Increasingly, the fiction I’m most drawn to occupies the space between literary and speculative. This space fascinates me both as a reader and a writer. I love stories set in worlds shifted ever-so-slightly from the familiar, where characters are forced to navigate new ways of existing or find ways to escape. Perhaps that’s why so many of my favorite stories—and my first two novels!—tend to feature women in cults or other cloistered communities, caught between their desire for belonging and the potential annihilation of the self. Where do you excavate for happiness in a hostile world? My characters spend their lives trying to answer this question.
Disaster’s Children tells the story of Marlo, raised in a privileged community of wealthy survivalists on an idyllic, self-sustaining Oregon ranch. The outside world, which the ranchers call "the Disaster," is a casualty of ravaging climate change, a troubled landscape on the brink of catastrophe. For as long as Marlo can remember, the unknown that lies beyond the borders of her utopia has been a curious obsession. But just as she plans her escape into the chaos of the real world, a charismatic new resident gives her a compelling reason to stay. And, soon enough, a reason to doubt--and to fear--his intentions. Now, feeling more and more trapped in a paradise that's become a prison, Marlo has a choice: stay in the only home she's ever known—or break away.
The world might obsess over the charismatic men behind horrific famous killings like those of the Manson family, but Emma Cline is far more interested in the girls lurking in the shadows of those sinister figures. Their longings, the way they move through the world, their own capacity for depravity. Cline’s lonely protagonist Evie is drawn into the orbit of a group of beautiful, careless girls in thrall to a cult leader whose violent vision will drive them all toward a night of unspeakable violence. Through Evie’s intense adolescent gaze, we’re inexorably driven along too. This book was one of those lightning-bolt reading experiences for me: it changed the way I thought about language and creating a vivid, indelible sense of place—in this case, the frantic, dreamy savagery of 1960s California.
A gripping and dark fictionalised account of life inside the Manson family from one of the most exciting young voices in fiction.
If you're lost, they'll find you...
Evie Boyd is fourteen and desperate to be noticed.
It's the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful.
If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where…
There is subtle genius in the way Miriam Toews pays such close attention to the humanity of her often heartbreaking characters while also being dryly funny. Set in a closed, conservative Mennonite community, the story unfolds as “minutes” taken by a young man as he listens to a group of women from the community who have discovered they were drugged and assaulted while sleeping, by men they know. (Their fathers, sons, husbands, and friends.) The story is based on a real case, and while the details are chillingly horrific, Toews finds a way for the characters to talk about these things that are warm, humorous, and compassionate, as the women become alive for the first time to their own unexamined power.
Now a major motion picture from writer/director Sarah Polley, starring Rooney Mara, Claire Foy, Jessie Buckley, with Ben Whishaw and Frances McDormand.
INTERNATIONAL BESTSELLER
“This amazing, sad, shocking, but touching novel, based on a real-life event, could be right out of The Handmaid's Tale.” -Margaret Atwood, on Twitter
"Scorching . . . a wry, freewheeling novel of ideas that touches on the nature of evil, questions of free will, collective responsibility, cultural determinism, and, above all, forgiveness." -New York Times Book Review, Editors' Choice
One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For…
Told with lyrical, freewheeling assurance, this campus novel-meets-love story-meets meditation on fanaticism is a short, sharp read that tells the story of Phoebe and Will, whose lives collide and then break apart when Phoebe joins a secretive cult bent on enacting faith-based violence. We spend most of the time in Will’s head, as he carefully recreates the tragic timeline to try to understand Phoebe’s heart and grapple with the long legacy of loss.
'Absolutely electric . . . Everyone should read this book' GARTH GREENWELL'Every explosive requires a fuse. That's R. O. Kwon's novel, a straight, slow-burning fuse' VIET THANH NGUYEN'In dazzlingly acrobatic prose, R. O. Kwon explores the lines between faith and fanaticism, passion and violence, the rational and the unknowable' CELESTE NG'A sharp, little novel as hard to ignore as a splinter in your eye' WASHINGTON POST'Raw and finely wrought' NEW YORK TIMES'The Incendiaries packs a disruptive charge, and introduces R. O. Kwon as a major talent'…
A kind of woman-driven answer to Heart of Darkness cast in modern-day Brazil, this dark and thought-provoking story had me enthralled from the first page. A pharmaceutical researcher, Dr. Marina Singh, journeys into the Amazon on a quest to find her vanished colleague, and on reaching a remote jungle village whose residents harbor a potentially world-transforming secret, she’s forced to reckon with questions of morality, fertility, and her own complicated past. I loved the dreamy, almost hallucinogenic setting and the imaginative premise, all contained within Patchett’s trademark lyrical yet straightforward prose style.
SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION
There were people on the banks of the river.
Among the tangled waterways and giant anacondas of the Brazilian Rio Negro, an enigmatic scientist is developing a drug that could alter the lives of women for ever. Dr Annick Swenson's work is shrouded in mystery; she refuses to report on her progress, especially to her investors, whose patience is fast running out. Anders Eckman, a mild-mannered lab researcher, is sent to investigate.
A curt letter reporting his untimely death is all that returns.
Now Marina Singh, Anders' colleague and once a student of…
The second installment in Atwood’s MaddAddam trilogy, following the dystopian blockbuster Oryx and Crake, proved to be my favorite. Perhaps that’s because the story largely follows the travails of Toby, a fascinating, multi-faceted woman who’s holed up in an erstwhile luxury spa at the end of the world, musing on her recent past as a member of the hippie religious cult God’s Gardeners. Toby is a brilliant and wry guide through this thoroughly immersive ruined world, and Atwood keeps readers on the edge of their seats as we wait to find out what’s left to salvage for the survivors of the waterless flood.
NATIONAL BESTSELLER • From the bestselling author of The Handmaid's Tale and The Testaments—the second book of the internationally celebrated MaddAddam trilogy, set in the visionary world of Oryx and Crake, is at once a moving tale of lasting friendship and a landmark work of speculative fiction.
The long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life…
A contemporary romance novel about second chances, love in the workplace, and balancing single parenthood with a career. Bailey Grant and Fox Goodman have given up on love. They’re working hard, they’re raising kids—romance is the last thing on their minds. Until they get seated next to each other on a flight and realize they have more in common than just the company where they work.
But can a VP date the CEO? How will they make it work? Wait and see how sparks fly in this uplifting, feel-good, dual-narrative romantic read!
Bailey Even from afar, you could feel it: the man's ever-present, effortless charm, looks, and for lack of a better word, swagger. Everyone—and by everyone, I meant every female at Havelin—had speculated about his personal life. We all knew he had two sons, but what about a wife? Not that I cared. I was VP of Quality, a widow, and a mother raising two teenage daughters. Love was the last thing on my mind.
Fox She was staggeringly beautiful. And she didn’t know it. Not even in the slightest. Not a clue. I’d never felt like this before. Even more…
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