violence.
Cassandra Speaks is about the stories we tell and how those stories become the culture. It's…
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
I love this book not just because of its enduring importance - Woolf remains a towering feminist figure - but because of its vivid, imaginative writing.
Based on lectures given to female students at Cambridge, Woolf’s essay argues powerfully for the intellectual independence of women. Such independence, she reasons, must first be materially possible, hence the female writer’s need for that famous "room of one’s own."
To exemplify this, Woolf imagines a certain Judith Shakespeare, the playwright’s equally talented sister: would she not be incapable of achieving the same success as her brother owing to the patriarchal structures of society? In our post-Me Too world a century later, the question remains vital.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.
Science fiction and Fantasy have always been about exploring new ideas in novel ways—right from the beginning, Mary Shelley saw the story of Frankenstein as a chance to explore ideas of liberation and equality that, at the time, were too uncomfortable for mainstream stories. Since then many writers have found success by mashing up sf with other literary genres to discover the boundaries—and the gray areas—between them. In my latest book I explore the deep connection between horror (the fear of the unknown) and sf (the drive toward wonder). Some of my most cherished books have similarly charted these murky borderlands.
This science fiction and mystery story is about an astronaut from a world without men crashes on Earth and blows all our minds… except we’re also reading a story about a woman living in our 1970s, and a parallel Earth where WWII never happened… it gets a little confusing, in a really fun way.
Russ uses this engaging, sometimes funny, sometimes tragic multiverse story to explore topics of sex essentialism and gender fluidity in a way that still feels bracing and mind-expanding today.
You could say this is as much a philosophical treatise as a novel but that makes it sound like it isn’t any fun, when in fact it’s a blast. If you’re open to a far-out read you will not be disappointed.
A landmark book in the fields of science fiction and feminism.
Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other's worlds each woman's preconceptions on gender and what it means to be a woman are challenged.
Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power.
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