The most recommended books about counterculture

Jane Green is an icon in every sense, and this is my absolute favorite of her many bestselling books. I love stories with a strong sense of place, stories that transport me. This book does just that, whisking the reader to a forgotten scene from the Swinging 60s, an ex-pat community in Marrakesh once frequented in real life by the Rolling Stones, the Beatles, Yves Saint Laurent, and other luminaries of the era.

The narrator is an outsider who falls under the spell of Talitha Getty, a magnetic actress and model who presides over the whole swirling scene. This novel feels like the literary equivalent of a starry summer night. 

Davis’ style is analytical swank and this excavation of the 1970s is his odyssean opus. High Weirdness is a fascinating trip of a book in which the psychedelic epiphanies and freak experiences of Terence McKenna, Robert Anton Wilson, and Philip K. Dick are each explored and compared for their extraordinary contributions to “consciousness culture,” and for their entrees on the radical form of realism Davis calls “weird naturalism.” The book serves as a remarkable introduction to each of the trio upon whom Davis has made extensive study, from the epicenter of the weird that was the 1971 Experiment at La Chorrera, to the origins and impact of the Discordian “mindfuck,” to Dick’s “perturbations in the reality field,” notably the 1974 events he named “2-3-74.” In the literature, philosophy, and practice of each we see “freak bricoleurs cobbling together their own technologies of the self.” Across this extensive freakography, we have… show more.

It's 1969, Phyllis is married to a kind man, with two children and a large house in suburban London. Her domestic world is not far removed from a dutiful 50s housewife’s. Then a much younger man, dashing, selfish, and a family friend, kisses her in a dark garden, and her life explodes. She abandons her family and moves to a shabby flat in Ladbroke Grove. A new world opens to her – she meets people of colour, artists, activists, drinkers, and idealists. She experiences sexual freedom and romantic love. Phyllis’s teenage daughter joins her in her new life, and mother and daughter must work out a different kind of relationship. I found myself feeling furious with Phyllis at the same time as emphasising with her.

As an author, I love to cross genres, to redefine the boundaries of established sci-fi norms. Nicole Givens Kurtz does just that. Kill Three Birds is a skillfully executed blend of procedural mystery, fantasy, and political drama.

The premise? An explosive investigation on the murder of local women in an alternative society of humanoid birds organized in castes. A masterclass in world building and characterization.

For many decades, science fiction has been seen, labeled as inflexible, formulaic, and overcomplicated. Nicole Givens Kurtz leads us to new territories: she aims at preserving the complexity and layers of the science fiction genre and subgenres while broadening the spectrum of its themes and narrative structures.

This book explores a generation of women who often overtly questioned gender norms. Theirs was a generation that imagined it would reinvent the world. These women of 1969 looked at labor, family, and politics through a new lens. The author explores the gender politics of the time and its impact on the personal. After all, this was a class at the crossroads. They were faced with the traditional message for middle-class women as wives and mothers while also being told they could have careers. It is important to note that this was Hillary Rodman (Clinton)’s graduating class.

On Commencement Day at Wellesley, Rodham told her classmates, “We are, all of us, exploring a world that none of us understands and attempting to create within that an uncertainty. The only tool we have ultimately to use is our lives.” In response, Horn explores the lives of the women as they explored… show more.

Kurt Vonnegut, Jr.’s son, Mark, wrote this semi-fictional exploratory piece in an autobiographical style while exploring the nature of drug-induced madness coupled with undiagnosed schizophrenia while living an alternative lifestyle in a working commune. Through it all, the nature of humanity is questioned in a humorously chaotic way. And yet he pulls it all together to somehow not only make sense of, but also be enlightened by, the madness of this counterculture lifestyle. 

Mark Vonnegut later returns to university and obtains a medical degree while exploring the use of orthomolecular medicine as a treatment to combat schizophrenia. While successfully obtaining his medical degree, he eventually disavows orthomolecular therapy as a plausible treatment.

In 2021’s most widely-discussed literary novel, Lin, the former enfant terrible of the early 2000s alt-lit scene, rejects that movement’s terse and affectless style in favor of a more startlingly inventive prose alive to everyday experience’s strangeness. This autobiographical novel recounts its narrator’s attempt to wean himself from the toxic habits and substances of our “dominator” society and, through natural foods and psychedelic drugs, to return to a matriarchal cooperative tradition he describes at length. Whatever we think of Lin’s potentially sentimental historiography, he embeds it in a gentle family comedy that effloresces into a tender romance. I appreciate Lin’s countercultural commitment to rejecting fashionable pessimism and unthinking science-worship, and I respect his evolving ethic of personal kindness. It would be preachy if issued as a proclamation, but becomes a practice we can all learn to share when shown in a novel.

Vibrant countercultural scenes grounded in local rock movements transpired across virtually every country in Latin America during the 1960s-70s. There are now several important books that examine various facets of these countercultural movements, and Barr-Melej’s is one of the best in that respect. Focusing on the brief period of Socialist President Salvador Allende (1970-73), his discussion of Chilean jipis and the political battles waged by the Left to contain this so-called foreign import is fascinating. The book falls short in providing an earlier context to the rise of Chile’s countercultural movement and ends abruptly with the rise of dictatorship—a period that transformed rock music into a site of active political protest. But its merits outweigh its shortcomings, especially the lively narration about the Piedra Roja rock festival, Chile’s equivalent of Woodstock. 

I’ve known Barr-Melej for many years and eagerly awaited the publication of this book, which was one of only… show more.

Carol Clerk was something of a rock star in her own right: a major force in music writing, Clerk’s tough, witty voice continues to resound years after her untimely passing. Her biography of countercultural hippy icons Hawkwind is fascinating, and she weaves together the voices, memories, tales, and travails with effortless brio. Like Nina Antonia, she had a kinship with the musicians she wrote about, garnering stories with ease because they trusted her, and rightly so.

Beginning with Stewart Brand’s influence through his projects like The Whole Earth Catalog, the WELL, and Wired magazine, this book examines the unique culture of Silicon Valley. An essential history and one that clarifies the tech industry’s seemingly contradictory values of revolution and corporate power.