100 books like The Vegetarian

I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinn is an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?

Becoming a mother rocked my world in countless ways, drawing me to books that explore the raw, unfiltered truth about how challenging motherhood can be. The complexities—the love, guilt, and frustration—resonate deeply with me. Motherhood is also why I started writing; initially, I wanted to process the overwhelming emotions I was feeling. When I began sharing my writing with friends, their “Yeah, me too's” made me realize I wasn’t alone. I have deep respect for authors who can capture the messiness of motherhood so honestly, and I’m inspired by their ability to put into words what so many of us experience.

I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age. 

I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.

I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.

Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection, Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.

Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.

I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinn is an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?

Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection, Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.

Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection, Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.