As an avid explorer having thrice traveled around the world, living and working in over 40 countries, my inspirations as so originally science fiction have found grounding. I looked to level my imagination in the real world and filtered out the impossible from the unnecessary on a path to utopia. Sharing our ideas, exposing misgivings too, all contribute to a shared realization of human potential. This is much of the reason for who I am as a founder of business platforms I designed to achieve things that I envisage as helpful, necessary, and constructive contributions to our world. Those software endeavours underway in 2022, and a longtime coming still, are Horoscorpio and De Democracy.
For the vastly impossible feat of presenting a sequel to a thoroughly immersive narrative, this did impress. The lead out of the original gives the feeling of the impossible and so it was delivered. Brokering A.C. Clarke's range of brilliance plus getting into the popular references of my youth, in the cyberpunk, virtual reality, corporate elite defining drama, aren't we all familiar with dystopia by now? Where or when does the apocalypse become inevitable and what are you steering towards there or then? I was awe-inspired by this handling of ethical uses of hyper-tech which is one I left up to my reader's imagination by the end of my own series. Whether imagined VR can ever become a coded reality, or if it's only ever going to be imagination, this is the challenge of the Age of Aquarius.
Days after winning OASIS founder James Halliday's contest, Wade Watts makes a discovery that changes everything.
Hidden within Halliday's vaults, waiting for his heir to find it, lies a technological advancement that will once again change the world and make the OASIS a thousand times more wondrous - and addictive - than even Wade dreamed possible.
With it comes a new riddle, and a new quest: a last Easter egg from Halliday, hinting at a mysterious prize.
And an unexpected, impossibly powerful, and dangerous new rival awaits, one who'll kill millions to get what he wants.
Alien invasion is just another form of apocalypse. The terrible truth is, our civilization and our world can end in many different ways. I think of myself as being on a life-long quest to read as many variations as possible. No matter how things end, I’m always interested in how authors portray human survival. Even when we inflict harm on ourselves, humanity always seems to be capable of bouncing back. It’s a form of optimism that I just can’t resist. I try to include some of that hope in everything I write.
This is the first collection of short stories I’ve encountered that deals specifically with the aftermath of an Earth-shattering alien invasion, dwelling mostly on what humans do in the ruins after the aliens have packed up and gone home. I hadn’t really thought about that part of an invasion story before. As difficult as rebuilding would be, I was heartened to read about the satisfaction the survivors got from reclaiming what they had lost. Now that I’ve read this, it’s an aspect of the post-apocalyptic genre that I’d like to see more of.
Humanity was unprepared for the Xanite invasion of Earth. After decades of world-wide destruction, global infrastructure crumbled and cities fell into ruin.
As the calamity unfolded, a new generation of heroes confronted an uncertain future. They came from all walks of life – some wearing camouflage, while others were garbed in food service whites. These men and women worked courageously to stem the collapse of human civilization.
It would take new thinking and new beliefs to bring about a better future and deal with the alien menace. These are some of their stories of bravery and determination.…
I'm an Australian who fell in love with Africa in my 30s. I've now written 20 thrillers set in Africa and several non-fiction biographies. My wife and I have travelled extensively on the continent and now spend at least half our lives in Africa, and the remainder in Australia. I'm passionate about Africa's people, wildlife, and fragile natural environment. While my books focus on some of the continent's problems – especially the illegal trade in wildlife – I'm a sucker for a happy ending and find no shortage of positive, inspirational people on my travels who serve as the inspiration for the good guys and girls in my stories.
South African author Deon Meyer is, in my opinion, the best crime writer in the world. Most of his books are detective stories set in Cape Town, but Fever was a radical departure for him. As an author, I know how important it is for me to keep myself engaged and interested in my writing and not become stale. Deon shook up his readership with this tale of a fictional pandemic (written before Covid 19) and its impact on South Africa. Brilliant and scary and top marks to Deon for leaping out of his comfort zone.
'UK readers, you have a nice surprise coming. No, not Brexit, FEVER, by Deon Meyer. Reminiscent of THE STAND and THE PASSAGE. Great stuff' STEPHEN KING
'An epic read that has a dystopian feel and makes you ask the question: What if?' SUN
I want to tell you about my Father's murder.
I want to tell you who killed him and why.
This is the story of my life.
And the story of your life and your world too, as you will see.
Nico Storm and his father drive across a desolate South Africa, constantly alert for feral dogs, motorcycle…
Books that make me feel uncomfortable are usually the ones that have stuck with me most over the years. There’s just something so alluring to me about an author who can effectively bring out that feeling in readers. When I started writing stories, I wanted to make my readers squirm – I wanted to layer the guts and gore with underlying psychological themes that made the violence and trauma that much more impactful. These books that I mentioned acted almost as study guides on how to blend shocking violence with themes of loneliness, depression, and rage. If you layer these correctly, you’re going to effectively be able to make your reader uncomfortable and your stories memorable.
This is a truly bizarre novel that can be read in one sitting, but it’s worth every page. Dripping with creativity, this book is a tour of a truly imaginative world unlike anything else I’ve read. The characters and locations will stick with you long after you finish it and the loss the main character feels resonates in a way you’ll never expect.
In a world made out of meat, a socially-obsessive monophobic man finds himself to be the last human being on the face of the planet. Desperate for social interaction, he explores the landscape of flesh and blood, teeth and tongue, trying to befriend any strange creature or community that he comes across.
I lived in small towns with “ordinary” people most of my life, so books where people from small towns contend with situations beyond the ordinary fascinate me. I also served in the US Army as a nuclear, biological, and chemical operations specialist and am a military history buff, so anything with a military spin is all that more engaging for me and I developed a morbid fascination for just how easy it would be for us to end civilization as we know it. Therefore, military science fiction and post-apocalyptic fiction are among my favorite genres.
Unlike the typical post-apocalyptic fare of nuclear war or other identifiable disasters, Dies the Fire posits an interesting question: What if everything just stops working? Everything we rely on to drive modern society, from combustion to electricity, fails. Against this backdrop, a cast of characters from varied backgrounds all must struggle to adapt to this new reality. Civilization falls apart, and new orders spring up in their place. What drew me most to this was the different ways in which the characters responded to this situation. Some seek simply to survive, while others seek to exploit this new reality for their own gains at the expense of others.
S. M. Stirling presents his first Novel of the Change, the start of the New York Times bestselling postapocalyptic saga set in a world where all technology has been rendered useless.
The Change occurred when an electrical storm centered over the island of Nantucket produced a blinding white flash that rendered all electronic devices and fuels inoperable—and plunged the world into a dark age humanity was unprepared to face...
Michael Pound was flying over Idaho en route to the holiday home of his passengers when the plane’s engines inexplicably died, forcing a less than perfect landing in the wilderness. And…
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
Louise Welsh has written three novels about a pandemic called the Sweats – her Plague Times trilogy. This is the second book in the series. I particularly liked this one because its protagonist, Magnus, is a Scottish not-very-good stand-up comedian, and I too was once a not-very-good aspiring comic! After a series of unfortunate events, Magnus ends up in prison, where the disease is rife. Breaking out, he decides to make for his childhood home on Orkney, accompanied by fellow escapee Jeb. The fast-moving plot will keep you racing through this book.
Longlisted for the Theakstons Old Peculiar Crime Novel of the Year
The second instalment in the thrilling new Plague Times trilogy from the author of A Lovely Way to Burn.
Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, he is a man on the run and there is nothing to laugh about.
Thrown into unwilling partnership with an escaped convict, Magnus flees the desolation of London to make the long journey north, clinging to his hope that the sickness has not reached his family on their remote Scottish…
I’m just a guy, a normal guy who enjoys thinking and writing about things that can nudge humanity along towards peace. If everybody thought just a little bit about it, we’d have it.
A classic shocker. When I first read this book sometime around 50 years ago, I was shocked at how quickly the characters reverted to a primal state.
Now, that I’m older and wiser, I’m still shocked. I’m shocked at how easily the characters went primal, because I think that is a sad reality, that for most people, civility is a thin veil easily torn by the right circumstance.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
At the time, when I read this book, I’d just become a father. Naturally, the story about a father trying to protect his son in a harsh dystopian world was captivating for me and still is to this day.
I loved the book's gritty realism and felt as if I were walking beside the characters during the entire journey. I also found McCarthy’s writing style unique and something new from the best-selling paperbacks I’d often read before picking up his book.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I am a writer, an anthropologist, and a mother. I spent five years researching ancient human survival skills and learning from modern wilderness survival experts about how to live the original Homo sapiens lifestyle. I became deeply invested in the importance of these skills amidst climate change and digital transformation because they connect us to our evolutionary heritage and safeguard our species’ survival into the future if and when our civilization collapses (as all past civilizations have done!) I find hope in being prepared for the possible demise of our industrial system, embracing the opportunities that arise instead of trying to preserve it at all costs.
The secret to mastering your apocalypse experience is to think of it not as surviving, but as thriving—in the way that humans did for over 300,000 years as hunter-gatherers.
This book will drop you into that mindset as you read about how far our modern civilization has deviated from our original lifestyle, and the huge price we have paid for all of our comforts, conveniences, and technological wizardry.
This book may make you want to adopt an apocalypse-ready lifestyle even in the absence of societal collapse, since the new path he proposes offers so much in terms of improved health and wellbeing, rewarding outdoor activities, and IRL interaction (enjoy more sex, he says).
A New Path takes a candid look at the contemporary lifeway of humans in an attempt to reinstate our biological norms--patterns of living that define each species on the planet. Whether one is to discuss a wolf, a caribou, or an eagle, there are features of these animal's lives that define them. Given their unique adaptations, they are tailored, through evolution, to living in a particular way (e.g., a caribou cannot enjoy the diet of a wolf). This book presents the forgotten species' norms of Homo sapiens and explains that when we deviate from these patterns, we experience sickness of…
There
is nothing like Riddley Walker. No other book offers such a convincing
and immersive portrait of another culture, another place, another time.
In this
case, that place is Kent, England, but deep into the future, where a new culture
and language have emerged after a long-forgotten nuclear
war. Hoban asks readers to make an effort; you have to get your ear in for his
expertly handled broken English, but the returns are enormous.
"A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy...Riddley Walker is haunting and fiercely imagined and-this matters most-intensely ponderable." -Benjamin DeMott, The New York Times Book Review "This is what literature is meant to be." -Anthony Burgess "Russell Hoban has brought off an extraordinary feat of imagination and style...The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece." -Anthony Thwaite, Observer "Extraordinary...Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time." -Michael Dirda,…
