I’ve clocked so many hours on Fallout 3 and New Vegas(and, less so, on Fallout 4)that it’s disgusting, but my real love of wastelands began with T.S. Eliot. His poem (The Waste Land), with its evocative imagery, fascinated me in university. While not about a literal wasteland, it inspired me to seek out stories of that vein. I even have a tattoo with a line from it! What Branches Growwas the focus of my grad certificate in creative writing and has won two awards. I am a book reviewer, writer at PostApocalypticMedia.com, and the author of the Burnt Shipspace opera trilogy.
This novel takes place thirty years after a disease has reduced most of the human population to a primitive state. A thriller with exceptional action scenes and tension, the novel features two converging plotlines that are quests through South America and the southern United States when it is almost devoid of uninfected humans. As with a lot of post-apocalyptic novels the real villains of the story are other humans—their greed and need for control. While this book came out two years after mine, it resonated with me. The themes of trust run strong in both our novels, as well as lengthy stretches of landscape without any humans.
Thirty years after The Great Fatigue infected the globe - and the treatment regressed most of the human race to a primitive state - Seth Keller makes a gruesome discovery in his adoptive father's makeshift lab. This revelation forces him to leave the safety of his desert home and the only other person left in the world... at least, as far as he knows. Three thousand miles away in the jungles of Costa Rica, Sera Peoples has made her own discovery - just as horrific, and just as life-changing. It will take her far from the fledgling colony of New…
William Ophuls served as a Foreign Service Officer in Washington, Abidjan, and Tokyo before receiving a PhD in political science from Yale University in 1973. His Ecology and the Politics of Scarcity published in 1977 laid bare the ecological, social, and political challenges confronting modern industrial civilization. It was honored by the Kammerer and Sprout awards. After teaching briefly at Northwestern University, he became an independent scholar and author. He has since published a number of works extending and deepening his original argument, most prominently Requiem for Modern Politics in 1997, Plato’s Revenge: Politics in the Age of Ecology in 2011, and Immoderate Greatness: Why Civilizations Fail in 2013.
Tainter makes a powerful and almost irrefutable case for complexity as the key to understanding both the rise and the fall of civilizations. In essence, complexity builds and builds until it is no longer manageable, so collapse ensues. That Tainter does not sufficiently appreciate the role that ecological limits, physical constraints, moral decline, and practical bungling can also play in the process does not detract from the power and utility of his argument. For these latter factors, see my own Immoderate Greatness.
Any explanation of political collapse carries lessons not just for the study of ancient societies, but for the members of all complex societies in both the present and future. Dr Tainter describes nearly two dozen cases of collapse and reviews more than 2000 years of explanations. He then develops a new and far-reaching theory that accounts for collapse among diverse kinds of societies, evaluating his model and clarifying the processes of disintegration by detailed studies of the Roman, Mayan and Chacoan collapses.
Wayward is the sequel to Wanderers, which was my number one favorite read of 2022. These books are incredible for several reasons.
The voice Wendig employs is conversational and impactful, the themes are heavy yet hopeful, and the characters were so real and relatable that I still think of them often, though I finished the book back in January.
Oh, and the mystery at the heart of the plot is so compelling it made this 800+ page doorstopper fly by in no time. This is the first post-apocalyptic story I’ve read that left me feeling ultimately hopeful about humanity’s inherent goodness, and for that, it tops my list.
'Move over King, Chuck Wendig is the new voice of modern American horror' Adam Christopher __________________________________________________________________________
The thrilling sequel to the bestselling Wanderers, a 'career-defining epic [that] deserves its inevitable comparisons to Stephen King's The Stand'. (Publishers Weekly)
Five years ago, they walked across America to a destination only they knew. The sleepwalkers, as the rest of the country named them, were followed by their shepherds: friends and family who gave up everything to protect them. They finally stopped in Ouray, a small town of Colorado that would become one of the last outposts of human civilisation. Because the sleepwalking…
Jonathan Leighton is one of only a few contemporary writers exploring the often very troubling implications of an ethical stance that puts the recognition, reduction, and prevention of the suffering of sentient beings (including animals) first.
And Leighton has set up the Organisation for the Prevention of Intense Suffering to translate his writings into action. In addition to being a reader, I have come to support the work of thisorganisation.
The Tango of Ethicsshould perhaps come with a warning (or is this a kind of promise?): After reading this book, you may never see the world the same way again.
Despite existing for thousands of years, the field of ethics remains strongly influenced by several largely unquestioned assumptions and cognitive biases that can dramatically affect our priorities. The Tango of Ethics: Intuition, Rationality and the Prevention of Suffering proposes a deep, rigorous reassessment of how we think about ethics. Eschewing the traditional language of morality, it places a central emphasis on phenomenological experience and the unique urgency of suffering wherever it occurs, challenges our existence bias and examines the consequences of a metaphysically accurate understanding of personal identity.
A key paradigm in The Tango of Ethics is the conflict and…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
This one’s actually the middle book of Attwood’s Maddaddam trilogy, which deals with the results of “the waterless flood,” a viral pandemic which has wiped out most of civilisation.
The Year of the Flood focuses on the lower classes, which again interests me in terms of the effect on “ordinary” people. There’s a dystopian element here, as Attwood explores the religious sect in which the protagonists find themselves.
NATIONAL BESTSELLER • From the bestselling author of The Handmaid's Tale and The Testaments—the second book of the internationally celebrated MaddAddam trilogy, set in the visionary world of Oryx and Crake, is at once a moving tale of lasting friendship and a landmark work of speculative fiction.
The long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life…
Alien invasion is just another form of apocalypse. The terrible truth is, our civilization and our world can end in many different ways. I think of myself as being on a life-long quest to read as many variations as possible. No matter how things end, I’m always interested in how authors portray human survival. Even when we inflict harm on ourselves, humanity always seems to be capable of bouncing back. It’s a form of optimism that I just can’t resist. I try to include some of that hope in everything I write.
This is the first collection of short stories I’ve encountered that deals specifically with the aftermath of an Earth-shattering alien invasion, dwelling mostly on what humans do in the ruins after the aliens have packed up and gone home. I hadn’t really thought about that part of an invasion story before. As difficult as rebuilding would be, I was heartened to read about the satisfaction the survivors got from reclaiming what they had lost. Now that I’ve read this, it’s an aspect of the post-apocalyptic genre that I’d like to see more of.
Humanity was unprepared for the Xanite invasion of Earth. After decades of world-wide destruction, global infrastructure crumbled and cities fell into ruin.
As the calamity unfolded, a new generation of heroes confronted an uncertain future. They came from all walks of life – some wearing camouflage, while others were garbed in food service whites. These men and women worked courageously to stem the collapse of human civilization.
It would take new thinking and new beliefs to bring about a better future and deal with the alien menace. These are some of their stories of bravery and determination.…
I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.
For much of my academic career, I’ve battled the stereotype that cities are dangerous and deadening places, and certainly not where you want to be caught after plague decimates the population.
Pat Murphy is on my side. She imagines a post-plague San Francisco where the few remaining residents are artists, not bunkered survivalists. Her city “not long after” a plague is a place of creative eccentrics who defend themselves against outsiders with performance art.
Without the excitement of cities, there would be few new ideas, and it is great to find a science fiction book that agrees.
Jax and Danny-Boy, scrambling to get by in a near-future San Francisco ravaged by plague, become fellow artists in their united struggle to stop a tyrannical general from taking over
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I couldn’t look at society the same way after reading this tale of how a group of schoolboys stranded on an island descends, step by step, into savagery. The savagery is inside all of us, and the veneer of civilization that our education puts on it is very thin and easily cracks. Haunting.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
Louise Welsh has written three novels about a pandemic called the Sweats – her Plague Times trilogy. This is the second book in the series. I particularly liked this one because its protagonist, Magnus, is a Scottish not-very-good stand-up comedian, and I too was once a not-very-good aspiring comic! After a series of unfortunate events, Magnus ends up in prison, where the disease is rife. Breaking out, he decides to make for his childhood home on Orkney, accompanied by fellow escapee Jeb. The fast-moving plot will keep you racing through this book.
Longlisted for the Theakstons Old Peculiar Crime Novel of the Year
The second instalment in the thrilling new Plague Times trilogy from the author of A Lovely Way to Burn.
Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, he is a man on the run and there is nothing to laugh about.
Thrown into unwilling partnership with an escaped convict, Magnus flees the desolation of London to make the long journey north, clinging to his hope that the sickness has not reached his family on their remote Scottish…
Set in the near future, this hopeful story of survival and resilience follows Wanda—a luminous child born out of a devastating hurricane—as she navigates a rapidly changing world: A “symphony of beauty and heartbreak” (Associated Press).
A Good Morning America Book Club pick · #1 Indie Next pick · LibraryReads pick · Book of the Month Club selection · Marie Claire #ReadWithMC book club selection · 2022 NPR “Book We Love” · New York Times Editors’ Choice
Florida is slipping away. As devastating weather patterns and rising sea levels wreak gradual havoc on the state’s infrastructure, a powerful hurricane approaches…
