My connection with the Andean highlands of southern Peru stretches back to 1975 when I spent about a year in a small community of Quechua-speaking potato farmers and llama herders. I have returned there many times over the years, most recently in 2019. Its people, their way of life, and vision of the world are dear to my heart and are the subject of The Hold Life Hasas well as a play, creative nonfiction, and, more recently, poetry. I love the way anthropology forces me to think outside the box and experience the world with different eyes, something I aim to convey in my work.
This was a groundbreaking book when it came out in Peru in the 1970s. It’s the life stories of a street porter in the city of Cuzco and his wife, a market vendor, as they were told to a pair of Peruvian anthropologists. Monolingual in Quechua and living on the street, Gregorio and Asunta were at the very bottom of the social ladder, yet they recount their hard lives with such eloquence, humor, and grace that their words leap from the page. This is essential reading for anyone interested in Andean people, and a book you’ll never forget.
Gregorio Condori Mamani and Asunta Quispe Huaman were runakuna, a Quechua word that means "people" and refers to the millions of indigenous inhabitants neglected, reviled, and silenced by the dominant society in Peru and other Andean countries. For Gregorio and Asunta, however, that silence was broken when Peruvian anthropologists Ricardo Valderrama Fernandez and Carmen Escalante Gutierrez recorded their life stories. The resulting Spanish-Quechua narrative, published in the mid-1970s and since translated into many languages, has become a classic introduction to the lives and struggles of the "people" of the Andes.
Andean Lives is the first English translation of this important…
By Jorge Aguilar Mora, Josefa Salmón, and Barbara C. Ewell
Author
Why are we passionate about this?
As professors of Latin American Studies, with more than 35 years of teaching experience on these topics, and as Latin Americanists who have lived experiences in our countries of origin, we can connect to themes of social justice as well as the wonders that indigenous cultures can offer globally in the fight against climate change as well as social and racial injustices. When we were students in the US, these texts gave us ways to reconnect to our roots; as professors, they offered us ways to connect with today’s students searching for global justice and service to others. These books help us to realize that there are other ways of looking at the world.
As a person from the Andes—and moreover from Bolivia, from a small town in an Andean valley—I also lived and grew up in the US, and I always had to explain where I was from, because so little was known of Bolivia’s geographical location, not to mention its indigenous cultures. The Huarochiri manuscript, in its English translation, is one of the earliest oral testaments of the experience of indigenous peoples under Spanish rule: it’s a testament to their oral tradition and beliefs, it’s a testament of cultural survival, coded in their myths, such as that of the Fox’s Tail, explained as cosmological knowledge in our Anthology. I love this book because it brought me back to understanding my own roots and traditions, it was a source of pride, and it undermined all the negative school teachings about Andean indigenous cultures. Originally written in Quechua, it underwent a translation into…
One of the great repositories of a people's world view and religious beliefs, the Huarochiri Manuscript may bear comparison with such civilization-defining works as Gilgamesh, the Popul Vuh, and the Sagas. This translation by Frank Salomon and George L. Urioste marks the first time the Huarochiri Manuscript has been translated into English, making it available to English-speaking students of Andean culture and world mythology and religions.
The Huarochiri Manuscript holds a summation of native Andean religious tradition and an image of the superhuman and human world as imagined around A.D. 1600. The tellers were provincial Indians dwelling on the west…
In 2019, I spent a year traveling around the world with my husband and two small kids. These days, we still travel whenever we get the chance, soaking up as many cultures, landscapes, and experiences as possible. Wherever we go, we read books set in our destination, usually by local authors, which deepens our connection to the places we visit. But you don’t need a plane ticket for a good book to transport you overseas. Here are a few of my favorite reads guaranteed to immerse you in faraway lands, even as you sit on your favorite couch at home.
I read this one in preparation for my family’s visit to Machu Picchu, that mystical ancient ruin nestled on a Peruvian mountaintop among the cloud forests. It was the perfect prep.
Adams combines a well-researched history of Machu Picchu and its rediscovery with his own personal trek to see it all for himself. It was perfect for me—I was curious about what Machu Picchu was, and I love the laughs that come from reading self-deprecating “adventurers” who find themselves surrounded by characters and perhaps a bit too deep.
What happens when an unadventurous adventure writer tries to re-create the original expedition to Machu Picchu?
In 1911, Hiram Bingham III climbed into the Andes Mountains of Peru and “discovered” Machu Picchu. While history has recast Bingham as a villain who stole both priceless artifacts and credit for finding the great archeological site, Mark Adams set out to retrace the explorer’s perilous path in search of the truth—except he’d written about adventure far more than he’d actually lived it. In fact, he’d never even slept in a tent.
I’m a writer, living in southwest France since 1995, and previously in Kenya for 20 years. Travel has always been my passion. I’ve written about hiking across France in Best Foot Forward, touring the perimeter by camping car in Travels with Tinkerbelle, cycling through the Marne Valley in The Valley of Heaven and Hell, and a Kenyan safari in Safari Ants, Baggy Pants and Elephants. Recently, due to COVID and with an elderly dog that suffers from separation anxiety, I couldn't leave for any length of time; I satisfy my wanderlust by reading other people’s adventures. My taste is for tales that include plenty of humour, and I’ve selected five which I have particularly enjoyed.
A vivid, amusing account of the author and her friend cycling and sleeping in the wild from Bolivia to Argentina. It is a story of determination and endurance as they push themselves to the extreme, always taking the hardest, highest route. Exhaustion, frustration, and sickness put their friendship to the test.
As somebody who is the polar opposite, always seeking the easiest way, I was fascinated by this couple’s approach to adventure, and awed by their achievements.
**WINNER of the 2020 Amazon Kindle Storyteller Literary Award**
"Llama Drama is simply hilarious. If anyone wants something witty and moving at the same time. Also, something empowering, then this is the one for them. I literally inhaled it." - Claudia Winkleman, TV Presenter and Author
What Amazon readers are saying about Llama Drama:
★★★★★ “Loved every minute of it!”
★★★★★ “An antidote for the madness of 2020”
★★★★★ “Truly inspiring”
★★★★★ “A brilliant book for anyone interested in travel, conquering their fears, cycling, adventure, South America”
I am a professor of Latin American history at the University of North Carolina at Chapel Hill. My teaching and research focus on Andean history, and I have written several books on the period of political violence that pitted guerrillas of the Shining Path and Tupac Amaru Revolutionary Movement (MRTA) against Peruvian security forces and peasant militias during the 1980s and 1990s. I have been researching in Peru for twenty years, from Lima’s shantytowns, to the Andes mountains, to the Amazon jungle. A Peruvian-American, I maintain strong family ties to the region and am a proud, yet frequently heartbroken, supporter of the national soccer team.
Few scholars possess the ability to take complex historical situations and present them in a manner that is equal parts educational, palatable, and engaging. Brooke Larson is one of those rare talents. When I was in graduate school, I devoured Larson’s Cochabamba, and soon found myself looking to get my hands on anything authored by her. Needless to say, I was eager to read Trials of Nation Makingwhen it was released. I was not disappointed. This wonderfully engaging history examines the role that race and ethnicity played in the framing, founding, and forming of Andean republics, where Creole elites sought to solve the so-called “Indian Problem.” But this is no top-down history. As Larson masterfully illustrates, Indigenous historical actors employed a range of strategies—from legal action to open rebellion—to demand participation in nation-making processes.
This book offers the first interpretive synthesis of the history of Andean peasants and the challenges of nation-making in the four republics of Colombia, Ecuador, Peru, and Bolivia during the turbulent nineteenth century. Nowhere in Latin America were postcolonial transitions more vexed or violent than in the Andes, where communal indigenous roots grew deep and where the 'Indian problem' seemed so daunting to liberalizing states. Brooke Larson paints vivid portraits of Creole ruling elites and native peasantries engaged in ongoing political and moral battles over the rightful place of the Indian majorities in these emerging nation-states. In this story, indigenous…
As a geologist, I met and shared meals – occasionally under the stars – with individuals with strikingly different backgrounds. In time I realized that, whatever their DNA, they all shared certain beliefs, that the happy dead eventually go upward, for example, even if they start by going down or out to the horizon. Eventually, I concluded that the entire human adventure began in a single moment the day one of our forebears asked another "What shall we do about death?" and was understood. Humans have a single genetic heritage; we also have a single cultural heritage.
My personal background and fieldwork have been in North America, Africa, and Europe. Sullivan's book opened the world of ancient South America for me. The Incas lived in a Sacred Kingship, an institution in which Church and State were one, invented in ancient Mesopotamia and diffused as far as the Andes, carrying with it a promise of eternity. In Sacred Kingships, the King was to funnel the essence of the undying Heavens into the ways of Earthbound mortals. Sullivan shows how this all went dreadfully wrong for the Incas when they began to treat mythological notions as literally true, applying the technical language of myth to the real world.
Step by step, Sullivan pieces together the hidden esoteric tradition of the Andes to uncover the tragic secret of the Incas, a tribe who believed that, if events in the heavens could influence those on earth, perhaps the reverse could be true. Anyone who reads this book will never look at the ruins of the Incas, or at the night sky, the same way again. Illustrations.
I've been making messes with paint, string, and words, as well as in love, mothering, and in virtually every other way imaginable my whole life. Eventually, an expertise began to grow, and the confusion in my life began to make sense through my creations, while at the same time, the seemingly irrelevant words and textures I was making started to tell me something about my life. Eventually, my lived experience and training in the Expressive Arts Therapies have led me to the roles of teacher, educator, and contemplative artist. If we pay attention to what we express and how we express things, we can find our way through any mess we find ourselves in.
A great insight in my life has been realizing that the Western world has tricked us into believing there is only one way to know and understand the world.
What do stories of ancient cultures from across the world have to do with creativity and healing? Wade Davis has spent his life living intimately with other cultures and plants; the lessons captured in this book require us to take pause and realize everything we have taken for granted about what we know and how we know it.
As Davis says, "rediscovering the diversity of the human spirit" requires us to unshackle ourselves from our biases and recognize that some things can’t be explained or understood through the narrow lens of the Western world.
Creativity and the imagination are fundamental to being human; this book caused me to question what I was missing by not fully recognizing them as a way…
Every culture is a unique answer to a fundamental question: What does it mean to be human and alive? In The Wayfinders, renowned anthropologist, winner of the prestigious Samuel Johnson Prize, and National Geographic Explorer-in-Residence Wade Davis leads us on a thrilling journey to celebrate the wisdom of the world's indigenous cultures.
In Polynesia we set sail with navigators whose ancestors settled the Pacific ten centuries before Christ. In the Amazon we meet the descendants of a true lost civilization, the Peoples of the Anaconda. In the Andes we discover that the earth really is alive, while in Australia we…
Until I did my own animal-accompanied journey with Mollie and Peggy in 1984, my only association with animals on the trail was inadvertently with a collection of cockroaches in my backpack. It was when Bradt decided to add to their anthologies with a collection of stories about travelling with animals in 2018, Beastly Journeys, that I was able to read a wide variety of books on the topic. A delightful exercise!
Like the Stevenson book, this is also about travelling with a donkey, but what makes this narrative special is the author’s hatred of his pack animal. This will sound instantly off-putting but John’s descriptions of Dapple’s transgressions are very, very funny and his fury is never translated into violence towards the animal. There are lyrical descriptions of the landscape in northern Peru, but it is for the humour that I return to this book from time to time. I’m a sucker for any book about Peru, the subject of my early adventures and very first guidebook, and this is one of the most enjoyable.
In every atlas there is a country missing from the maps of South America: the Andean nation. For five months John Harrison journeys through this secret country, walking alone into remote villages where he is the first gringo the inhabitants have ever seen, and where life continues as if Columbus had never sailed. He lives at over 10,000 feet for most of the trip, following the great road of the Incas: the Camino Real, or Royal Road. Hand built over 500 years ago, it crosses the most difficult and dangerous mountains in all the Americas, diving into sweltering canyons and…
I became fascinated by the science, technology, and social landscape of mining during my time teaching English in the Cerro Colorado copper mine in the north of Chile. Listening to miners and their families speak to each other gave me a small sense of the knowledge embedded in the language of mining communities. The experience showed me just how little I knew about metals and how much they shape our world, from the copper wiring in phone chargers to expressions like “mina” (mine/woman). That curiosity led me to a PhD program and to write my first book, Mining Language.
In this methodologically creative approach, Rossana Barragán narrates the history of colonial Andean silver through images. The slim, 90-page book is organized around 12 images and their global movements. Barragán expertly analyzes scenes of underground mining that other European empires used to justify their own violence, depictions of the Cerro Rico that appealed to Ottoman sensibilities, and the architecture of the mint of Antwerp, the city responsible for coining much of Potosí’s silver and printing many of the books and images that shaped early modern understandings of the Andes. Readers looking for an accessible history of the global consequences of Potosí will be well-served by Barragán’s work.
I became fascinated by the science, technology, and social landscape of mining during my time teaching English in the Cerro Colorado copper mine in the north of Chile. Listening to miners and their families speak to each other gave me a small sense of the knowledge embedded in the language of mining communities. The experience showed me just how little I knew about metals and how much they shape our world, from the copper wiring in phone chargers to expressions like “mina” (mine/woman). That curiosity led me to a PhD program and to write my first book, Mining Language.
Mangan’s work completely changed the way that I thought about the colonial mining industry and the complexities of Andean gender systems. Through careful case studies and historical scholarship, Mangan gives voice and texture to the lives of Andean market women, artisans, and ordinary miners who filled the streets of Potosí and its surrounding communities. Trading Roles translates global histories of credit, market capitalization, and urbanization into intimate details of family and community life, and in so doing makes it clear that gender was – and is – a central part of Andean mining history. Readers interested in the interactions of gender, commerce, and Indigenous politics in urban spaces will be well-served by Mangan’s work.
Located in the heart of the Andes, Potosi was arguably the most important urban center in the Western Hemisphere during the colonial era. It was internationally famous for its abundant silver mines and regionally infamous for its labor draft. Set in this context of opulence and oppression associated with the silver trade, Trading Roles emphasizes daily life in the city's streets, markets, and taverns. As Jane E. Mangan shows, food and drink transactions emerged as the most common site of interaction for Potosinos of different ethnic and class backgrounds. Within two decades of Potosi's founding in the 1540s, the majority…
