Look, it’s simple really. Peter Pan visited me when I was young, abducted me, and showed me that remaining a big kid is much more beneficial than becoming a boring adult with too many responsibilities. I’ve published multiple MG books and prefer this genre’s colourful, exciting stories. I’m also Australian, and we have a weird sense of humour, so I’m not sure if that classifies as expertise on this particular subject, but let’s go with that.
Children will find this funny. How could they not, when the entire book is through the perspective of an actual imaginary friend, getting up to mischievous antics? For adults though, it's more like Toy Story 3 as you realise the imaginary friends are contemplating their own mortality, wondering how they could possibly survive when their friends literally disappear once the human stops 'believing' in them. So, look, 50/50 from a comedic level. Solid 90 for overall enjoyment.
Budo is Max's imaginary friend. He and his fellow imaginary friends watch over their children until the day comes that the child stops imagining them. And then they're gone. Budo has lasted a lot longer than most imaginary friends - four years - because Max needs him more. His parents argue about sending him to a special school. But Max is perfectly happy if everything is just kept the way it is, and nothing out of the ordinary happens. Unfortunately, something out of the ordinary is going to happen - and then he'll need Budo more than ever...
It all happened so quickly. First, animals became infected with the virus and their meat became poisonous. Then governments initiated the Transition. Now, 'special meat' - human meat - is legal.
Marcos is in the business of slaughtering humans - only no one calls them that. He works with numbers, consignments, processing. One day, he's given a gift to seal a deal: a specimen of the finest quality. He leaves her in his barn, tied up, a problem to be disposed of later.
But she haunts Marcos. Her trembling body, and watchful gaze, seem to understand. And soon, he becomes…
I have been a student of the history of ideas, with a particular interest in political thought, for over forty years. I have read countless books, both ancient and modern, and in several languages, that explore themes related to public life. I am a dedicated citizen of a contemporary liberal democracy, but today, I live in fear of a growing backlash against liberal democracy. The risk of democratic backsliding in the contemporary US is real as citizens become more disillusioned with politics. In other liberal democracies, some party leaders are adopting populist rhetoric to enhance their electoral appeal, but in doing so, they are undermining some of the established norms of public life.
I love reading Montaigne. Montaigne offers a wide window into the human experience.
He combines a grand knowledge of literary tradition with incredibly insightful commentary on human psychology. His focus on the outlier and the extraordinary in his observations and short essays (e.g., the cannibals in early modern Brazil) challenge our suppositions about the world.
He served as mayor of his local city of Bordeaux for several years, and while he expresses some skepticism toward the good that grand politics can do, he still encourages his readers to seek to better their world in the ways that are available to them.
Michel de Montaigne was one of the most influential figures of the Renaissance, singlehandedly responsible for popularising the essay as a literary form. This Penguin Classics edition of The Complete Essays is translated from the French and edited with an introduction and notes by M.A. Screech.
In 1572 Montaigne retired to his estates in order to devote himself to leisure, reading and reflection. There he wrote his constantly expanding 'assays', inspired by the ideas he found in books contained in his library and from his own experience. He discusses subjects as diverse as war-horses and cannibals, poetry and politics, sex…
Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection,Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.
Somehow insidious yet funny,The Edible Womanexplores emotional cannibalism and the destructive power of man-woman relationships. Our protagonist, Marian, exists in a world of robotic emotions and mechanical compulsions. When faced with her upcoming nuptuals, Marian begins to see food as living and suffering entities, and as this modern fable progresses, we begin to understand the nature of humanity is to eat or be eaten.
Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancee and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach ... The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and desire to be consumed.
I landed in Samoa when I was 36 and spent the next 26 years there, working for environmental, cultural, and historical resource preservation. The islands took me in. I found in the islands a natural and social intimacy unlike any I had known possible back stateside. I became committed to conserving it from the incursions of continental crudity. My final 13 years there I was State Historic Preservation Officer for American Samoa. Before I left, I wrote a series of novels to share by illustration what I had managed to learn about the cultural interface.
OK, I’m a historian. I think the origins are interesting. Herman Melville’s book was there at the start of intruder tales. It is also a virtual time transformer, transporting the reader to a vivid other time and place. The narrative is based on Melville's experiences on the island of Nuku Hiva in the Marquesas Islands, where he deserted the ship to hang out. The prose, like Stevenson’s, has that considered, flowing, Victorian narrative style I find refreshing—the type of prose you wrote slowly with a quill pen.
This book and its subsequent sister volume Omoo were Melville’s most famous books in his lifetime, far better known than Moby Dick. It is considered a classic in travel and adventure literature.
What is there to say that not everyone else has said by now? This book was just fun! Sure, it's about two serial killers in a competition who slowly fall for each other, and I’ll never look at cookies and cream ice cream the same after reading this (if you know, you know), but it was still fun.
I couldn’t put it down, and it combined my favorite things: Serial Killers and witty banter that was just to die for! By far, it's one of the most unique books I’ve ever read, and I can not wait for Leather & Lark!
“I want to ruin her so that she’s mine, my beautiful disaster. My wild creature. My goddess of chaos.”
The viral TikTok friends-to-lovers dark romantic comedy full of murder, chaos, and sizzling chemistry―unlike anything you’ve read before―now available in all bookstores
When a chance encounter sparks an unlikely bond between rival murderers Sloane and Rowan, they find something elusive―the friendship of two like-minded, pitch-black souls who just happen to enjoy killing other serial killers.
From small-town West Virginia to upscale California, and from downtown Boston to rural Texas, the two hunters collide…
I’m currently on the 3rd book in the He Who Fights Monsters series.
The story is completely unconventional yet strangely engrossing. It feels like a Dungeons & Dragon game with a phenomenal Dungeon Master. The audio narrator is incredible, although there are a ton of stats listed, and having them all read every time gets seriously tedious.
The combat scenes are unique enough to be engaging and the social intrigue (and fun powers) balance it all out. The level of detail in the world-building and magic system feels like Name of the Wind. (My favorite book of all time.)
I highly recommend He Who Fights Monsters to high fantasy lovers and players of role-playing tabletop games. Be warned: It’s not quite as accessible to the less-nerdy.
Jason wakes up in a mysterious world of magic and monsters.It’s not easy making the career jump from office-supplies-store middle manager to heroic interdimensional adventurer. At least, Jason tries to be heroic, but it's hard to be good when all your powers are evil.He’ll face off against cannibals, cultists, wizards, monsters...and that’s just on the first day. He’s going to need courage, he’s going to need wit, and he’s going to need some magic powers of his own. But first, he’s going to need pants.After cementing itself as one of the best-rated serial novels on Royal Road with an astonishing…
Food and architecture have been dual passions in my life for as long as I can remember. My grandparents had a hotel in Bournemouth, and I can still recall my fascination with the way everything changed as I passed through the green baize doors between the service areas and the public rooms. I became an architect, but food was always there in the background, and much later, I realised how I could bring the two together in order to describe the world in a completely new way. This led to my first book, Hungry City,and its follow-upSitopia,both of which have changed the way I see the world.
The Rituals of Dinner opened my eyes to the power and complexity of eating with other people – something we all do throughout our lives – and the profound ways in which this affects our relationships with friends and strangers alike.
The book delves into the history of the shared meal, dissecting various rituals which, despite regional differences, nevertheless have common threads across the world, for example in the deep, often hidden power that lies in the relationship between host and guest (words that both derive from the same root, ghostis) and the strong, even life-changing implications of knowing how to behave at dinner.
This is a fascinating and beautifully written book that will have you thinking about the way we eat long after you have finished it.
With an acute eye and an irrepressible wit, Margaret Visser takes a fascinating look at the way we eat our meals. From the ancient Greeks to modern yuppies, from cannibalism and the taking of the Eucharist to formal dinners and picnics, she thoroughly defines the eating ritual.
"Read this book. You'll never look at a table knife the same way again."-The New York Times.
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
Cormac McCarthy does the impossible in this book—he writes an emotionally satisfying, literary-minded travelogue of horrors. It shatters the reader but then lifts them up with its beautifully wrought prose.
Be patient: the novel gets brutally dark before the light.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
Old Bonestakes the historical events of the
Donner Party and infuses them with the urgency of a modern-day treasure hunt:
the search for a rumored lost camp that will reveal secrets from the ill-fated
expedition.
I first picked up the book expecting an enjoyable (if predictable)
mystery flavored by historical events. But it was an unexpected treat to
discover that the book is an incredibly smart, twisty thriller that kept me
guessing right up to the last few pages.
It’s rare to find a mystery/thriller
that truly surprises, but this book pulled it off, and that’s what makes
it a winner.
The latest pulse-pounding thriller from New York Times bestsellers Preston & Child.
Nora Kelly, a young curator at the Santa Fe Institute of Archaeology, is approached by historian Clive Benton with a once-in-a-lifetime proposal: to lead a team in search of the so-called 'Lost Camp' of the tragic Donner Party. This was a group of pioneers who earned a terrible place in American history when they became snow-bound in the California mountains in 1847, their fate unknown until the first skeletonized survivors stumbled out of the wilderness, raving about starvation, murder-and cannibalism.
Benton tells Kelly he has stumbled upon an…
